Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal.After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives.

    Kimrean and Z. Kimrean. Private Eyes. Behind the door there is only one desk, one chair, one scrawny androgynous P.I. in a tank top and skimpy waistcoat. A.Z., as they are collectively known, are twin brother and sister. He's pure misanthropic logic, she's wild hedonistic creativity. A.Z. have been locked in mortal battle since they were in utero...which is tricky because they, very literally, share one single body. That's right. One body, two pilots. The mystery and absurdity of how Kimrean functions, and how they subvert every plotline, twist, explosion, and gunshot--and confuse every cop, neckless thug, cartel boss, ninja, and femme fatale--in the book is pure Cantero magic.Someone is murdering the sons of the ruthless drug cartel boss known as the Lyon in the biggest baddest town in California--San Carnal. The notorious A.Z. Kimrean must go to the sin-soaked, palm-tree-lined streets of San Carnal, infiltrate the Lyon's inner circle, and find out who is targeting his heirs, and while they are at it, rescue an undercover cop in too deep, deal with a plucky young stowaway, and stop a major gang war from engulfing California. They'll face every plot device and break every rule Elmore Leonard wrote before they can crack the case, if they don't kill each other (themselves) first.This Body's Not Big Enough for Both of Us is a mind-blowing, gender-bending, genre-smashing romp through the entire pantheon of action and noir. It is also a bold, tautly crafted novel about family, being weird, and claiming your place in your own crazy story, that can only come from the mind of Edgar Cantero.

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    The lawyer has not only gotten the convicted inmate released from death row at Connecticut State Prison, but also procured an artist’s residency in Mount Orion, New Jersey, for the rehabilitated Vietnam vet upon his parole.   Sears is adapting nicely. He’s selling his sculptures. He’s eating well. He has ingratiated himself into Michael’s home; is eternally grateful for Michael’s benevolent motives, however mysterious their origin; and is thriving on the town’s liberal patronage and attention—especially that of Michael’s adulterous wife, Gina.   But as Michael’s picture-perfect family begins to show signs of cracking, his suspicions about Sears become violent obsessions. Now, the dreams and secrets of two men are about to collide in a nightmare. And before long, the lines between guilt and innocence, lies and truth, trust and betrayal are bound to go up in flames.  Snake Eyes is in an astute and suspenseful story by the National Book Award–winning author of them, We Were the Mulvaneys, The Gravedigger’s Daughter, and many other acclaimed novels.

    The live-in owners are a kind and welcoming couple. Everything is fine until she finds a suicide note hidden in her room. But when the couple insist this man didn’t exist and that Lisa is their first tenant, Lisa begins to doubt herself.Compelled to uncover the secrets of the man who lived in the room before her, Lisa is alarmed when increasingly disturbing incidents start to happen. Someone doesn’t want Lisa to find out the truth.As the four walls of this house and its secrets begin to close in on Lisa, she descends into a hellish hall of mirrors where she’s not sure what’s real and what’s not as she claws her way towards the truth… This room has already claimed one victim? Is it about to take another?

    In PYRES, 15 year old Lucia Moberg lifts a CD out of a store in a shopping mall—and when she and her dad get into their car, there is a tap at the window.  The next second her father's brains are on the dashboard.  So begins the story of the ruin of her mother, whose home life is shrouded in darkness, a mysterious and menacing motorcycle gang, the real-to-life female cop out to crack the case, who is facing her own family's collapse, and the struggle for Lucia to piece together some semblance of a normal teenage life.  The writing is hard and crisp, and wholly multi-dimensional, while the story moves along at a nail-biting pace with twists, turns, literary allusions, and the engaging plight of several fascinating, memorable, and fully rounded characters.

    As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian-London heritage, is an impeccably groomed, smooth-talking graduate of Balliol College, Oxford. You wouldn't think they would get on. They don't.But when a young woman is found strangled at Barnabas Hall, they're forced to.Rich Oxford is not Ryan's natural habitat. St Barnabas's irascible Provost does not appreciate his forceful line of questioning. But what was the dead woman doing in the Provost's study? Is it just a coincidence that on the night of her murder the college was entertaining Sheik al-Medina, a Gulf state ruler linked to human-rights abuses in his own country and acts of atrocity in others?As tensions rise, things aren't going well. Ray is in despair. Ryan is in disciplinary measures. But their investigation gradually disentangles the links between a Syrian refugee lawyer now working in the college kitchens, a priceless copy of the Koran in the college collection and the identity of the dead woman.A Killing in November introduces an unlikely duo from different sides of the tracks in Oxford in a deftly plotted murder story full of dangerous turns, troubled pasts and unconventional detective work.

     When seventeen-year-old Abigail goes missing, her best friend Emma, compelled by the guilt of leaving her alone at a party in the woods, sets out to discover the truth about what happened. The police initially believe Abi ran away, but Emma doesn’t believe that her friend would leave without her, and when officers find disturbing evidence in the nearby woods, the festering secrets and longstanding resentment of both Abigail’s family and the people of Whistling Ridge, Colorado begin to surface with devastating consequences. Among those secrets: Abi’​s older brother Noah’s passionate, dangerous love for the handsome Rat, a recently arrived Romanian immigrant who has recently made his home in the trailer park in town; her younger brother Jude’s feeling that he knows information he should tell the police, if only he could put it into words; Abi’​s father’s mercurial, unpredictable rages and her mother’s silence. Then there is the rest of Whistling Ridge, where a charismatic preacher advocates for God’s love in language that mirrors violence, under the sway of the powerful businessman who rules the town, insular and wary of outsiders. But Abi had secrets, too, and the closer Emma grows to unraveling the past, the farther she feels from her friend. And in a tinder box of small-town rage, and all it will take is just one spark—the truth of what really happened that night—to change their community forever.

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    When newly appointed Deputy Marshal Archie Lean is called in to investigate a prostitute's murder in Portland, Maine, he's surprised to find the body laid out like a pentagram and pinned to the earth with a pitchfork.  He's even more surprised to learn that this death by "sticking" is a traditional method of killing a witch.      Baffled by the ritualized murder scene, Lean secretly enlists the help of historian Helen Prescott and brilliant criminalist Perceval Grey.  Distrusted by officials because of his mixed Abenaki Indian ancestry, Grey is even more notorious for combining modern investigative techniques with an almost eerie perceptiveness.  Although skeptical of each other's methods, together the detectives pursue the killer's trail through postmortems and opium dens, into the spiritualist societies and lunatic asylums of gothic New England.      Before the killer closes in on his final victim, Lean and Grey must decipher the secret pattern to these murders--a pattern hidden within the dark history of the Salem witch trials.

    . . and they're both next on his kill list.Carrie wants a normal life.Carrie Lawrence doesn’t need a happily ever after. She’ll just settle for “after.” After a decade of helping her sister hide her victims. After a lifetime of lies. She just wants to be safe, boring, and not trekking through the woods at night with a dead body wrapped in a carpet. Becca wants to get away with murder.Becca Lawrence doesn’t believe in happily ever after because she’s already happy. She’s gotten away with murder for a decade and has blackmailed her sister into helping her hide the evidence—what more could a girl want? But first they have to stop a serial killer.When thirteen bodies are discovered in their small town, people are shocked. But not as shocked as Carrie, who thought she knew all the details of Becca’s sordid pastime. When Becca swears she’s not behind the grisly new crimes, they realize the town has a second serial killer who has the sisters in his sights, and what he wants is…Carrie.

     It sounded so perfect - a month‘s assignment at the misty, sprawling Scottish Highlands property of brilliant architect Alban McGregor, and his wife, Jessica. But deep in the woods, there is a chilling playhouse. Two years ago, the McGregors’ daughter, Elodie, died after being abducted and taken there. Alban refuses to knock the playhouse down, and he keeps a picture of it on his wall. Isla senses that both Alban and Jessica are keeping terrible secrets. The closer Isla comes to getting answers about Elodie, the more the danger mounts. And with a dense cover of snow now blanketing the town, all chance of escape might already be gone.

    It smelt of time and decay, sour, like old books and parchments. The light from the chapel's stained glass window blushed red upon it, and upon my hands, as if the thing itself radiated a bloody glow.Ramshackle and crumbling, trapped in the past and resisting the future, St Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors the doctors bicker and fight. Ambition, jealousy and hatred seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything, but says nothing.And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open a long-forgotten past - with fatal consequences.In a trail that leads from the bloody world of the operating theatre and the dissecting table to the notorious squalor of Newgate and the gallows, Jem's adversary proves to be both powerful and ruthless. As St Saviour's destruction draws near, the dead are unearthed from their graves whilst the living are forced to make impossible choices. And murder is the price to be paid for the secrets to be kept.

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    His plan is to put the humble cane-panipuri vendor, found in every other street in a metropolitan city, on a digital platform.As they gear up to launch an app to sell panipuri, the cloud of risk looms large. All five entrepreneurs who earlier ventured into the business had died in road accidents. But all that is overlooked and forgotten in the excitement of the team reaching the verge of a VC funding.Is the death of all five entrepreneurs a coincidence? Can Sagar and his team overcome the odds? Why are the ordinary vendors dying one after another like a pack of cards?The Panipuri Crimes is a thrilling story weaving together the world of entrepreneurship and struggle, love and other demons, and the murky world of crime.