The wrong one. The one you couldn’t let go of. The one you’ll never forget.Lucy Albright is far from her Long Island upbringing when she arrives on the campus of her small California college, and happy to be hundreds of miles from her mother, whom she’s never forgiven for an act of betrayal in her early teen years. Quickly grasping at her fresh start, Lucy embraces college life and all it has to offer—new friends, wild parties, stimulating classes. And then she meets Stephen DeMarco. Charming. Attractive. Complicated. Devastating. Confident and cocksure, Stephen sees something in Lucy that no one else has, and she’s quickly seduced by this vision of herself, and the sense of possibility that his attention brings her. Meanwhile, Stephen is determined to forget an incident buried in his past that, if exposed, could ruin him, and his single-minded drive for success extends to winning, and keeping, Lucy’s heart. Alternating between Lucy’s and Stephen’s voices, Tell Me Lies follows their connection through college and post-college life in New York City. Deep down, Lucy knows she has to acknowledge the truth about Stephen. But before she can free herself from this addicting entanglement, she must confront and heal her relationship with her mother—or risk losing herself in a delusion about what it truly means to love. With the psychological insight and biting wit of Luckiest Girl Alive, and the yearning ambitions and desires of Sweetbitter, this keenly intelligent and staggeringly resonant novel chronicles the exhilaration and dilemmas of young adulthood, and the difficulty of letting go, even when you know you should.

    It has been seven years since she disappeared, and nobody said a word. Now, following the death of his wife, her father Leon feels compelled to find her. Rumour had it she ran off when her baby boy was born with the family's genetic disorder. Leon is not so sure. He wants to know the truth and he hires a private investigator to discover it - Ray Lovell. Ray starts to delve deeper, but his investigation is hampered by the very people who ought to be helping him - the Jankos. He cannot understand their reluctance to help. Why don't they want to find Rose Janko?

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

     Just a year and a half after the tragic death of his wife, Bill Price's fifteen-year-old daughter, Summer, and her best friend, Haley, disappear. Days later, the girls are found in a city park. Haley is dead at the scene, while Summer is left beaten beyond recognition and clinging to life.As Bill holds vigil over Summer's bandaged body, the only sound the unconscious girl can make is one cryptic and chilling word: No. And the more time Bill spends with Summer, the more he wonders what happened to her. Or if the injured girl in the hospital bed is really his daughter at all.When troubling new questions about Summer's life surface, Bill is not prepared for the aftershocks. He'll soon discover that both the living and the dead have secrets. And that searching for the truth will tear open old wounds that pierce straight to the heart of his family... READERS GUIDE INCLUDED

    Her latest round of fertility treatments not only failed but left her on edge and unbalanced. And her three-year-old daughter, Elizabella, has a new imaginary friend, who seems much more devilish than playful. So when Veronica’s husband fails to return home from a business trip, what’s left of her stability begins to crumble.Given her family’s history of mental illness, and Elizabella’s insistence that her daddy is dead, Veronica starts questioning herself. Every move she makes is now suspect. Worse still, Veronica is positive that someone wants her and her daughter dead, too—unless it’s all in her mind…Somewhere beneath her paranoia is the answer to her husband’s vanishing. To find it, she’s led to a house in the Florida Keys. But once there, she isn’t sure she wants to know the truth.

    As she’s drawn deeper into the mystery and becomes convinced she’s on the trail of a killer, she also must face her own demons and her own mortality. Would anyone notice if she just disappeared?

    Petersburg––taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now 36 years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House, to choreograph the ballet that will kickstart the next phase of her career––and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets can't stay buried forever. Moving between the trio's adolescent years and the present day, The Ballerinas explores the complexities of female friendship, the dark drive towards physical perfection in the name of artistic expression, the double-edged sword of ambition and passion, and the sublimated rage that so many women hold inside––all culminating in a twist you won't see coming, with magnetic characters you won't soon forget.

    A perfect stranger. A perfect nightmare. When British twenty-somethings Ruth and Adam are offered the chance to spend the summer housesitting in New York, they can’t say no. Young, in love and on the cusp of professional success, they feel as if luck is finally on their side.So the moment that Eden turns up on the doorstep, drenched from a summer storm, it seems only right to share a bit of that good fortune. Beautiful and charismatic, Eden claims to be a friend of the homeowners, who told her she could stay whenever she was in New York.They know you’re not supposed to talk to strangers—let alone invite them into your home—but after all, Eden’s only a stranger until they get to know her.As suspicions creep in that Eden may not be who she claims to be, they begin to wonder if they’ve made a terrible mistake…

    Soft‑petalled flowers that go to seed. The resolute passage of the seasons. Swallows that fly thousands of miles to follow the eternal summer.Children who don’t die before their parents.When Kate receives a phone call with news that Rosie Anderson is missing, she’s stunned and disturbed. Rosie is eighteen, the same age as Kate’s daughter, and a beautiful, quiet, and kind young woman. Though the locals are optimistic—girls like Rosie don’t get into real trouble—Kate’s sense of foreboding is confirmed when Rosie is found fatally beaten and stabbed.Who would kill the perfect daughter, from the perfect family? Yet the more Kate entwines herself with the Andersons—graceful mother Jo, renowned journalist father Neal, watchful younger sister Delphine—the more she is convinced that not everything is as it seems. Anonymous notes arrive, urging Kate to unravel the tangled threads of Rosie’s life and death, though she has no idea where they will lead.Weaving flashbacks from Rosie’s perspective into a tautly plotted narrative, The Bones of You is a gripping, haunting novel of sacrifices and lies, desperation and love.

    No body—only a hiking boot—has ever been found. Billie’s husband and teenage daughter cope with her death the best they can: Jonathan drinks, Olive grows remote.But then Olive starts having waking dreams—or are they hallucinations?—that her mother is still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he knew about his wife. Together, Olive and Jonathan embark on a quest for the truth—about Billie, their family, and the stories we tell ourselves about the people we love.

    The crime is eerily similar to a twenty-year-old cold case: another victim, brutally murdered, found in the Delaware River. Lead detective Parker Reed is intent on connecting the two murders, but the locals are on lockdown, revealing nothing.The past meets the present when Becca Kingsley, who returns to Portland to be with her estranged but dying father, runs into Parker, her childhood love. As the daughter of the former police chief, Becca's quickly drawn into the case. Coming home has brought something ominous to the surface - memories long buried, secrets best kept hidden. Becca starts questioning all her past relationships, including one with a man who's watched over her for years. For the first time, she wonders if he's more predator than protector.In a small town where darkness hides in plain sight, the truth could change Becca's life - or end it.

    When the students' answers raise disturbing questions of their own, Ms. Witt knows there's more going on the school than the faculty wants to see. She soon learns about The Ten--the students at the top of the school's social hierarchy--as well as their connection to something called The Darkroom.Ms. Witt can't remain a passive observer. She finds the few girls who've started to question the school's "boys will be boys" attitude and incites a resistance that quickly becomes a movement. But just as it gains momentum, she also attracts the attention of an unknown enemy who knows a little too much about her--including what brought her to Stonebridge in the first place.Meanwhile, Gemma, a defiant senior, has been plotting her attack for years, waiting for the right moment. Shy loner Norman hates his role in the Darkroom, but can't find the courage to fight back until he makes an unlikely alliance. And then there's Finn Ford, an English teacher with a shady reputation who keeps one eye on his literary ambitions and one on Ms. Witt.As the school's secrets begin to trickle out, a boys-versus-girls skirmish turns into an all-out war, with deeply personal--and potentially fatal--consequences for everyone involved.

    They drink and Lavinia tells Louise about all the places they will go together, when they finish their stories, when they are both great writers-to Paris and to Rome and to Trieste...Lavinia will never go. She is going to die soon.Louise has nothing. Lavinia has everything. After a chance encounter, the two spiral into an intimate, intense, and possibly toxic friendship. A Talented Mr. Ripley for the digital age, this seductive story takes a classic tale of obsession and makes it irresistibly new.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    When he is approached by MI6 and asked to carry out a simple task on behalf of his country while attending a literary festival in Morocco, he jumps at the chance.But all is not as it seems. Carradine soon finds himself on the trail of Lara Bartok, a leading figure in Resurrection, a violent revolutionary movement targeting prominent right-wing political figures around the world. Caught between competing intelligence services who want Bartok dead, Carradine faces a choice: to abandon Bartok to her fate or to risk everything trying to save her.