Pierce Victorian Mansion in Gardner, Massachusetts, in 2009, they scoffed at the ghostly legends surrounding the house. They didn't believe in ghosts. The house soon proved them wrong. By the fall of 2011, they were forced from their house, narrowly escaping with their lives. Includes interviews from paranormal experts: Carl Johnson, Andrew Lake, Michael Robishaw, Lucky Belcamino, Marc Arvilla, and more. Forward written by Thomas D'Agastino. Contains photos, as well as audio and video links of evidence captured at the Haunted Victorian Mansion.

    Not thinking about what might be lurking in the shadows, he soon finds out that you are never truly alone in the woods.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.All these things are true. And yet they are all lies...You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong.In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

    Now, no one remembers her hardworking life and her grand dreams--but she remembers. She remembers everything. Emma Rose still walks the coves and cliffs of her village, one hundred years after her death . . . and she doesn't plan on leaving.But when a determined hunter arrives with instructions to "clean" Emma Rose out of her haunt, the stately Lambry mansion, death suddenly isn't the worst fate imaginable. Emma Rose refuses to be hounded from the only place she's ever found peace, even if it means waging a war on the living . . . and the dead.Lyrical and haunting, this spellbinding American ghost story alternates between Emma Rose's life and afterlife as the past and present become entwined in a compelling tale of love, loss, and tenacity over a century in the making.

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    Early in the 20th century, the town was destroyed for the greater good: bringing water to the millions living downstate. Or at least that’s what the politicians from Manhattan insisted at the time. The local families, settled there since America’s founding, were forced from their land, but they didn’t move far, and some didn’t move at all…Now, a century later, the repercussions of human arrogance are finally making themselves known. An inspector assigned to oversee the dam, dangerously neglected for decades, witnesses something inexplicable. It turns out that more than the village was left behind in the waters of the Chill when it was abandoned. The townspeople didn’t evacuate without a fight. A dark prophecy remained, too, and the time has come for it to be fulfilled. Those who remember must ask themselves: who will be next? For sacrifices must be made. And as the dark waters begin to inexorably rise, the demand for a fresh sacrifice emerges from the deep...

    For Ellen Wilder, editor of the local newspaper, the gruesome killing is as disturbing as the irrational fears that have suddenly woven themselves into her mind and left her doubting her own sanity. For state police detective Michael Chandler, whose haunting near-death experience has left him with an uncanny way of sensing things, the murder is only a hint of what is to come.But nothing could have prepared either of them for the return of Franny Corbett. A hulking child of a man and the blackest sheep in a family of black sheep, his eerie presence may have ushered in all of these bizarre and frightening events. Soon the town of Wiltshire will be shaken again. For in a car sunk beneath the surface of a glimmering blue lake, floats another body. And the killing has just begun....

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    River rents the guest house behind Violet’s crumbling estate, and as eerie, grim things start to happen, Violet begins to wonder about the boy living in her backyard. Is River just a crooked-smiling liar with pretty eyes and a mysterious past? Or could he be something more?Violet’s grandmother always warned her about the Devil, but she never said he could be a dark-haired boy who takes naps in the sun, who likes coffee, who kisses you in a cemetery... who makes you want to kiss back. Violet’s already so knee-deep in love, she can’t see straight. And that’s just how River likes it.Blending faded decadence and the thrilling dread of gothic horror, April Genevieve Tucholke weaves a dreamy, twisting contemporary romance, as gorgeously told as it is terrifying—a debut to watch.

    Absorbing, resonant, emotionally satisfying and quite magical' - Stephen Volk 'Eloquent, shimmering writing unfurls a haunting story of childhood, grief and obsession' – Simon Clark'I adored every line. I can’t recommend it highly enough... Book of the Year!' - The Eloquent Page ‘The Electric is an impressive first novel. Andrew David Barker’s style is whimsical and nostalgic, and the work reads like the haziest recollections of a childhood long since gone.’- Starburst Magazine‘The Electric is more than a book – just as its namesake is more than a cinema – it’s an experience to dive into and wallow in. It’s a link to the past and a way to think about what’s really important about life. Its heart beats beautiful pulses of nostalgia and grief, but it is full of affirmation too: the joy of discovery; the value of insight; the depths of friendship, love and family ties, and the powerful cement of a shared experience.’- Geek SyndicateIn the summer of 1985, fifteen-year-old Sam Crowhurst discovers an old abandoned cinema that screens movies made by ghosts, for ghosts. Sam, along with his friends, Emma and David, find themselves drawn into a world where the likes of Humphrey Bogart, Lon Chaney and Theda Bara are still making pictures; where Harold Lloyd and John Belushi team up for roustabout comedies, and Karloff and Lugosi appear in films scripted by Edgar Allan Poe. Sam comes to learn the mysteries of the Electric cinema and his part to play in its long and strange history. With shades of Ray Bradbury, the more nostalgic work of Stephen King, and the early films of Steven Spielberg, THE ELECTRIC is about movies, ghosts, and that ephemeral moment in all of our lives, childhood.

    Of course nobody really believes it. It’s just a good campfire story, something to attract gullible tourists ­ until an excavation team unearths the figurine of a screaming woman, the jawbone of a deformed animal, and a child’s toy. How odd that they were buried together. Odd, too, is the foul odor lingering in the air, the strange noises at night, and the man’s face found hanging from a tree. Now the locals are locking their doors. Because after sundown, campfire stories can seem very, very real.

    Their honeymoon was idyllic and Liz is blissfully happy—at first. But she feels increasingly uneasy in her lavish new home. Huntington House and its staff still seem to be in the thrall of David’s first wife. In fact, the housekeeper, Mrs. Hoffman, has made it clear that Liz can never measure up to the stunning, sophisticated, deceased, Dominique. Though Dominique drowned in a yachting accident, Liz still senses her spirit in the house. She hears unexplained noises…sees shadowy figures vanishing down the long corridors. The scent of Dominique’s favorite flowers fills the air. But Liz’s fears are more than insecurity. Two young women connected to Huntington House have already met terrible deaths. More will die—and soon. Because behind the house’s polished façade is an unimaginable secret and a love turned to twisted, unnatural obsession…Praise for William Patterson’s The Inn "The Conjuring meets The Shining in William Patterson's deliciously creepy thriller.  Fast-paced, horror-filled, clever and impossible-to-predict, this heart-pounding tale will leave you breathless." --Kevin O’Brien, New York Times bestselling author

    But it still tortures him. His search for answers will lead him down a twisted path paved with secrets and grotesque lies. Instead of peace he finds madness, held captive as part of a deranged plan filled with suffering…and blood. As the nature of his captors’ insanity is revealed, Marshall will need to confront the truth about his son and his own past if he hopes to have a future.