After the overwhelming interest generated by the original limited letterpress edition of Execution Poems, Gaspereau Press released this trade edition which went on to win Canada's highest literary honour in 2001. The jurors of the Governor General's Literary Award called this book "raging, gristly, public — and unflinchingly beautiful," and remarked on Clarke's "explosive, original language."In 1949, George and Rufus Hamilton were hanged for the murder of a taxi driver in Fredericton, New Brunswick. Fifty years later, Clarke has written, in his abundant style, a series of poems that embody both damnation and redemption, offering convoluted triumphs alongside tragedy and blurring the line between perpetrator and victim. What Clarke presents in Execution Poems is uncomfortable. He reminds us of racism and poverty; of their brutal, tragic results. He reminds us of society's vengefulness. He blurs the line between the perpetrator and the victim — a line we'd prefer remain simple and clear. At the heart of it, Clarke is frustrating the notion that society deals any better with these issues today than it did in the 1940s.

    Of her most recent book, Raptus, Carolyn Forché has written that she is “a genuine poet, a born poet, and I am in awe of her achievement.” The poems in Klink’s new collection offer a closely keyed meditation on being alone—on a self fighting its way out of isolation, toward connection with other people and a vanishing world.

    Michener was an obscure textbook editor working in New York. Within three years, he was a naval officer stationed in the South Pacific. By the end of the decade, he was an accomplished author, well on the way to worldwide fame. Michener’s first novel, Tales of the South Pacific, won the Pulitzer Prize. Richard Rodgers and Oscar Hammerstein used it as the basis for the Broadway musical South Pacific, which also won the Pulitzer. How this all came to be is the subject of Stephen May’s Michener’s South Pacific.An award-winning biographer of Michener, May was a featured interviewee on the fiftieth-anniversary DVD release of the film version of the musical. During taping, he realized there was much he didn’t know about how Michener’s experiences in the South Pacific shaped the man and led to his early work.May delves deeply into this formative and turbulent period in Michener’s life and career, using letters, journal entries, and naval records to examine how a reserved, middle-aged lieutenant known as "Prof" to his fellow officers became one of the most successful writers of the twentieth century.

    The words are redolent with his Cuban heritage: Marina making mole sauce; Tía Ida bitter over the revolution, missing the sisters who fled to Miami; his father, especially, “his hair once as black as the black of his oxfords…” Yet this is a volume for all who have longed for enveloping arms and words, and for that sanctuary called home. “So much of my life spent like this-suspended, moving toward unknown places and names or returning to those I know, corresponding with the paradox of crossing, being nowhere yet here.” Blanco embraces juxtaposition. There is the Cuban Blanco, the American Richard, the engineer by day, the poet by heart, the rhythms of Spanish, the percussion of English, the first-world professional, the immigrant, the gay man, the straight world. There is the ennui behind the question: why cannot I not just live where I live? Too, there is the precious, fleeting relief when he can write "…I am, for a moment, not afraid of being no more than what I hear and see, no more than this:..." It is what we all hope for, too.

    'Revolution on Canvas' presents another collection of poetry from some of the country's most popular indie-rock bands, including Deftones, Fall Out Boy, Armor For Sleep, and Say Anything.

    Herter Norton offer Rilke's work to the English-speaking world in an accurate, sensitive, modern version.

    Heine's protagonist is Atta Troll, the revolutionary dancing bear, who embodies all that Heine finds worthy of ridicule. The other poems in the collection are likewise chosen to highlight Heine's gift for lampooning social, political and artistic pomposity, while fighting for his own vision of a just world.

    

    A collection of poetry about depression, survival, and healing: featuring "Self-Love Manifesto" an inspirational poem that became viral on Tumblr which explores what it truly means to fall in love with your being.

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.

    Whatever our feelings about établissement and French Maoism here at Commune Editions (they aren’t positive), we think the book is incredible, and expect you will too.Get it here: http://communeeditions.com/excess-the...

    In less than a year, he became one of the most recognizable figures on the platform he writes: Instagram (@farawaypoetry). In this book of selected poems and writings, Faraway takes the reader on a journey of discovery, with a message of hope running as the main artery through the pages. It fearlessly dives into the depths of the human condition, tackling topics such as new and old love, heartbreak, loss, anxiety, self-love, dreaming, and much more.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    She joins a self-help group for people in similar situations and there she meets three women who have been betrayed or abandoned by their husbands. Carla decides to rehearse her revenge on these men and starts by buying a ticket to Cuba.[Cambridge English Readers Level 6 Award-winning original fiction for learners of English. At seven levels, from Starter to Advanced, this impressive selection of carefully graded readers offers exciting reading for every student's capabilities. Paperback-only version. Also available with Audio CDs including complete text recordings from the book. Contains adult material that may not be suitable for younger readers.]