The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman.In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible—the Children of the Next Level—and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in.A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact.And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

    The campsite is strangely blank. The toilet block has gone. Everything else has gone too. This is a place with no sun. No god.Just four families remain. Each has done something to bring them here - each denies they deserve it. Until they see what's coming over the horizon, moving irrevocably towards them. Their worst mistake. Their darkest fear.And for just one of them, their homecoming.This gripping conceptual horror takes you deep into one of the most macabre and unique imaginations writing in the genre. On family, on children, Lindqvist writes in a way that tears the heart and twists the soul. I Am Behind You turns the world upside down and, disturbing, terrifying and shattering by turns, it will suck you in.

    But how does it reflect on your teaching skills when your doppleganger murders the whole class? Follow the Dystopian Duo (Dr. Blah Blah Blah and his robot Dr. Identity) on a killing spree of epic proportions through the irreal postapocalyptic city of Bliptown where time ticks sideways, artificial Bug-Eyed Monsters punish citizens for consumer-capitalist lethargy, and ultraviolence is as essential as a daily multivitamin.

    People are turning into clowns. Society isn’t interested in finding a cure or treating the infected as humans. But when unconventional couriers begin to harass the contaminated, and clowns start disappearing, a band of transformed coworkers set out to find answers.

    Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty.

    So did the others . . .At loose ends after the devastating death of her mother, Una Richardson responds to an advertisement for a ladies' companion, a position that leads her into the wealthy, secluded world of Mrs. Elspeth McKenzie.But Elspeth's home isn't the comforting haven it seems.Kathryn, her cold and bitter daughter, resents Una's presence. More disturbing is evidence suggesting two girls lived here before her.What happened to the young women?Why won't the McKenzies talk about them?What are they hiding?As the walls begin to close in around her, Una fears she'll end up just like the other girls . . .

    Reprinted in Beyond the Pale, edited by Henry Herz.Gentleman Johnnie Marcone clashes with a rival supernatural power. Told from Marcone’s point of view.Takes place between Turn Coat and Changes.“B is for Bigfoot” — from Under My Hat: Tales From the Cauldron, edited by Jonathan Strahan. Republished in Working for Bigfoot.Takes place between Fool Moon and Grave Peril.“I Was A Teenage Bigfoot” — from Blood Lite 3: Aftertaste, edited by Kevin J. Anderson. Republished in Working for Bigfoot.Takes place circa Dead Beat.“Bigfoot on Campus” — from Hex Appeal, edited by P.N. Elrod. Republished in Working for Bigfoot.Takes place between Turn Coat and Changes.“Bombshells” — Molly-POV novella from Dangerous Women, edited by George R. R. Martin and Gardner Duzois.Molly teams up with Justine and Andi to thwart a Fomor plot.Takes place between Ghost Story and Cold Days.“Jury Duty” — short story for Unbound, edited by Shawn Speakman.Harry endures Jury Duty.Set after Skin Game.“Cold Case” — short story from Shadowed Souls, edited by Jim Butcher and Kerrie Hughes.In Molly’s first job in her new role, she teams up with Ramirez to take on a Lovecraft-esque cult.Takes place shortly after Cold Days.“Day One” — short story for Unfettered II, edited by Shawn Speakman.Butters’ first mission.Set after Skin Game.“A Fistful of Warlocks” — short story for Straight Outta Tombstone, edited by David Boop.Luccio takes on necromancers in the Wild West.Set long before the events of the series.