Seventeen-year-old Roddy, on the other hand, is a faltering student, and occasional shoplifter trying to make sense of his life. Their worlds collide one hot August afternoon when a fake robbery organised by Roddy and his friend Mike goes horribly wrong, leaving Isla with a bullet lodged in her spine. With Roddy 'immobilised' in gaol and Isla lying paralysed in the hospital, they both have lots of time to reflect upon where it all went wrong.

    Weightman is heartily resented by these locals, and he himself is increasingly unconvinced both of the wisdom of his appointment and of the integrity and motives of the company men who posted him there. He finds some solace, however, in his enigmatic neighbour, Mary Latimer. Caring for her mad sister, Mary is also an outsider, and a companionship develops between the two of them which offers them both some comfort and support in their mutual isolation.As winter closes steadily in and as the waters begin to rise in the Forge Valley, it becomes increasingly evident that the man-made deluge cannot be avoided; not by the locals desperate to save their homes, nor by the reluctant agent of their destruction, Weightman himself.In a masterful new novel, Edric captures powerful human emotions with grace and precision. The hauntingly resonant backdrop to this story of David and Goliath marks Edric's dramatic return to historical literary fiction.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    Married and deeply in love with Elizabeth, who is pregnant with their first child, he has a guilty secret to hide in his affection for Dorcas, his wife's ward -- a secret which, in the world of religious prejudice and extremism toward which England is moving, can be lethal.Determined to obey the law, rather than prejudice and the need to make an example of an Irishwoman accused of murdering her own infant, Brigge draws upon himself the hostility and suspicion of the powerful men who have been his fellow governors and who now set out to destroy him in the name of morality.Brigge is both sympathetic and deeply vulnerable. He genuinely loves Elizabeth and longs for their child to be born, but he is also deeply attracted to Dorcas; he is, however guardedly, of "the old faith" and does not hesitate to hide a priest; he favors the wretched vagrants who infest the roads, seeking shelter and a bite to eat, and employsone of them on his farm. He insists on finding out the truth about the Irishwoman's baby, despite the fact that everybody has already decided on her guilt. In short, without intending to do so, John Brigge offers himself up as a victim by refusing to cooperate with the political and religious masters of the town or to subordinate his own conscience to their demand for rigid obedience and piety. Even his own clerk Adam, whom he regards as a son, turns against him in the end in a struggle that will almost cost Brigge his life and that sends him out into a cold and dangerous world, having sacrificed everything he once held dear, stripped of his power and authority, but made heroic by his commitment to love, truth and human feelings."Havoc, in Its Third Year" is a novel of great power, drama and terror, at once a love story and a superb work of historical fiction. It confirms Ronan Bennett's reputation as a masterful creator.

    Eventually freed from the gulag in the 1970's, he finds he has no reason to return to the West-he has become Russian in everything but birth. Now, on the day of his 80th birthday, Russia has changed. Communism has evaporated. In the aftermath, information has come to light that Alex is still alive. This moving story weaves together the events of Alex's life, exploring this momentous day, his harrowing past in the camp and his life in the village. And it ends with his having to make a personal choice, perhaps for the first time in his life, and the climax is shattering.

    Intrigued by parents' and servants' guilty silences and the broken shrine they find buried in the woods, the girls weave their own elaborate fantasies, unwittingly revealing the village secret and a deep shame that will come to haunt Thérèse and Léonie in their adult lives...Resonant with the sounds and secrets of French provincial life, this is a richly imagined and sensuous tale from one of Britain's most exciting contemporary writers.

    Whole families stream along the Surrey back-roads, towards the greatest race of the year. Hopes are high, nerves are taut, hats are tossed in the air. This is Derby Day. In this rich and exuberant novel, the mysteries pile high, propelling us towards the day of the great race, as we wait with baited breath as the story gallops to a finish no one expects.

    At the university he attends, he’s Gabriel, a seemingly ordinary, partying student learning about morality at a distance. But in his life outside the classroom, he’s Snoopz, a hard living member of London’s gangs, well-acquainted with drugs, guns, stabbings, and robbery. Navigating these sides of himself, dealing with loving parents at the same time as treacherous, endangering friends and the looming threat of prison, he is forced to come to terms with who he really is and the life he's chosen for himself.In a distinct, lyrical urban slang all his own, author Gabriel Krauze brings to vivid life the underworld of his city and the destructive impact of toxic masculinity. Who They Was is a disturbing yet tender and perspective-altering account of the thrill of violence and the trauma it leaves behind. It is the story of inner cities everywhere, and of the lost boys who must find themselves in their tower blocks.

    . . . Mouths capable of speaking to us. But we stop them up with concrete and build over them and whatever it is they wanted to say gets whispered down empty alleys and turns into wind. . . .” These are among the last words of Professor David Hollis before he throws himself off a ferry into the frigid waters of Lake Ontario. A renowned professor of “forensic geology,” David leaves in his wake both a historical mystery and an academic scandal. He postulated that on the site where a sports arena is about to be built lie the ruins of a Victorian boat containing an extraordinary treasure: a strongbox full of hundreds of never-seen photographs of early Toronto, a priceless record of a lost city. His colleagues, however, are convinced that he faked his research materials.Determined to vindicate him, his widow, Marianne, sets up camp in a hotel overlooking the construction site, watching and waiting for the boat to be unearthed. The only person to share her vigil is John Lewis, fiancé to her daughter, Bridget. An orphan who had come to love David as his own father, John finds himself caught in a struggle between mother and daughter–all the while keeping a dark secret from both women.Interwoven into the contemporary story is another narrative set in 1850s: the tale of Jem Hallam, a young apothecary struggling to make a living in the harsh new city so he can bring his wife and daughters from England. Crushed by ruthless competitors, he develops an unlikely friendship with two other down-on-their-luck Torontonians: Samuel Ennis, a brilliant but dissolute Irishman, and Claudia Rowe, a destitute widow. Together they establish a photography business and set out to create images of a fledgling city where wooden sidewalks are put together with penny nails, where Indians spear salmon at the river mouth and the occasional bear ambles down King Street, where department stores display international wares and fine mansions sit cheek-by-jowl with shantytowns.Consolation moves back and forth between David Hollis’s legacy and Jem Hallam’s struggle to survive, ultimately revealing a mysterious connection between the two narratives. Exquisitely crafted and masterfully written, Michael Redhill’s superlative book reveals how history is often transformed into a species of fantasy, and how time alters the contours of even the things we hold most certain. As complex and layered as the city whose story it tells, Consolation evokes the mysteries of love and memory, and what suffering the absence of the beloved truly means.

    For Gideon Mack, faithless minister, unfaithful husband and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies. Until the day he falls into a gorge and is rescued by someone who might just be Satan himself.Mack's testament - a compelling blend of memoir, legend, history, and, quite probably, madness - recounts one man's emotional crisis, disappearance, resurrection and death. It also transports you into an utterly mesmerising exploration of the very nature of belief.

    Beginning in 1974 and ending with the fading of Thatcher's government in 1996, 'The Northern Clemency' is Philip Hensher's epic portrait of an entire era, a novel concerned with the lives of ordinary people and history on the move.

    This novel blends the gritty and the everyday with the evocative and the enchanting, to create an original, inventive and often moving portrayal of family ties, suburban life, love and growing up.

    Now twenty-seven, he works high above the above the sprawling metropolis of São Paulo for a vacuous 'communications company'. But this is not his world, and this is not a simple rags-to-riches story: Ludo's destiny moves him around like a chess piece, showing him both extremities of opulent excess and abject poverty, taking him to the brink of madness and brutality.By the author of The Amnesia Clinic and winner of the Somerset Maugham Award.

    A crowd gathers to see the first new metal in ages—after all, everything’s been melted down for the war effort. An instant later, the crowd is gone; incinerated. Among the shoppers were five young children. Who were they? What futures did they lose? This brilliantly constructed novel lets an alternative reel of time run, imagining the life arcs of these five souls as they live through the extraordinary, unimaginable changes of the bustling immensity of twentieth-century London. Their intimate everyday dramas, as sons and daughters, spouses, parents, grandparents; as the separated, the remarried, the bereaved. Through decades of social, sexual, and technological transformation, as bus conductors and landlords, as swindlers and teachers, patients and inmates. Days of personal triumphs, disasters; of second chances and redemption. Ingenious and profound, full of warmth and beauty, Light Perpetual illuminates the shapes of experience, the extraordinariness of the ordinary, the mysteries of memory and expectation, and the preciousness of life.

    A teenage girl has gone missing. Everyone is called upon to join the search. The villagers fan out across the moors as the police set up roadblocks and a crowd of news reporters descends on what is usually a place of peace. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed. As the seasons unfold and the search for the missing girl goes on, there are those who leave the village and those who are pulled back; those who come together and those who break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a tragedy refuse to subside.