A classic romcom with a Regency-era twist, for fans of Mean Girls and/or Jane Austen.Abandoned by her parents, middle-class Georgiana Ellers has moved to a new town to live with her dreary aunt and uncle. At a particularly dull party, she meets the enigmatic Frances Campbell, a wealthy member of the in-crowd who lives a life Georgiana couldn't have imagined in her wildest dreams.Lonely and vulnerable, Georgiana falls in with Frances and her unfathomably rich, deeply improper friends. Georgiana is introduced to a new world: drunken debauchery, mysterious young men with strangely arresting hands, and the upper echelons of Regency society.But the price of entry to high society might just be higher than Georgiana is willing to pay ...

    But everything she thought she knew about herself, her marriage, and her relationship with her best friend, Margot, is upended when she stumbles upon an envelope containing her husband’s wedding ring—the one he claimed he lost one summer when their daughter, Ruby, was five.Flora and Julian struggled for years, scraping together just enough acting work to raise Ruby in Manhattan and keep Julian’s small theater company—Good Company—afloat. A move to Los Angeles brought their first real career successes, a chance to breathe easier, and a reunion with Margot, now a bona fide television star. But has their new life been built on lies? What happened that summer all those years ago? And what happens now?With Cynthia D’Aprix Sweeney’s signature tenderness, humor, and insight, Good Company tells a bighearted story of the lifelong relationships that both wound and heal us.

    Once settled into a luxurious seaside resort, Lizzie has to make big decisions about her future, and she needs the one thing she may be running out of: time.She leaves the yacht-owners and celebrities behind and sneaks off to the public beach, where she meets a sardonic chef named Dante, his battered dog Lily, and his wry daughter Etta, a twelve-year-old desperate for a mother. While Dante shows Lizzie the island's secrets, and Etta dazzles with her irreverent humor, Lizzie is confronted with a dilemma. Is it right to fall in love if time is short? Is it better to find a mother briefly, or to have no mother at all? And the most difficult question of all: What if falling in love inevitably leads to broken hearts?A transporting, all-consuming story about love, courage, and Italian wine, Lizzie & Dante demands to know how far we should travel to find a future worth fighting for.

    Pete and Jackie were high school sweethearts. Everyone expected them to marry immediately but an explosive incident tore them apart before graduation. It took years for the two to heal and finally come back together. Now, decades later, they face an uncertain future with their only child out on her own and alarming news about Jackie’s health. Determined to stay positive, the two travel to their Cape hometown for a book signing of Pete’s debut novel. But when a disastrous encounter in the bookstore with an old classmate brings their long relationship to the breaking point, they are forced to examine their marriage and explore their deepest feelings.

    Inspired by a real-life case of an IVF laboratory mix-up.Grace and Dan Arden are in their forties and have been on the IVF treadmill since the day they got married. Six attempts have yielded no results, and with each failure a little piece of their hope dies. Priya Laghari and her husband Nick Archer are being treated at the same fertility clinic, and while they don’t face the same time pressure as the Ardens, the younger couple have their own problems. On the same day that Priya is booked for her next IVF cycle, Grace goes in for her final, last-chance embryo transfer. Two weeks later, both women get their results. A year on, angry and heartbroken, one of the women learns her embryo was implanted in the other’s uterus and must make a devastating choice: live a childless life knowing her son is being raised by strangers or seek custody of a baby who has been nurtured and loved by another couple.

    Three years later, he’s released to a world that refuses to let him move on. Belinda’s mother, once Thea’s good friend, galvanizes the community to rally against him to protest in her daughter’s memory. The media paints Stefan as a symbol of white privilege and indifferent justice. Neighbors, employers, even some members of Thea's own family turn away.Meanwhile Thea struggles to understand her son. At times, he is still the sweet boy he has always been; at others, he is a young man tormented by guilt and almost broken by his time in prison. But as his efforts to make amends meet escalating resistance and threats, Thea suspects more forces are at play than just community outrage. And if there is so much she never knew about her own son, what other secrets has she yet to uncover—especially about the night Belinda died?

    She’s a dreamer, a feeler, a careening well of sensitivities who can’t quite keep her feet on the ground, or steer clear of trouble. She’s a laugher, a crier, a quirky and quick-witted bleeding-heart-worrier. Meet Ben. He’s an engineer, an expert at leveling floors who likes order, structure, and straight lines. He doesn’t opine, he doesn’t ruminate, he doesn’t simmer until he boils over. So naturally, when the two first cross paths, sparks don’t exactly fly. But then they meet again. And again. And then, finally, they find themselves with a deep yet fragile connection that will change the course of their relationship—possibly forever. Follow Eve and Ben as they navigate their twenties on a winding journey through first jobs, first dates, and first breakups; through first reunions, first betrayals and, maybe, first love. This is When Harry Met Sally reimagined; a charming tale told from two unapologetically original points of view. With an acerbic edge and heartwarming humor, debut novelist Leslie Cohen takes us on a tour of what life looks like when it doesn’t go according to plan, and explores the complexity, chaos, and comedy in finding a relationship built to last.

    For Bridget and Amy, that place was the cancer ward of an Anchorage hospital. Now, as each struggles to overcome loss, they lean on each other for support—sharing suppers, laughter and tears.Bridget and Amy aren’t about to let hardship knock them down—Bridget plans to return to her veterinarian school studies, Amy to her position as a second-grade teacher—but neither feels quite ready. And so the Sunday Potluck Club is born, a way for Bridget, Amy, and other women who have lost a loved one to find solace and understanding. Savoring favorite dishes while sharing memories and the comfort of connection, the members of the Sunday Potluck Club nourish body and soul.As weeks go by and the group grows in unforeseen ways, both Bridget and Amy are inspired to find greater purpose. Amy reaches out to a student whose father bravely faces his own struggle. Bridget volunteers at the local animal shelter, rehabilitating dogs whose unconditional love will bring others a chance to heal. And with the help of a very special man, Amy is realizing that there’s always room at the table for love and rekindled joy . . .

    . . Erin McCabe has been referred the biggest case of her career. Four months ago, William E. Townsend, Jr., son of a New Jersey State Senator, was found fatally stabbed in a rundown motel near Atlantic City. Sharise Barnes, a nineteen-year-old transgender prostitute, is in custody, and given the evidence against her, there seems little doubt of a guilty verdict.Erin knows that defending Sharise will blow her own private life wide open, and doubtless deepen her estrangement from her family. Yet as a trans woman, she feels uniquely qualified to help Sharise, and duty-bound to protect her from the possibility of a death sentence.Sharise claims she killed the senator's son in self-defense. As Erin assembles the case with her partner, former FBI agent Duane Swisher, the circumstances hint at a more complex and chilling story with ties to other brutal murders. Senator Townsend is using the full force of his prestige and connections to publicly discredit everyone involved in defending Sharise. Behind the scenes, his tactics are even more dangerous. His son had secrets that could destroy the senator's political aspirations--secrets worth killing for. And as leads begin mysteriously disappearing, it's not just the life of Erin's client at stake, but her own . . .

    Chris sometimes feels more like a maid than part of the family. But when Chris’s stepsister Kimberly begins dating golden boy J. J. Kennerly, heir to a political dynasty, everything changes. Because Chris and J. J. fall in love . . . with each other.With the help of a new friend, Coco Chanel Jones, Chris learns to be comfortable in his own skin, let himself fall in love and be loved, and discovers that maybe he was wrong about his step-family all along. All it takes is one fairy godmother dressed as Diana Ross to change the course of his life.My Fairy Godmother is a Drag Queen is a Cinderella retelling for the modern reader. The novel expertly balances issues like sexuality, family and financial troubles, and self-discovery with more lighthearted moments like how one rogue shoe can launch a secret, whirlwind romance and a chance meeting with a drag queen can spark magic and light in a once dark reality.

    The same night she quits her thankless job she meets Caleb, a local photographer in her seaside town, and has a run-in with Max—the once love of her life. As Lucy decides the right path forward—finally pursue her dream of becoming a writer, or move to London and revive her career—her choice will change her life in unimaginable ways. Stay. After a decade of trying to run from her dream, Lucy is finally facing her fears and putting pen to page. With her budding romance with handsome, artistic Caleb, she has more inspiration now than ever. But can Lucy and Caleb open themselves up after their past heartbreaks? And will their different paths take them to the same place? Go. Lucy can’t believe her luck when a room in her best friend’s London house share opens up and she lands a job at the prestigious Supernova. It gives her the courage to face Max, who’s serendipitous encounter still has her reeling, and ask what really happened almost a decade ago? But does she really want to know, when being together feels like fate? In concurrent storylines that track what would have happened if Lucy chose to Stay or Go, What Might Have Been is a sweeping story that poses the questions: is it destiny or chance that decides who we are meant to be, and who we are meant to love? And is there such a thing as a soul mate?

    But on the heels of their greatest success, they ended their partnership on bad terms, for reasons neither would divulge to the public. They haven't spoken since, and never planned to, except they have one final book due on contract.Facing crossroads in their personal and professional lives, they're forced to reunite. The last thing they ever thought they'd do again is hole up in the tiny Florida town where they wrote their previous book, trying to finish a new manuscript quickly and painlessly. Working through the reasons they've hated each other for the past three years isn't easy, especially not while writing a romantic novel.While passion and prose push them closer together in the Florida heat, Katrina and Nathan will learn that relationships, like writing, sometimes take a few rough drafts before they get it right.

    She’ll hate you forever if you ask her to open up and remember him “as he was,” though that’s all her loving family wants her to do in order to manage her complex OCD and GAD. She’d rather everyone back the-eff off while she separates her Lucky Charms marshmallows into six, always six, Ziploc bags, while she avoids friends and people and living the life her father so desperately wanted for her. Dew respectfully requests a little more time to process the sudden loss of his parents. It's causing an avalanche of secret anxieties, so he counts on his trusty voice recorder to convey the things he can’t otherwise say aloud. He could really use a friend to navigate a life swimming with pain and loss and all the lovely moments in between. And then he meets Naima and everything’s changed—just not in the way he, or she, expects. Candace Ganger's Six Goodbyes We Never Said is no love story. If you ask Naima, it’s not even a like story. But it is a story about love and fear and how sometimes you need a little help to be brave enough to say goodbye.

    She made her fortune and now she hob nobs with the very rich and occasionally the semi-famous, and she enjoys luxuries she only dreamed of as a middle-class kid growing up in Potomac, Maryland. But despite it all, she can't ignore the fact that she isn't necessarily happy. In fact, lately Ramie has begun to feel more than a little empty.On a boat with friends off the Florida coast, she tries to fight her feelings of discontent with steel will and hard liquor. No one even notices as she gets up and goes to the diving board and dives off...Suddenly Ramie is waking up, straining to understand a voice calling in the distance...It's her mother: "Wake up! You're going to be late for school again. I'm not writing a note this time..."Ramie finds herself back on the eve of her eighteenth birthday, with a second chance to see the people she's lost and change the choices she regrets. How did she get back here? Has she gone off the deep end? Is she really back in time? Above all, she'll have to answer the question that no one else can: What it is that she really wants from the past, and for her future?

    Not with her wealthy classmates at the selective London Conservatory where she unexpectedly wins a place after university, not with the family she left behind, and definitely not with Max, a man she meets in the bar where she sings for cash. He’s everything she’s not—rich, tailored to precision, impossible to read—and before long Anna is hooked, desperate to hold his attention, and determined to ignore the warning signs that this might be a toxic relationship.As Anna shuttles from grueling rehearsals to brutal auditions, she finds herself torn between two conflicting desires: the drive to nurture her fledgling singing career, which requires her undivided attention, and the longing for human connection. When the stakes increase, and the roles she’s playing—both on stage and off—begin to feel all-consuming, Anna must reckon with the fact that, in carefully performing what’s expected of her as a woman, she risks losing sight of herself completely.Both exceedingly contemporary and classic, A Very Nice Girl reminds us that even once we have taken possession of our destinies we still have the power to set all we hold dear on fire.