Based on the shocking real-life eventsIn 1956, a small group of evangelical Christian missionaries and their families journeyed to the rainforest in Ecuador intending to convert the Waorani, a people who had never had contact with the outside world. The plan was known as Operation Auca. After spending days dropping gifts from an aircraft, the five men in the party rashly entered the “intangible zone.” They were all killed, leaving their wives and children to fend for themselves.Five Wives is the fictionalized account of the real-life women who were left behind, and their struggles – with grief, with doubt, and with each other – as they continued to pursue their evangelical mission in the face of the explosion of fame that followed their husbands’ deaths.Five Wives is a riveting, often wrenching story of evangelism and its legacy, teeming with atmosphere and compelling characters and rich in emotional impact.

    With a particular focus on obsession and the abnormal, We So Seldom Look On Love explores life at its quirky extremes, pushing past limits of convention into lives that are fantastic and heartbreakingly real. Whether writing about the dilemma of a two-headed man who attempts to expunge his own pain, the shock of a woman who discovers she has married a transsexual, the erotic delusions of a woman who repeatedly exposes her body to an unknown voyeur, or the bizarre predilections of a female necrophile (a story made into the acclaimed motion picture, "Kissed"), Gowdy convinces us with incisive detail, only to disarm us with black humor.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    In this beautifully told novel that crosses borders, cultures, and generations, a young man returns home to care for his aging mother, who suffers from dementia. In his efforts to help her and by turn make amends for their past estrangement from one another, he is compelled to re-imagine his mother’s stories for her before they slip completely into darkness. In delicate, heartbreaking tones, the names for everyday things fade while at the same time a beautiful, haunted life, stained by grief, is slowly revealed.

    The first time, to end his marriage, and the second, when he took his own life. I was ten years old.”Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations—those who lived through Mao’s Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story. Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming’s father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli were forced to reimagine their artistic and private selves during China’s political campaigns and how their fates reverberate through the years with lasting consequences.With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.

    Exploring the vulnerability of the elder heart, and proving that love and sex and heartbreak are not only the domain of the young, this gorgeous linked collection of short fiction offers up a strong whiff of Jackson-esque gothic. Each character appears in at least two stories, in a greater or lesser role, the most common being a ghost who “haunts” the book throughout. Death is a constant, in both peaceful and violent forms. Together, the stories crystallize into something more than a novel, and confirm its author as one of the country’s best.

     A captivating blend of historical fact and imaginative fiction, Above All Things moves seamlessly back and forth between the epic story of Mallory's legendary final expedition and a heartbreaking account of a day in the life of Ruth Mallory. Through George's perspective, and that of the newest member of the climbing team, Sandy Irvine, we get an astonishing picture of the terrible risks taken by the men on the treacherous terrain of the Himalaya. But it is through Ruth's eyes that a complex portrait of a marriage emerges, one forged on the eve of the First World War, shadowed by its losses, and haunted by the ever-present possibility that George might not come home. Drawing on years of research, this powerful and beautifully written novel is a timeless story of desire, redemption, and the lengths we are willing to go for honour, glory, and love.

    When she returns home six years later, she finds a radically different world, where the traditionally rootless tribes have uneasily congregated in small communities. And Victoria has become a stranger to her family and her culture.In Rankin Inlet, a small town bordering the Arctic Ocean, the lives of the Inuit are gradually changing. The caribou and seals are no longer plentiful, and Western commerce has come to the community through a proposed diamond mine. Victoria Robertson wakes to a violent storm, her three children stirring in the dark. Her father, Emo, a legendary hunter who has come in off the land to work in a mine, checks to see if the family is all right. So does her Inuit lover, as Victoria’s British husband is away on business. Thus the reader enters into the modern contradictions of the Arctic—walrus meat and convenience food, midnight sun and 24-hour satellite TV, dog teams and diamond mines—and into the heart of Victoria's internal exile. Born on the tundra in the 1950s, Victoria knows nothing but the nomadic life of the Inuit until, at the age of ten, she is diagnosed with tuberculosis and evacuated to a southern sanitarium. When she returns home six years later, she finds a radically different world, where the traditionally rootless tribes have uneasily congregated in small communities. And Victoria has become a stranger to her family and her culture.

    Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision.Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won't be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking.But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

    He isolates P words from the newspapers into long lists. For you, so you know he's kept busy, so you don't have to worry he might be beside you or following you or thinking about your body parts. So you don't have to worry about what else he has been thinking about.From Anakana Schofield, the brilliant and unconventional author of Malarky, comes a dark, humorous and uncomfortable novel circuiting through the minds, motivations, and preoccupations of a character many women have experienced, but few up until now, have understood quite so well. The result confirms Schofield as one of the bravest and most innovative authors at work in English today.Anakana Schofield is an Irish-Canadian writer, who won the Amazon.ca First Novel Award and the Debut-Litzer Prize for Fiction in 2013 for her debut novel Malarky.

    Infused with a close and present danger, these stories tighten the knot around power, identity, and sexuality, and draw the reader into the pivotal moments where - for better or for worse - we see ourselves for what we truly are.

    . . . Mouths capable of speaking to us. But we stop them up with concrete and build over them and whatever it is they wanted to say gets whispered down empty alleys and turns into wind. . . .” These are among the last words of Professor David Hollis before he throws himself off a ferry into the frigid waters of Lake Ontario. A renowned professor of “forensic geology,” David leaves in his wake both a historical mystery and an academic scandal. He postulated that on the site where a sports arena is about to be built lie the ruins of a Victorian boat containing an extraordinary treasure: a strongbox full of hundreds of never-seen photographs of early Toronto, a priceless record of a lost city. His colleagues, however, are convinced that he faked his research materials.Determined to vindicate him, his widow, Marianne, sets up camp in a hotel overlooking the construction site, watching and waiting for the boat to be unearthed. The only person to share her vigil is John Lewis, fiancé to her daughter, Bridget. An orphan who had come to love David as his own father, John finds himself caught in a struggle between mother and daughter–all the while keeping a dark secret from both women.Interwoven into the contemporary story is another narrative set in 1850s: the tale of Jem Hallam, a young apothecary struggling to make a living in the harsh new city so he can bring his wife and daughters from England. Crushed by ruthless competitors, he develops an unlikely friendship with two other down-on-their-luck Torontonians: Samuel Ennis, a brilliant but dissolute Irishman, and Claudia Rowe, a destitute widow. Together they establish a photography business and set out to create images of a fledgling city where wooden sidewalks are put together with penny nails, where Indians spear salmon at the river mouth and the occasional bear ambles down King Street, where department stores display international wares and fine mansions sit cheek-by-jowl with shantytowns.Consolation moves back and forth between David Hollis’s legacy and Jem Hallam’s struggle to survive, ultimately revealing a mysterious connection between the two narratives. Exquisitely crafted and masterfully written, Michael Redhill’s superlative book reveals how history is often transformed into a species of fantasy, and how time alters the contours of even the things we hold most certain. As complex and layered as the city whose story it tells, Consolation evokes the mysteries of love and memory, and what suffering the absence of the beloved truly means.

    Maggie’s English-speaking father has ambitions for his daughter that don’t include marriage to the poor French boy on the next farm over. But Maggie’s heart is captured by Gabriel Phénix. When she becomes pregnant at fifteen, her parents force her to give baby Elodie up for adoption and get her life ‘back on track’.Elodie is raised in Quebec’s impoverished orphanage system. It’s a precarious enough existence that takes a tragic turn when Elodie, along with thousands of other orphans in Quebec, is declared mentally ill as the result of a new law that provides more funding to psychiatric hospitals than to orphanages. Bright and determined, Elodie withstands abysmal treatment at the nuns’ hands, finally earning her freedom at seventeen, when she is thrust into an alien, often unnerving world.Maggie, married to a businessman eager to start a family, cannot forget the daughter she was forced to abandon, and a chance reconnection with Gabriel spurs a wrenching choice. As time passes, the stories of Maggie and Elodie intertwine but never touch, until Maggie realizes she must take what she wants from life and go in search of her long-lost daughter, finally reclaiming the truth that has been denied them both.

    What people don’t understand is that Earl and Linda are still keeping Roxanne company, reincarnated in the forms of a wiener dog and standard poodle. But this relationship—not idyllic, it’s true, but at least relatively harmonious—is disrupted when Roxanne accidentally hits a pit bull with her car. On the precipice of having the dog put down, she recognizes the eyes of her daughter’s killer, Helmut. Should she choose retribution, or forgiveness?This is the highly original set-up of “You’re Home Now,” the opening story in Rachel Rose’s debut work of fiction. These are clever, engaging stories with a compelling link: the characters, generally living on the fringes of society for some reason or another, all have better relationships with animals than with other humans. There’s a diverse range of creatures, with stories featuring a parrot, an octopus, rats, a chameleon, a pig (Francis Bacon), deer and bats, as well as the more traditional dogs and a pair of kittens named Yin and Yang.The stories in The Octopus Has Three Hearts combine vivid characters and original premises with Rose’s trademark combination of whimsy and irony to explore universal elements of the human condition, from parenthood to sexuality, identity to fidelity. It is a collection that will appeal to animal lovers, readers of literary fiction and anyone looking for their place to belong.