Robbie's a lovely lad, much less dangerous than Lu Cappa, who's always giving her the eye when he's out in his ice-cream van. Pam has to ask her best friend Jill to cover for her while she's out with Robbie. When Ivy finds out Pam's been lying, she makes sure the relationship with Robbie is over for good. Then Jill falls in love, and it's loneliness that makes Pam accept a date with Lu Cappa. Before she knows it, they're married. Even then, Pam knows Lu's still jealous of Robbie. And she can't help wondering what Lu's up to when he's out with his shifty brother. When Robbie comes back into their lives, it could be the last straw. One thing's for sure: until everyone starts to tell the truth, there will be as many sorrows as smiles in Pam's marriage...

    After three broken engagements I’m not going to waste my emotional energy on something that’s not going to give me anything.” – Shikha Bose.“I think my husband is having an affair with one of his colleagues. But I’m afraid to ask. Now it’s just in my head but if I ask and he doesn’t deny, it will become a reality.” – Preeti Singh.“My boyfriend doesn’t want to acknowledge me even as his friend in front of his family, let alone the fact that we’re lovers. It’s like I’m his dirty little secret.” – Siya Grewal.So the three friends come to a unanimous conclusion. Men suck. And like the characters in a sci-fi flick, perfect men are fictitious. The discussion takes off from there and ends with a post on social media. Attributes that this fictitious man should possess; some genuine, some funny and some downright naughty. Response to that post is unexpected in more ways than one. A Man to Die for creates a sensation with countless likes, retweets and forwards. And when the identities of the post-makers are revealed, the three friends are left to face the judging looks and snide comments. But when comments escalate to threatening calls and one of the three gets brutally murdered, the other two flounder in shock, grief, fear and fury. Someone has taken the post as a personal insult and was out for retribution by killing their friend and vowing to kill them too. Now, with the help of a DCP, who, according to Shikha was a dubious combination of a jerk and a hero, the killer must be caught. As the police race to unravel the identity, the killer strikes again...

    He was born without a conscience and remorse is an alien concept. Will he ever find out the truth about the past that shaped who he really is?Cassie refuses to live up to the expectations of her family, instead choosing to have fun with her flat mates and go home with various deviant men.Her best friend, Lisette, on the other hand, just wants a quiet predictable life with her steady boyfriend Jarred. But can Lisette find a way to fix their mediocre love life?Police Sergeant Lynn Gough knows exactly what she wants – and that’s her childhood crush Pete. The only thing getting in the way is his fiancée, Tamika. Lynn knows about Tamika’s dirty secrets however, and will stop at nothing to get rid of her.Rita wants children, but her husband Lewis is not so sure. Rita’s traumatic childhood continues to impact her relationships as an adult. While she battles with her inner demons, Lewis finds other ways of occupying his time. Will Rita learn to address the past to save her future?Explore how sex, lies and love impact our complex web of relationships, and discover how deeply our choices can impact others.

    It’s 1936 and Britain is in the grip of the Depression.Nell Flanagan is a decent, hardworking woman, married to Stephen, a tough, heavy-drinking brute of a man, who works as a casual in the docks — when there’s work available. Nell has hidden the abuse she has suffered at his hands from her young children, although most of the neighbours realise what’s going on.The Tanners think she must be asking for it, but nineteen-year-old Martin Lovell, has always admired Nell. When he sees Stephen actually attacking Nell, he can stand back no longer, but his actions have repercussions for all the families…

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    Her friends at Rhododendron High School—all girls from semi-royal and other rich families—will soon be going abroad, but she, with second-division marks in her final exams, might have to settle for a grimy little college in town. Her parents, plodding away in middle-class Kathmandu, are deeply disappointed, and all their hopes are now pinned on Numa, her sister. Sundry cousins from their village in far-off Lungla—driven out by poverty and the warring Maoists—come to live with the family, trample upon her privacy, and wage kitchen politics with Boju, her foul-tongued grandmother. Other relatives embarrass her with their gauche village ways. And, worst of all, Sagar, Sumnima’s US-returned RJ boyfriend, for whom she has been lying, sneaking around and stealing money from home, keeps her waiting for his phone calls.Employing a rich cast of characters, The Wayward Daughter tells the story of a young girl seeking out love, finding herself and her own spaces in life. Equally, it draws a telling portrait of Kathmandu—its class and caste divisions, its cosmopolitanism which exists alongside conservative attitudes, and its politics due to which a civil war looms. Written with humour, empathy and skill, this novel is a must-read.

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.

    Starring WillFerrell, Maggie Gyllenhaal, Dustin Hoffman, Queen Latifah,and Emma Thompson, Stranger Than Fiction is a heartfelt film,perhaps a comedy, perhaps a tragedy, about love and literatureand death and taxes.

    A free promotional sampler containing the first chapter of the latest installment in the Walking Dead novel series!

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    He has been creating trouble and evoking laughter since January 1983, issue Tinkle 27. He’s a total goof and will make you laugh with his silly antics. Suppandi has had multiple jobs however none of them have lasted very long. He takes instructions from his employers, applies his own literal logic to them and causes total mayhem. The character of Suppandi is based on a Tamil folklore character, Chappandi. Ram Waeerkar, the legendary Tinkle artist gave form to Suppandi. Currently, his daughter, Archana Amberkar, illustrates the strip.Meet the Cool CastMaddy: Suppandi’s best friend who often gives him advice and nearly always regrets it, but he is the only one who will stick with Suppandi and bears his gaffes.Soupy: Suppandi’s admirer, who usually has Suppandi fleeing her attentions.Frooty: Suppandi’s crush, she is the only one who understands the intent behind Suppandi’s actions and so always has a smile for SuppandiAbout TinkleContinuously published since 1980, Tinkle is one of the oldest and most cherished children’s comics magazines in India. It boasts of a large fan following and beloved characters that include such household names as Suppandi, Shikari Shambu and Tantri the Mantri.

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    These days it's Rory who has to look after the old man, and both of them dread being split up. But when he's told his grandad needs to go into a home and that he will be fostered, Rory is galvanised into setting out on the run with Granda. But where are they going, and where can they hide when their faces are plastered all over the newspapers and TV?

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre