It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.

    A play by the creator of the "West Wing" about the invention of television, "The Farnsworth Invention" focuses on the battle between Philo Farnsworth, the Mormon from who came up with the concept as a teenager, and David Sarnoff, the escapee from Russian pogrom who had become the ruthless head of the Radio Corporation of America (RCA) and its subsidiary, the National Broadcasting Company (NBC).

    Changing styles in feminist thought, the tangled connections between creativity and ideology, the writer’s odd place in our money-centered world, the way we turn our friends into surrogate families—while always fluid and lively, the play is thick with ideas, like a stockpot of good stew.” –Michael Feingold, Village Voice“Beautifully layered. Margulies delivers a spot-on glimpse of New York's literary scene: the power of a Times book review, or the milestone of the 92nd Y's authors series, or the significance of a little-known but much-revered lit mag like the now-defunct Grand Street. He's even better at teasing the sense of betrayal that can dissolve creative friendships…the ethics of friendship and fiction smack into each other.” –Lisa Kennedy, Denver Post“[Collected Stories] digs into its engaging tale of aesthetics and ethics with intelligence and sharp, literate humor….Mr. Margulies has found fertile material in the struggles of the creative classes to reconcile the demands of ambition with the exigencies of life.” –New York Times“This provocative piece of theater serves as a timely reminder that we are defined by our feelings and memories — and such precious thoughts are sacred.” –Matthew J. Palm, Orlando SentinelCollected Stories explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life-particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Lisa Morrison, a student of Steiner's who, after publishing a much-ballyhooed first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair. The result is charged drama with the depth and weight of the finest prose fiction. Winner of the Los Angeles Drama Critics Award for Best New Play.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

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    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    She gives one of them away to wealthy Mrs Lyons and they grow up as friends in ignorance of their fraternity until the inevitable quarrel unleashes a blood-bath. 'Willy Russell is less concerned with political tub-thumping than with weaving a close-knit story about the working of fate and destiny … it carries one along with it in almost unreserved enjoyment" Guardian One of the longest-running and most successful ever West End musicals, Blood Brothers premiered at the Liverpool Playhouse in January 1983.

    "A brave and breathtaking musical."--The New York Times

    Moving between past and present, Alison relives her unique childhood playing at the family's Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father's hidden desires. Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited to a life in the upper echelons of elite society, Jack finds himself at the centre of a ruthless power struggle as his scheming family strives to uphold their reputation.Bubbling with acerbic wit and feverish energy, Olivier Award-winning and Oscar-nominated-writer Peter Barnes's razor-sharp satire combines a ferocious mix of hilarity and horror whilst mercilessly exposing the foibles of the English nobility.This edition of the play is published to coincide with the first-ever revival of this classic cult comedy at the Trafalgar Studios, London, on 16 January 2015.

    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Yet Steven Adly Guiguis has created a profane, hilarious masterpiece that earned a "hatful" of theatrical accolades in 2011, including a Drama Desk award for Outstanding Actor in a Play for Bobby Cannavale. Stars the original Broadway cast: Chris Rock, Bobby Canavale, Annabella Sciorra, Elizabeth Rodriguez and Yul Vazquez.

    Enchantment and reality collide at a 1932 meeting between Alice Liddell Hargreaves, the original Alice in Wonderland, and Peter Llewelyn Davies, the original Peter Pan. Peter and Alice, which opened on London's West End in March 2013, stars Judi Dench and Ben Whishaw.