Races operating within their own planetary systems are to be left alone until they begin to develop the ability to travel at FTL (faster than light speeds). When the ability to travel at FTL becomes apparent, one of the members of the Federation is nominated to help ease the newcomer through the Galactic citizenship process. Unfortunately, not all the galaxies systems belong to the Federation, and some of those systems are much less than friendly. The last several decades have seen the development of war like societies that systematically loot developing planets. They take the water, and other precious resources, including slaves, leaving the remaining native inhabitants a barren planet. Without resources the population simply dies a slow death. The Egolari are here because we, meaning the people of Earth, happen to possess a skill set and an aptitude that is critical to the needs of the Federation. The major problem within the Federation is that virtually all the members have, for centuries been living in peace. They have developed a society that is not well suited to counter the growing violence presented by the nonaligned races. In short, they have no way to protect themselves, let alone protect the fledgling races just arriving on the galactic scene. Enter Earth. Of all the emerging races to become future galactic members, one has a superior potential to face the violence threatened by the nonaligned races. You guessed it, Humanity. The Federation realized that to continue to function as an organized galactic society, they would have to develop a military arm that could provide the Federation and emerging systems the protection of a fleet of space vessels and marines. Humanity was the race most capable of leading the development of that military organization because we had not progressed so far that our war like tendencies had begun to erode. Although we were not yet ready for galactic membership, we were a necessity that could fill the need, thus we were getting a crash course in how to travel the galaxy, protecting ourselves and the Federation with the full expectation that we would go where no human has gone before, and kick some alien ass.

     The Cosy Cottage Café is at the heart of the picturesque English village of Heatherlea. Through summer, autumn, winter and spring, café owner Allie Jones and her friends, Dawn, Camilla and Honey, share their hopes and dreams, ups and downs, and a few surprises along the way. Join them at The Cosy Cottage Café and enjoy this bestselling series. ** PLEASE NOTE: THE FOUR STORIES WERE PREVIOUSLY RELEASED AS SINGLE TITLES. **

    

    

    What will happen with Tru and the baby? Will she tell Sincere about their daughter or will he find out on his own? With new significant others in the picture and drama in the streets, will Tru and Sincere finally get it together? Or will they keep running away from the love that they both share? Follow them as they struggle with love and trust.

    Biography

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    Seventeen-year-old Roddy, on the other hand, is a faltering student, and occasional shoplifter trying to make sense of his life. Their worlds collide one hot August afternoon when a fake robbery organised by Roddy and his friend Mike goes horribly wrong, leaving Isla with a bullet lodged in her spine. With Roddy 'immobilised' in gaol and Isla lying paralysed in the hospital, they both have lots of time to reflect upon where it all went wrong.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    Driven by an insatiable hunger for flesh, they attack anyone who dares to go out.Anna is trapped as the zombie apocalypse rages outside her front door. Desperate and alone, she must find a way to get to her children who are with her Ex-partner. As Anna runs from the dead, she finds help from Rob and his fifteen-year-old brother, Jack, despite Rob’s better instincts. Together, they run the nightmare gauntlet that used to be their neighbourhood.Run from the Dead is the first book in a zombie apocalypse series, following ordinary people trying to stay alive no matter what the cost. Battling the dead and humans alike, the people left must become somebody new. Someone prepared to do whatever it takes to live.Anna must learn to survive this cruel new world, where the living can be just as terrifying as the dead.

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    The Canadian Constitution makes Canada’s Constitution readily accessible to readers for the first time. It includes the complete text of the Constitution Acts of 1867 and 1982 as well as a glossary of key terms, a short history of the Constitution, and a timeline of important constitutional events. The Canadian Constitution also explains how the Supreme Court of Canada works and describes the people and issues involved in leading constitutional cases.Author Adam Dodek, a law professor at the University of Ottawa, provides the only index to the Canadian Constitution as well as fascinating facts about the Supreme Court and the Constitution that have never been published before. This book is a great primer for those coming to Canada’s Constitution for the first time as well as a useful reference work for students and scholars.

    Around her revolves a vividly drawn cast of characters: her mother Adele; Misha, a Polish Jew; the willful, bitter Mother Superior; and her powerfully intelligent twin brothers, who sleep beside a map of the world they long to explore. Brilliantly imagined and buoyed by the clear-eyed perceptions of youth, it is an eloquent and profound story from a gifted writer.

    Organized in the format of an encyclopedia, each letter of the alphabet includes several poems on the theme of the word that begins with that letter. Emotional and inspiring, Encyclopedia of a Broken Heart will appeal to every modern poetry lover.

    The action hinges upon a sudden mischance in which accident and intention tragically coincide. Swept along by the inexorable logic of events, Callaghan’s protagonists are forced to re-examine the nature of individual conscience and responsibility. In their personal struggle is expressed the mood of the age, its cynicism and anger, its desperate idealism, and its agonized longing for redemption.