She had a few friends who consisted of her roommate since freshmen year Carissa and Chantel who was the only friend that she’s had since her childhood, she was mainly the only thing that she vaguely remembered from her childhood. She’s in a relationship with Chantel’s fraternal twin brother Mike who later cheats on her. In the beginning of her junior year in college she meets this guy named August, and he's known for only wanting one thing from girls and that's sex but he see’s something different in Melissa and he’s willing to try committing with her. Melissa's been hurt one too many times that she doesn’t want another relationship, so being the type of person that August is he makes an deal with her. Which is Sex and no Commitment, but at this rate they are both going it's going to be a tough deal to follow through with. And there's something that Melissa forgets to mention to August, will he still want her after she tells him? So many questions, but you gotta read to find out.

    Subodh, a regular IT employee, is perceived as an immature man by everyone, but he isn't bothered until his love interest rejects him citing the same. Although dejected and crestfallen, he soon befriends an unusual, mysterious woman who knows everything about him and seems to have all the answers. Soon, his life goes through a lot of unexpected turns—from doubting his sanity and visiting a psychologist to a failed arranged marriage attempt made by his parents. Everything in his life seems to be in fast-forward mode. One thing that does not change, however, is this unusual “friend” of his who refuses to reveal her identity and chooses to appear at her whim. Who is this mysterious woman? Why is she prying into his life? Where will this strange friendship lead him? Is some impending danger awaiting Subodh or is it something else altogether?

    Use these fully illustrated classic and contemporary plays for reading practice or performance.Each script offers performance notes, character lists, exercises, and glossaries.

    It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.

    After a tumultuous childhood in a broken home, keeping secrets became a way of life for twin sisters: Gabby and Olivia, and their little sister, Emma. They've all got skeletons in their closets; memories locked away never to see the light of day. But after they take divergent paths in life, disaster strikes, and their pasts collide head-on with a mysterious present in this surreal and gripping family drama. The worst has happened, and if they want to find the key to survival and reconciliation, they must learn to let their skeletons out; shake the dust off of them, and maybe even let them dance across the floor. At turns heartbreaking, dark and beautiful, The Girl in the Box explores not only the consequences of secrets--even secrets kept out of fear--but also the courage it takes to speak the truth, to let go, and to survive. Trigger Warning: The content of this novel contains graphic scenes: violence to women, victimization, abduction, and abusePreviously titled: Let Me GoFiction: Psychological Suspense, Family Drama, Stand-Alone (no cliffhangers)

    Women have been fighting for equality and seeking justice in various aspects like equal wages, reproductive rights, domestic violence, maternal leave, sexual harassment, domestic violence, the right to education, etc. Not all rebellions spillover on the streets. Every woman who acts according to her free will for the greater good in her daily routine is a rebel, leading her own revolution. She may be a little girl. She could be a woman in love, a wife, a mom or an expectant mother, a career woman or a loving grandmother. Here are fourteen powerful stories where these rebels take various challenges head-on and live their life on their own terms. The women in the stories make their mark in their own way, symbolizing a revolution against a cause, no matter how big or small.This book is dedicated to every woman who stands up for herself.She refuses to fit in and blend with the crowd.She dares to be different and break the rules. She is courageous, wise, kind and compassionate.She is a fighter and doesn't give up on herself easily.She leads a rebellion against ignorance. She has a burning desire to live an extraordinary life.

    Demetri Roberts escapes to Bear Creek with his deaf sister, Sandy, in hopes of fleeing their troubled past and starting a safe and peaceful future.Assured that his sister is out of harm’s way, Demetri allows himself to fall for Emily and embark on a promising new romance. With her fitted jeans, her pistol and her sharp wit, Emily proves to be a tough lady who needs no protection.But when Demetri’s past catches up with him, putting his sister’s life back in danger, along with the rest of the community, their budding romance is put to the test.Will love and friendship be enough to save them? Will this fearless bride cure the troubled doctor’s heart?Deputy Tanner Williams wants nothing more than to find someone he can love. He finally summons up the courage to place an ad for a mail order bride, and is captivated by the woman with an irresistible combination of sharp wit and sweet nature.Bethany Duncan is determined to escape the life her controlling father has mapped out for her. The deputy’s mail order bride ad has given her a way out and she makes her way to Bear Creek to be with him.But trouble is brewing as chaos looms over the town, and Bethany’s father tries to stop his daughter’s plans.Are love and determination enough to secure a future of happiness for Bethany and Tanner, or is life determined to knock them down?Pastor Barthelme Munster and Samantha Freda weren’t expecting to find love when they moved to Bear Creek.Pastor Munster had planned to fully give himself to a community that needed him, while Samantha, together with her five sisters, had hoped to find a new place where she could put her difficult past behind her.Yet, they discover in each other a kindred spirit with whom they can share their dark pasts. Suddenly, these two lost souls are not alone… but can they accept their worth in time to give their blossoming love a chance?In the midst of the worst blizzard Bear Creek has ever seen, Peter Gibson and Shirley Freda find themselves stuck in the Jenkins’ ranch, growing ever closer as they work together to protect the ranch from the storm.Peter has already fallen for Shirley and longs for their budding relationship to grow, but Shirley is guarded, her heart frozen by the traumas of her past.Is his love true enough to thaw her heart and help her overcome the wounds that threaten to keep her from happiness?In Bear Creek Brides: Books 5-8, you’ll find four riveting stories of new beginnings and true love. Join Emily, Bethany, Samantha and Shirley as they face the demons of the past and fight for love and happiness.

    Twice a day the Persian slave trader came in and taught her to be a whore. Otherwise there was nothing. One day she found a pencil stub and scrap of paper in a forgotten corner of the room. She began to write down her life, starting with "Parents stink" (her father, who is also her boyfriend, has fallen in love with another woman and is about to leave her). With Blood and Guts in High School, Kathy Acker, whose work has been labeled everything from post-punk porn to post-punk feminism, has created a brilliantly subversive narrative built from conversation, description, conjecture, and moments snatched from history and literature.~ groveatlantic.com

    Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    This "Columbia Critical Guide" starts with extracts from Melville's own letters and essays and from early reviews of "Moby-Dick" that set the terms for later critical evaluations. Subsequent chapters deal with the "Melville Revival" of the 1920s and the novel's central place in the establishment, growth, and reassessment of American Studies in the 1940s and 1950s. The final chapters examine postmodern New Americanist readings of the text, and how these provide new models for thinking about American culture.

    Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country be sacrificed to a sea-monster." Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    She falls in love with his son, Hood, and the narrative unfolds in tragedy of immense proportions. Medea is a verse adaptation of Euripides' drama and was created especially for the actress Judith Anderson. Their combined genius made the play one of the outstanding successes of the 1940s. In Medea, Jeffers relentlessly drove toward what Ralph Waldo Emerson had called "the proper tragic element" terror.

    Pat has a theory: his life is a movie produced by God. And his God-given mission is to become physically fit and emotionally literate, whereupon God will ensure a happy ending for him—the return of his estranged wife, Nikki. (It might not come as a surprise to learn that Pat has spent time in a mental health facility.) The problem is, Pat's now home, and everything feels off. No one will talk to him about Nikki; his beloved Philadelphia Eagles keep losing; he's being pursued by the deeply odd Tiffany; his new therapist seems to recommend adultery as a form of therapy. Plus, he's being hunted by Kenny G!In this enchanting novel, Matthew Quick takes us inside Pat's mind, showing us the world from his distorted yet endearing perspective. As the award-winning novelist Justin Cronin put it: "Tender, soulful, hilarious, and true, The Silver Linings Playbook is a wonderful debut."