He is at his inimitable best as he tracks down the last known letter of Napoleon, or investigates a sinister crime that has to do with Tintoretto's painting of Jesus. In The Case of Apsara Theatre, Feluda foils the insidious plans of a clever murderer, and in The House of Death, he investigates the theft of a priceless manuscript. Maganlal Meghraj, Feluda's arch-enemy, reappears in The Criminals of Kathmandu as the kingpin in a case involving spurious drugs, and again in The Mystery of the Pink Pearl, but Feluda is equal to the challenge. Also included here are the two final Feluda cases, Robertson's Ruby and The Magical Mystery, both of which were published posthumously.

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    A time promising wealth for the corrupt, but terrifying with sterilization for the poor and jail for the critical, the Emergency changes forever the lives of both women.

    This seems a deliberate souring of an uplifting narrative. Rams refusal to remarry to produce a royal heir adds to the complexity. The intention seems to be to provoke thought on notions of fidelity, property and self-image.And so the mythologist and illustrator Devdutt Pattanaik retells the Ramayana, drawing attention to the many oral, visual and written retellings composed in different times, in different places, by different poets, each one trying to solve the puzzle in its own unique way. This book approaches Ram by speculating on Sita: her childhood with her father, Janaka, who hosted sages mentioned in the Upanishads; her stay in the forest with her husband, who had to be a celibate ascetic while she was in the prime of her youth; her interactions with the women of Lanka, recipes she exchanged, emotions they shared; her connection with the earth, her mother, and with the trees, her sisters; her role as the Goddess, the untamed Kali as well as the demure Gauri, in transforming the stoic prince of Ayodhya into God.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    In the intimate atmosphere of the all-women sleeping car - the 'Ladies Coupe' - Akhila asks the five women the question that has been haunting her all her adult life: can a woman stay single and be happy, or does she need a man to feel complete?This wonderfully atmospheric, deliciously warm novel takes the reader into the heart of women's lives in contemporary India, revealing how the dilemmas that women face in their relationships with hunsbands, mothers, friends, employers and children are the same world over.

    It establishes Hansda Sowvendra Shekhar as one of our most important contemporary writers.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    Years later, she is miserable, having been gradually shut out by the coldness of her husband’s family and his indifference to her and her daughter’s needs.Finally she flees to England to escape the loveless union—but at what price to herself and those she loves? The moving story of one woman’s painful journey of self-discovery, Ancient Promises is about a marriage, a divorce, and motherhood. It is about why we love and lose, sometimes seeming to have little control over our destinies.About the AuthorJaishree Misra is the best-selling author of Ancient Promises, Accidents Like Love and Marriage and Afterwards. She lives in the United Kingdom.

    As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She is called Mehrunnisa, the Sun of Women. This is her story.Growing up on the fringes of Emperor Akbar's opulent palace grounds, Mehrunnisa blossoms into a sapphire-eyed child blessed with a precocious intelligence, luminous beauty, and a powerful ambition far surpassing the bounds of her family's station. Mehrunnisa first encounters young Prince Salim on his wedding day. In that instant, even as a royal gala swirls around her in celebration of the future emperor's first marriage, Mehrunnisa foresees the path of her own destiny. One day, she decides with uncompromising surety, she too will become Salim's wife. She is all of eight years old -- and wholly unaware of the great price she and her family will pay for this dream.Skillfully blending the textures of historical reality with the rich and sensuous imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in the emotional pageant of Salim and Mehrunnisa's embattled love. First-time novelist Indu Sundaresan charts her heroine's enthralling journey across the years, from an ill-fated first marriage through motherhood and into a dangerous maze of power struggles and political machinations. Through it all, Mehrunnisa and Salim long with fiery intensity for the true, redemptive love they've never known -- and their mutual quest ultimately takes them, and the vast empire that hangs in the balance, to places they never dreamed possible.Shot through with wonder and suspense, The Twentieth Wife is at once a fascinating portrait of one woman's convention-defying life behind the veil and a transporting saga of the astonishing potency of love.

    In Volga’s retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey to self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: Husbands, sons and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it – Surpanakha, Renuka, Urmila and Ahalya – steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh out his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India’s most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

    The thirty nine short stories in this book will blow you away. Starting with a ghoststory by Rabindranath Tagore, India's most famous writer and ending with a fable by Kanishk Tharoor, a writer who has come of age in the twenty first century, these literary masterpieces showcase the extraordinary range and diversity of our story telling tradition. The first recognizably modern Indian short stories were written in Bengal (by Tagore andothers) in the second half of the nineteenth century and writers from other regions werequick to follow suit, often using the form to protest colonial oppression and the various illsafflicting rural and urban India. Over the next century and a half, some of the finest writers the world has seen produced outstanding fiction in every conceivable genre. Many of these stories find a place in this volume, as does work by emerging talent that has never been published in book form before. Here you will find stories of classical realism, ones rootedin folklore and myth, tales of fantasy, humour, horror, crime and romance, stories set invillages, small towns, cities and the moon. They will entertain you and shock you, they will lighten your mood and cast you down, they will move you and they will make you reflect onlife's big and little questions. Most of all, they will make you see the world differently as the greatest stories always do.

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    A meeting is in progress to decide the fate of the establishment and its residents. And the zeitgeist of the 1990s appears to have touched everyone and everything around them.Ira is now a journalist on the civic beat, unearthing stories of corruption and indolence, and trying to push back memories of a lost love. Kartik works a corporate job with an MNC, and leads a secret, agonising, exhilarating second life. Between and around them throbs the living, beating heart of Mumbai, city of heaving inequities and limitless dreams.Milk Teeth is subtle, incisive, unputdownable.