‘Supposing I were to come down one morning and find a dead body in the library, what should I do?’ she muses. Clarissa has her chance to find out when she discovers a body in the drawing-room of her house in Kent.Desperate to dispose of the body before her husband comes home with an important foreign politician, Clarissa persuades her three house guests to become accessories and accomplices. It seems that the murdered man was not unknown to certain members of the house party (but which ones?), and the search begins for the murderer and the motive, while at the same time trying to persuade a police inspector that there has been no murder at all.This novelisation by Charles Osborne is based on Agatha Christie's play, Spider's Web.

    In Evil Eye, Oates offers four chilling tales of love gone horribly wrong, showing the lengths people will go to find love, keep it, and sometimes end it.In "Evil Eye," we meet Mariana, the young 4th wife of a prominent intellectual. When her husband's brazen first wife visits one night, Mariana learns a terrible secret that threatens her marriage and sanity. In "So Near, Anytime, Always," shy teenager Lizbeth meets Desmond, a charming boy who offers this introverted girl the first sparks of young romance. Yet just as their relationship begins to blossom, Lizbeth realizes that beneath Desmond's perfect façade lies a dark soul that could wreak havoc on Lizbeth and her loved ones. In "The Execution," spoiled college student Bart Hansen has planned the perfect, brutal crime to get back at his parents for their years of condescension. Yet what he didn't plan for is a mother whose love is more resilent than he could have ever imagined, who threatens to derail his carefully laid-out plans.

    These former agents have all faked their own deaths and now work for the CIA on a strictly secret basis, taking on dangerous and illegal jobs the agency may not officially carry out. They're headed to the Molguzar mountains to look for sixty-billion dollars worth of gold hidden by the KGB before the collapse of the Soviet Union, and taking a perilous detour to rescue FBI agent April Showers from a sociopath torturer. But Storm's loyalties are put to the test as the mission begins to unravel into a bloody mountaintop showdown, and he and Showers must find out the hard way that their assignment may not be what they thought it was.

    At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”Into O’Dare’s nightmarish world of lone and lethal missions comes a mysterious stranger, a seraph, who offers him a chance to save rather than destroy lives. O’Dare, who long ago dreamt of being a priest but instead came to embody danger and violence, seizes his chance. Now he is carried back through the ages to thirteenth-century England, to dark realms where accusations of ritual murder have been made against Jews, where children suddenly die or disappear . . . In this primitive setting, O’Dare begins his perilous quest for salvation, a journey of danger and flight, loyalty and betrayal, selflessness and love.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    Scot Harvath parachutes onto supertanker Sienna Star taken over by Somali pirates "skinners" to rescue hostages.

    Step into Grace’s world with this exclusive bonus scene from Embassy Row, New York Times bestselling author Ally Carter’s new series of global proportions. Embassy Row Book 1, All Fall Down, is available now!Grace Blakely is absolutely certain of three things:1. She is not crazy.2. Her mother was murdered.3. Someday she is going to find the killer and make him pay.As certain as Grace is about these facts, nobody else believes her -- so there's no one she can completely trust. Not her grandfather, a powerful ambassador. Not her new friends, who all live on Embassy Row. Not Alexei, the Russian boy next door, who is keeping his eye on Grace for reasons she neither likes nor understands.Everybody wants Grace to put on a pretty dress and a pretty smile, blocking out all her unpretty thoughts. But they can't control Grace -- no more than Grace can control what she knows or what she needs to do. Her past has come back to hunt her . . . and if she doesn't stop it, Grace isn't the only one who will get hurt. Because on Embassy Row, the countries of the world stand like dominoes, and one wrong move can make them all fall down.Don’t miss this never-before-read scene from New York Times bestselling author Ally Carter’s brand-new series, Embassy Row.

    Chesterton's endearing amateur sleuth has entertained countless generations of readers. For, as his admirers know, Father Brown's cherubic face and unworldly simplicity, his glasses and his huge umbrella, disguise a quite uncanny understanding of the criminal mind at work.This Penguin omnibus edition contains* The Innocence of Father Brown* The Wisdom of Father Brown* The Incredulity of Father Brown* The Secret of Father Brown* The Scandal of Father Brown

    Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag Hush-Hush magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, Crime Wave is Ellroy at his best.

    Blackwater was published as part of the Quick Reads initiative on World Book Day 2006.How do you know when you're in too deep?Davey has always lived in the shadow of his older brother, a smiling sociopath who will stop at nothing to protect himself and his family. But when the shadowy figure of Denis Tanter comes into Davey's life, how far will the bond of brotherhood reach?

    Some tales, such as "Toe the Line" and "Ormond Always Pays His Bills," are simple pulp crime yarns; others are masterful examples of psychological terror and, in the case of "Whipped Dogs," mystical fantasy. Excellent. Originally published in 1975.Contents:9 · Blood/Thoughts · in 41 · The Whimper of Whipped Dogs · ss Bad Moon Rising, ed. Thomas M. Disch, Harper & Row, 1973 61 · Eddie, You’re My Friend [as by Jay Solo] · ss The Saint Detective Magazine (UK) Mar ’65 67 · Status Quo at Troyden’s · ss The Saint Detective Magazine Nov ’58 81 · Nedra at f:5.6 [revised from “The Hungry One”] · ss Gent Feb ’57 91 · Opposites Attract [“Mad Bomber”] · ss Caper Nov ’57 103 · Toe the Line · ss The Saint Detective Magazine Jun ’57 113 · Down in the Dark [as by Ellis Hart] · ss Adam Bedside Reader #30 ’67 123 · Pride in the Profession · ss Adam Aug ’66 137 · The Children’s Hour [as by Wallace Edmondson] · ss Fantastic Universe Jul ’58 145 · White Trash Don’t Exist [“Murder Bait”] · ss Mantrap Oct ’56 159 · Thicker Than Blood · ss Mike Shayne Mystery Magazine Feb ’58 169 · Two Inches in Tomorrow’s Column [as by Ellis Hart] · ss Adam Bedside Reader #21 ’65 177 · Promises of Laughter · ss Adam Nov ’69 187 · Ormond Always Pays His Bills · ss Pursued Jul ’57 193 · The Man on the Juice Wagon [as by Cordwainer Bird] · ss Adam Bedside Reader #14 ’63 211 · Tired Old Man · ss Mike Shayne Mystery Magazine Jan ’76

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.Jason Baker is a writer of short stories living in Brooklyn, New York.

    But when she’s railroaded into a charity gig, she finds herself back on the set, this time with a cast of photogenic college kids, an up-and-coming Russian spiritualist, and a tale of missing girls and murder in New England. It’s cheesy, but that’s show business. With her werewolf Alpha lover, Jeremy Danvers, along to keep her nights interesting, it’s not so bad really. Until the bloody ghosts show up. Jaime has never faced spirits like these, and no matter how hard she tries, they won’t be ignored.