Brilliant. Brutal. Fiercely talented. Angry. Drug addicted. In reality, he’s all of them. He’s a survivor of the Detroit ghetto, the fifty-year-old father of twin boys, and a veteran of dozens of movies. He’s also now sober, after his addiction took his life just about as far down as any human being could go.Through screen-stealing performances in the 1990s movies True Romance, Heat, and Natural Born Killers, Sizemore was so in demand that even when it was widely known that he had a drug problem, directors like Steven Spielberg were offering him roles and begging him to stay sober for them. Robert De Niro personally recruited him for the role of MichaelCheritto in Heat after asking him to dinner and expressing his admiration. Jack Nicholson, Robert Downey, Jr., and Johnny Depp each went out of their way to befriend him. But this same man went from romancing Elizabeth Hurley and Juliette Lewis to being accused of domestic violence by the world’s most famous madam, and moved from a Beverly Hills mansion to a solitary-confinement cell at Chino State Prison and later a desolate, abandoned cabin in a town best known for being where Charles Manson hid Rosemary LaBianca’s wallet.For years, Sizemore’s days were filled with overdoses, suicide attempts, and homelessness. The simple fact is that people don’t come back from where Tom Sizemore landed—yet miraculously, he did. By Some Miracle I Made It Out of There is a harrowing journey into the heart of addiction, told in riveting and often shocking detail—a terrifying cautionary tale for anyone who’s peered over the abyss of drug abuse. By turns gritty and heartbreaking, it is also one man’s look at a particular moment in entertainment history—a window into the drug-fueled spotlight that sent Robert Downey, Jr., to jail and killed River Phoenix, Heath Ledger, and Chris Farley and many others far before their time.

    One of the bestselling memoirs of all time, David Niven's The Moon's a Balloon is an account of one of the most remarkable lives Hollywood has ever seen.Beginning with the tragic early loss of his aristocratic father, then regaling us with tales of school, army and wartime hi-jinx, Niven shows how, even as an unknown young man, he knew how to live the good life.But it is his astonishing stories of life in Hollywood and his accounts of working and partying with the legends of the silver screen - Lawrence Oliver, Vivien Leigh, Cary Grant, Elizabeth Taylor, James Stewart, Lauren Bacall, Marlene Dietrich, Noel Coward and dozens of others, while making some of the most acclaimed films of the last century - which turn David Niven's memoir into an outright masterpiece.An intimate, gossipy, heartfelt and above all charming account of life inside Hollywood's dream factory, The Moon is a Balloon is a classic to be read and enjoyed time and again..

    The story of a young man who finds himself somewhat unexpectedly a fine arts major in college, a fledgling sculptor in Chicago, a gadabout painter in Hoboken, and who eventually winds up a writer sometimes called "a born storyteller".The author of more than fifty books, Pinkwater now chronicles his own early life.

    The “time after” is not the uniform and morose time of those who no longer believe in anything. It is the time when we are less interested in histories and their successes or failures than we are in the delicate fabric of time from which they are carved. It is the time of pure material events against which belief will be measured for as long as life will sustain it.

    Along the way, he came up with surprising anecdotes involving Frank Sinatra, Bette Davis, John Houston, Audrey Hepburn, and Stephen Bogart's stepfather, Jason Robards, that make the real Humphrey Bogart come vividly to life.

    Explores the epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever.

    Yet despite more than twenty years in and out of the limelight, Priestley has carefully maintained his privacy. In this compelling memoir, the actor, director, and race-car aficionado invites us into his private world for the first time.With humor, sincerity, and charm, Priestley offers little-known details about his life and stories of his nine years in America’s most famous zip code. He talks candidly about celebrity, marriage, fatherhood, and his passion for car racing. He does not shy away from the devastating lows—his brief jail sentence for drunk driving and the crash at the Kentucky Speedway that nearly took his life. Priestley shares his innermost thoughts about life as a ’90s icon, and goes beyond the Brandon Walsh squeaky-clean image, revealing the tumultuous events that have shaped him, and where he finds his greatest happiness today

    All his life Don had been too shy, too deeply pained to ask his father or grandparents to tell him the story of the lovely girl named Peggy Snyder--what delighted or troubled her, who her friends were, how she fell in love, what cut short her brief life.But then, nearing his fiftieth birthday and compelled by his father's failing health, Snyder embarked on a quest to find his mother. He traveled many times from his home in Maine down to his mother's small Pennsylvania town to trace her childhood and adolescence. He tracked down Peggy's high school friends, spent time with her teachers, probed the memories of the girls--now elderly women-- who had been her bridesmaids. Detail by detail, Don pieced together the harrowing story of Peggy's final year--her passionate love affair with her husband, the unexpected pregnancy, the sudden illness that consumed her, and the impossible choice she was forced to make.A heartbreaking, overwhelmingly beautiful book, Of Time and Memory is a story of remembering--and reclaiming--the fragile mystery of a beloved life.

    "A first rate book and a joy to read...It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book...Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction."—Variety"For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments."—Washington Post Book World

    de Mille as the "screen's outstanding find of 1936" and by Howard Hawks as "the greatest actress I ever worked with"; join the Group Theatre, one of the most important, socially conscious and artistically groundbreaking troupes in U.S. history; and suffer a harrowing, ongoing struggle with mental illness, which kept her in various sanitariums and hospitals from 1943-1950. In 1972, her purported autobiography Will There Really Be a Morning? was published to great critical acclaim. The story might have ended there, but in 1978 Seattle film critic William Arnold published his account of Farmer's life, entitled Shadowland. Arnold claimed to have uncovered previously undisclosed information that Farmer had suffered a transorbital lobotomy at the hands of Dr. Walter Freeman, the man who, with James Watts, had introduced the prefrontal lobotomy to the United States, and who had later "refined" his technique to avoid drilling through the skull, instead resorting to inserting an icepick like device through the eye socket up into the brain to sever the frontal lobes. Arnold's disturbing account, the first time ever anyone had made the lobotomy assertion about Farmer, became the basis for the 1982 feature film Frances starring Jessica Lange.

    An honest, revealing self-portrait by the critically acclaimed, fiercely independent actor, discusses his early life, career, world travels, social activism, and profiles of friends, lovers, and professional colleagues.

    Taking the form of a diary, this vibrant graphic novel takes the reader from Goodfellas to The Goonies, Harry Potter to Apocalypse Now in a zany and hilarious exploration of the movies that have shaped Cavolo's life and the lives of his generation.

    Recollections of Farrar's father are prominent throughout the stories. Ultimately, it is music and musicians that are given the most space and the final word since music has been the creative impetus and driving force for the past 35 years of his life.In writing these stories, he found a natural inclination to focus on very specific experiences; a method analogous to the songwriting process. The highlights and pivotal experiences from that musical journey are all represented as the binding thread in these stories, illustrated throughout with photography from his life. If life is a movie, then these stories are the still frames.

    Many films later, he still works outside the studio system and guides every phase of his productions.Now Sayles has written an illuminating book about the complex choices that lie at the heart of every movie. Using the making of his film Matewan as an example, he offers chapters on screenwriting, directing, editing, sound, and more. Photographs, sketches, and the complete shooting script illustrate this engaging account of how Sayles's curiosity about a coal miners' strike in the town of Matewan, West Virginia, became a screenplay--and then a movie.

    But on July 23, 1982, a spectacular explosion on the set of Twilight Zone: The Movie knocked a helicopter out of the sky and into the path of two small children and veteran actor Vic Morrow, crushing one child and decapitating Morrow and the other youngster.How could this tragedy occur? Was anyone to blame? Outrageous Conduct reveals the facts behind the accident, when skilled movie-makers exceeded the bounds of safety; the anxiety, when Hollywood closed ranks to protect its own; and the raucous and very public trial, when countercharges of "outrageous conduct" flew between the attorney and the furious film director, John Landis.Here are the intimate stories of the people behind the headlines: Landis, the driven young director of Animal House and other hits; Steven Spielberg, the superstar co-producer; Deputy District Attorney Lea D'Agostino, who accused Landis of manslaughter, but would have preferred a charge of murder; Vic Morrow, the fading star who would risk everything to salvage his career; and Renee Chen, six, and Myca Lee [sic], seven, whose parents had emigrated to the United States in search of a better life only to lose their children in a "make-believe" war. Here too are the opinions of top Hollywood professionals, forced to choose sides in a legal battle that tore the movie world apart.Outrageous Conduct probes the boundaries between art and safety, daring and responsibility. Like Indecent Exposure and Final Cut, it exposes the excesses and hubris of the world's most glamorous and seductive profession.STEPHEN FARBER was the film critic for New West magazine. He has also written for The New York Times, Esquire, and Film Comment.MARC GREEN was the film critic for Books and Arts and has written for California Magazine. He and Stephen Farber have reported on the Hollywood scene for almost twenty years and are the authors of Hollywood Dynasties.