These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    A despairing author abandons his wife, but in the course of a long night's wandering, he learns love's true value and returns to her, only to find her a different woman than the one he left. A landowner, seeking to prove a principle, inadvertently exposes the ferocity of mother love. A wealthy young traveler melts the hauteur of a lovely woman by masquerading as her aged and loyal servant.Shimmering and haunting, Dinesen's Winter's Tales transport us, through their author's deft guidance of our desire to imagine, to the mysterious place where all stories are born.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.

    His trading empire faces pirates, violent storms, and illness as it forges new paths across the Pacific Ocean, opening new markets in Hawaii, Mexico, and China. It is there he meets the beautiful Lady Yee, the Silver Lotus, prized daughter of a wealthy Cantonese merchant family. A great love is born, and their adventures will shape their lives—their love will transcend borders, oceans, cultures, and their marriage will eventually serve as a foundation for the growth and development of the Northern California coast.Steeped in the rich culture of the Orient and set against the burgeoning trading routes of the Pacific Rim, The Silver Lotus presents Steinbeck’s most moving and textured narrative to date. Readers of both Lisa See and Patrick O’Brien will be drawn to this rich historical tapestry that examines how industry, adventure, and love served as the building blocks of the thriving California waterfront.

    Vassanji. That fateful evening in Kenya becomes “the obsessive and dark centre” of the young man’s existence and leads him, years later in Toronto, to unearth an even darker family secret.In “The Girl With The Bicycle,” a man witnesses a woman from his hometown of Dar es Salaam spit at a corpse as it lies in state at a Toronto mosque. As he struggles to fathom her strange behaviour, he finds himself prey to memories and images from the past–and to perilous yearnings that could jeopardize his comfortable, middle-aged life.Still reeling from the impact of his wife’s betrayal, a man decides to stop in on an old college friend in “Elvis, Raja.” But he soon realizes that it’s not always wise to visit the past as he finds himself trapped in a most curious household, where Elvis Presley has replaced the traditional Hindu gods. The other stories in the collection also feature exceptional lives transplanted. A young man returns to his roots in India, hoping to find his uncle and, perhaps, a bride. Instead, he becomes a reluctant guru to the residents of his ancestral village. A mukhi must choose between granting the final sacrilegious wish of a dying man and abiding by religious custom in a community that considers him a representative of God. A woman is torn between the voice of her dead husband–a cold and grim-natured atheist–and her new, kind and loving husband whose faith nevertheless places constraints on her as a woman. On Halloween night, a scientist lays bare his horrifying plan to seek vengeance on the man who thwarted his career. Set variously in Kenya, Canada, India, Pakistan, and the American Midwest, these poignant and evocative stories portray migrants negotiating the in-between worlds of east and west, past and present, secular and religious. Richly detailed and full of vivid characters, the stories are worlds unto themselves, just as a dusty African street full of bustling shops is a world, and so is the small matrix of lives enclosed by an intimate Toronto neighbourhood. It is the smells and sentiments and small gestures that constitute life, and of these Vassanji is a master.Vassanji’s seventh book and his second collection of short stories, When She Was Queen was shortlisted for the 2006 Toronto Book Award. The jury said: "Vassanji's Naipaulian language is like a sharp short knife that cuts through the superficial and gets to the heart and soul of the narrative.”From the Hardcover edition.

    (also contained in "The Last With" collection). It is notable for being the only edition of Sapkowski's Witcher stories to have all expletive words censored.

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

    Many inhabit small-town or suburban America. But this time, her heroine is urban: a brainy, beautiful, and ambitious rising star of 1970s television. Dena Nordstrom, pride of the network, is a woman whose future is full of promise, her present rich with complications, and her past marked by mystery.

    Parker's newest novella Mightier than the Sword presents itself as a translated oddity of a document called "Concerning the Monasteries". But in true Parker style, this novella is instead a sprightly, riveting tale that reveals secret upon secret, building to an ending at once perfect and perfectly unpredictable.An Imperial legate is called into see his aunt, who just happens to be the empress running the civilized world while her husband's in his sick bed. After some chastisement, she dispatches her nephew to take care of the dreaded Land and Sea Raiders, pirates who've been attacking the realm's monasteries.So begins a possibly doomed tour of banished relatives and uppity royals put in charge of monasteries like Cort Doce and Cort Maleston, to name a few. While attempting to discover the truth of what the pirates might be after, the legate visits great libraries and halls in each varied locale and conducts a romance of which he knows - but doesn't care - his aunt will not approve. With enough wit and derring-do (and luck), the narrator might just make it through his mission alive... or will he?Cover illustration by Vincent Chong

    Yet little prepares him for the determination of the gauche Pamela Tarn who resolves to enter not only his world, but also his bed. Initially repelled by the enormity of the age gap between them, Fanning vows never to acquiesce, and resorts to his most boorish behavior in an attempt to break the hold he unwittingly has over her. Yet as they are inexorably drawn together, they embark upon a tempestuous—and ultimately destructive—affair.