Book picks similar to
Spunk & Bite: A Writer's Guide to Punchier, More Engaging Language & Style by Arthur Plotnik
writing
non-fiction
reference
nonfiction
Nail Your Novel: Why Writers Abandon Books And How You Can Draft, Fix and Finish With Confidence
Roz Morris - 2009
It’s great to know that – but while you’re reading about it you’re not writing your book.And what these books don’t tell you is how to use this learning and get the job done.Nail Your Novel is a writing buddy – and mentor - in a book.In 10 easy steps it will tell you:*how to shape your big idea and make a novel out of it*how to do your research and how to use it*how to organise your time*how to plot and build characters*when you’re going to hit problems and what to do about them*how to write on the days you don’t feel inspired*how to reread what you’ve written and polish it.Along the way, Thumbnail Notes give tutorials about storytelling and storycraft – strictly when you need them. The author has written nearly a dozen novels that have made it into print – and this is how she did it.You don’t even need to read the whole book before you get started. You read a section, then do as it says. And, once you’re finally satisfied, Nail Your Novel will tell you how to sell it to publishers and agents.
Chapter After Chapter: Discover the Dedication & Focus You Need to Write the Book of Your Dreams
Heather Sellers - 2006
And it requires an unflinching commitment to staying the course. Chapter After Chapter shows you how to build on your good writing habits, accrue and recognize tiny successes, and turn your dedication to the craft into the book you always knew you could write if you could just stay with it.Heather Sellers, author of Page After Page, draws on her first-hand experience as a novelist, poet, memoirist, and children's book author to help you prepare for whatever roadblocks you might encounter while writing the book of your dreams. You'll discover how to celebrate the momentum of slow and steady, stay in love with your book project through soggy middles and long revisions, and embrace the nakedness that is creative expression.And you'll realize you've got exactly what it takes write your book!
The Careful Writer
Theodore M. Bernstein - 1977
It is perhaps the liveliest and most entertaining reference work for writers of our time—delighting while it instructs and amusing even as it scolds and cajoles the reader into skillful, persuasive, and vivid writing. The Careful Writer, Mr. Bernstein’s major work on usage, is an indispensible desk reference, and a perennial source of continuing reading pleasure.
Fight Write: How to Write Believable Fight Scenes
Carla Hoch - 2019
But a poorly done or unbelievable fight scene can ruin a great book in an instant.In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls.- In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. - Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). - Round 3 explores different fighting styles that are appropriate for different situations: What really happens in fights on the street? What is the vocabulary used to describe these styles? - Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. - In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further.By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.
What Would Your Character Do?
Eric Maisel - 2006
For example:What would motivate your character to tell a lie–a big lie that may have unintended consequences?Is your character the type who would blow the whistle on a corporate cover-up or would she quietly toe the line?How would your character cope with the loss of a parent with whom he was exceptionally close?How likely would your character be to flirt with an attractive stranger in a hotel bar?Is your character the type who would drop everything–and everyone–for a spontaneous road trip?Plus, find out how to develop each scenario further using corresponding prompts and specific psychological insight into areas such as the role friendship plays in a person's mental and physical health, conflict resolution in intimate relationships, and the connection between time-impatience and free-floating hostility. With "What Would Your Character Do?," you don't have to guess at your character's responses to the important decisions and unexpected challenges he's sure to encounter in your story. Use and reuse these scenarios on each of your characters until you've got a nuanced, distinct cast that readers will never be able to forget!
Advice to Writers: A Compendium of Quotes, Anecdotes, and Writerly Wisdom from a Dazzling Array of Literary Lights
Jon Winokur - 1999
Here are literary lions on everything from the passive voice to promotion and publicity: James Baldwin on the practiced illusion of effortless prose, Isaac Asimov on the despotic tendencies of editors, John Cheever on the perils of drink, Ivan Turgenev on matrimony and the Muse. Here, too, are the secrets behind the sleight-of-hand practiced by artists from Aristotle to Rita Mae Brown. Sagacious, inspiring, and entertaining, Advice to Writers is an essential volume for the writer in every reader.
Plot
Ansen Dibell - 1988
"They aren't laws. They're an array of choices, things to try, once you've put a name to the particular problem you're facing now."That's what this book is about: identifying those choices (whose viewpoint? stop and explain now, or wait? how can this lead to that?), then learning what narrative problems they are apt to create and how to choose an effective strategy for solving them. The result? Strong, solid stories and novels that move.Inside you'll discover how to:test a story idea (using four simple questions) to see if it worksconvince your reader that not only is something happening, but that something's going to happen and it all matters intenselyhandle viewpoint shifts, flashbacks, and other radical jumps in your storyline weave plots with subplotsget ready for and write your Big Scenesbalance scene and summary narration to produce good pacinghandle the extremes of melodrama by "faking out" your readers--making them watch your right hand while your left hand is doing something sneakyform subtle patterns with mirror characters and echoing incidentschoose the best type of ending--linear or circular, happy or downbeat, or (with caution!) a trick endingWhether your fiction is short or long, subtle or direct, you'll learn to build strong plots that drive compelling, unforgettable stories your readers will love.