For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    Celice and Joseph, in their mid-50s and married for more than 30 years, are returning to the seacoast where they met as students. Instead, they are battered to death by a thief with a chunk of granite. Their corpses lie undiscovered and rotting for a week, prey to sand crabs, flies, and gulls. Yet there remains something touching about the scene, with Joseph's hand curving lightly around his wife's leg, "quietly resting; flesh on flesh; dead, but not departed yet.""Their bodies had expired, but anyone could tell--just look at them--that Joseph and Celice were still devoted. For while his hand was touching her, curved round her shin, the couple seemed to have achieved that peace the world denies, a period of grace, defying even murder. Anyone who found them there, so wickedly disfigured, would nevertheless be bound to see that something of their love had survived the death of cells. The corpses were surrendered to the weather and the earth, but they were still a man and wife, quietly resting; flesh on flesh; dead, but not departed yet."From that moment forward, Being Dead becomes less about murder and more about death. Alternating chapters move back in time from the murder in hourly and two-hourly increments. As the narrative moves backward, we see Celice and Joseph make the small decisions about their day that will lead them inexorably towards their own deaths. In other chapters the narrative moves forward. Celice and Joseph are on vacation and nobody misses them until they do not return. Thus, it is six days before their bodies are found. Crace describes in minute detail their gradual return to the land with the help of crabs, birds, and the numerous insects that attack the body and gently and not so gently prepare it for the dust-to-dust phase of death.

    But what if they were? And so he writes--in a plain, green journal--the truth about his own life and leaves it in his local café. It's run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves--and soon find each other in real life at Monica's café.The Authenticity Project's cast of characters--including Hazard, the charming addict who makes a vow to get sober; Alice, the fabulous mommy Instagrammer whose real life is a lot less perfect than it looks online; and their other new friends--is by turns quirky and funny, heartbreakingly sad and painfully true-to-life. It's a story about being brave and putting your real self forward--and finding out that it's not as scary as it seems. In fact, it looks a lot like happiness.The Authenticity Project is just the tonic for our times that readers are clamoring for--and one they will take to their hearts and read with unabashed pleasure.

    . . wishing he looked more like Hugh Grant. Scarlett loves the movies. But does she love sensible fiancé David just as much? With a big white wedding on the horizon, Scarlett really should have decided by now . . . When she has the chance to house-sit in Notting Hill - the setting of one of her favourite movies - Scarlett jumps at the chance. But living life like a movie is trickier than it seems, especially when her new neighbour Sean is so irritating. And so irritatingly handsome, too. Scarlett soon finds herself starring in a romantic comedy of her very own: but who will end up as the leading man?

    . . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, soldier-seducer Sergeant Troy and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. The first of his works set in the fictional county of Wessex, Hardy's novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships.

    After years of watching out for her younger siblings in the wake of their mother’s death, she’s accepted an invitation from a mentor in America that allows her to resume a dream long deferred. But she can’t stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who’s disappeared in pursuit of his own dream, to prove himself to the dark legacy of the jihadist father he never knew. When he resurfaces half a globe away, Isma’s worst fears are confirmed.Then Eamonn enters the sisters’ lives. Son of a powerful political figure, he has his own birthright to live up to—or defy. Is he to be a chance at love? The means of Parvaiz’s salvation? Suddenly, two families’ fates are inextricably, devastatingly entwined, in this searing novel that asks: What sacrifices will we make in the name of love?The suspenseful and heartbreaking story of an immigrant family driven to pit love against loyalty, with devastating consequences

    --Delia Owens, author of Where the Crawdads SingSpanning World War II and the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.A woman. A war. The child who changed everything.December 1940. As German bombs fall on Southampton, England during World War II, the city's residents flee to the surrounding villages. In Upton village, amid the chaos, newly married Ellen Parr finds a girl asleep, unclaimed at the back of an empty bus. Little Pamela, it seems, is entirely alone.Ellen has always believed she does not want children, but when she takes Pamela into her home, the child cracks open the past Ellen thought she had escaped and the future she and her husband Selwyn had dreamed for themselves. As the war rages on, love grows where it was least expected, surprising them all. But with the end of the fighting comes the realization that Pamela was never theirs to keep. Spanning the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.

    She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg and Siberia.

    Jonathan Safran Foer has called her writing “thrilling.” Jeanette Winterson has praised her for her “style, ideas, and punch.” Here, in a novel at once profound, playful, and exhilaratingly inventive, she transfixes us with a portrait of a family unraveled by a mysterious visitor.Amber—thirtysomething and barefoot—shows up at the door of the Norfolk cottage that the Smarts are renting for the summer. She talks her way in. She tells nothing but lies. She stays for dinner.Eve Smart, the author of a best-selling series of biographical reconstructions, thinks Amber is a student with whom her husband, Michael, is sleeping. Michael, an English professor, knows only that her car broke down. Daughter Astrid, age twelve, thinks she’s her mother’s friend. Son Magnus, age seventeen, thinks she’s an angel.As Amber insinuates herself into the family, the questions of who she is and how she’s come to be there drop away. Instead, dazzled by her seeming exoticism, the Smarts begin to examine the accidents of their lives through the searing lens of Amber’s perceptions. When Eve finally banishes her from the cottage, Amber disappears from their sight, but not—they discover when they return home to London—from their profoundly altered lives.Fearlessly intelligent and written with an irresistible blend of lyricism and whimsy, The Accidental is a tour de force of literary improvisation that explores the nature of truth, the role of chance, and the transformative power of storytelling.

    Over the course of a year, each of these women’s lives becomes intertwined, both through the books they read and the real-life stories they tell.Inspired by a shared desire for conversation, a good book and a glass of wine, Clare, Harriet, Nicole, Polly and Susan undergo startling revelations and transformations despite their difference in background, age and respective dilemmas.In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.

    Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.

    Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.