Rudolph Fisher, one of the principal writers of the Harlem Renaissance, weaves an intricate story of a native African king, who, after receiving a degree from Harvard University, settles into Harlem in the 1930s. He becomes a "conjure-man," a fortune-teller, a mysterious figure who remains shrouded in darkness while his clients sit directly across from him, singly bathed in light. It is in this configuration that one of these seekers os the revelation of fate discovers he is speaking to a dead man. Thus a complex mystery begins, involving suspects and characters who are vividly and richly portrayed, and who dramatically illuminate for the reader a time, a place, and a people that have been sadly neglected in American literature.

    Maybe this is it; this might be my last night on earth. I close my eyes and once I reopen them, I find myself looking into my tub as water surrounds my whole head. I can’t breathe; water is in my nose, mouth, ears, and eyes. I struggle, trying to get away from Siles’ grip; but he’s holding me down by my head into a tub full of water. He’s drowning me and I can’t fight back. I move my arms and legs, kicking like a rag doll. He lifts me out by pulling on my red hair. As I am eye to eye with him again, taking a deep breath, water runs down my face and I spit out water as it rolls down my chin. “I told you, you gon’ respect me Blu.” “I am …” Before I can say sorry, he’s stuffing my head back into the tub full of water again. I didn’t get a chance to take another deep breath before entering. The longer he holds me under, the more I lose the strength to fight. It feels like forever before then he pulls me back out of the tub again. “You what bitch?”

    Whether it’s securing a dinner reservation, a fleet of limos, or a record deal, or protecting her clients from the paparazzi, there’s nothing Beijing can’t do. She’s stacked up an impressive pile of IOUs from the world’s elite—and one day she decides it’s time to start cashing in. Before long, she’s a five-star diva running her own lucrative business, where she secures her clients their most outrageous—and increasingly illegal—desires.But Beijing has her own addiction: a man named Lootchee, who lavishes her with even more diamonds and luxury than she already has. But behind Lootchee’s charm and over-the-top romantic gestures is a selfish, high-stakes hustler who lures Beijing into a dangerous web that takes even this seasoned enterpriser by surpise, and breaks her heart in the process.Once the ball finally drops, it’ll take a ghost from Beijing’s past to rescue her—not only from those who are out to seriously harm her, but from herself.

    From her countless suitors, she makes a peculiar choice, agreeing to marry a stuffy man who loves someone else. On the eve of the wedding, Madeleine shuts herself away in a locked room to think about what she is about to do—and in the morning, she is found gruesomely murdered. Every member of the household is a suspect, but no one understands how the killer could have slipped through the locked doors of Madeleine’s bedroom. As the town whirls into a tailspin of suspicion and fear, it falls to the brilliant detective Fleming Stone to pick out the person who stabbed Madeleine to death—a baffling mystery that hinges on the discovery of a single, all-important clue. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

    New to LA with a couple mil to flip, Grey opens South Beach, the newest addition to the Los Angeles club scene. In the midst of starting his business, he meets an exotic beauty by the name of Nakami. Enamored by her beauty and fiery personality, Grey courts her not knowing that her father, Hero, is the biggest drug lord on the West Coast. Nakami and her father prove to be the connect that Grey needs in order to get back to his hustle. But at what cost? Kimani Summers, Grey's younger brother, is making a name for himself in the modeling industry and is also pursuing a career in acting. When he hears that his brother has relocated to LA, he's not happy. Knowing Grey and the trouble that tends to follow behind him, Kimani is reluctant to interact with the brother he hasn't seen or talked to in over five years. Hesitantly taking Grey up on the invitation to attend the grand opening of his new club, Kimani meets Nakami's best friend, Blu. After losing the last woman he loved tragically, Kimani doesn't want to fall for Blu, but he can't help it. When these four lives are intertwined, things get crazy! And when everything is all said and done, friends will become enemies, business and personal relationships will crumble, and lines will be crossed that will affect the lives of all parties involved.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.With the legacy of their mother and her plans for them in motion, the McPhearson children are operating on a broken foundation. Attacked on all fronts, Javon and Shanelle are struggling to keep the family normal, while following the criminal plans of their dead mother. The Syndicate is growing, and Javon is determined to bring in new blood while looking for those who killed Claudette. Not to mention, something odd is going on with all of his siblings that threatens to rock the family to the core. Will the McPhearson clan fall in order for the Syndicate to rise, or will the truth end the legacy before it can even begin?

    He would have never imagined that every moment since would be a straight up fantasy. Keys had been the typical hood boy for most of his life; selling dope, getting money and getting bitches upon bitches upon bitches. The fact that he had survived shootings and Dream's jealous wrath was a miracle from above, and he grew tired of forcing God's hand. So, last year, he decided to settle down. He quit the dope game and focused on his girlfriend, Dream. Then, one rainy night, he met Ivy, and his life changed. And it wasn't that typical change that leads to a man going astray. If only it could have been that simple. After meeting Ivy, Keys' life literally went from the normal day-to-day, to mystery, fantasia and the realization that forever will be a very long time for him. Ivy, however, is very much living in the real world. She knows that these premature feelings for Keys are just a rebound from her failed relationship with Travis, and she has sense enough to know two things; one, the last thing that she needs to be focused on is a man, especially one with an undeserving, bitch like Dream, and, two, she had never known that she was starving, until she tasted Keys. Despite their incredible connection, both Keys and Ivy take great lengths to distance themselves from this fairytale-like chemistry between them. However, when destiny has designed two people to be together there is nothing that can stop it... except the threat of death. Since the moment they met, Keys had been her superman, and since the moment that she stepped into his life, Ivy had been his kryptonite. From the moment he met her, he felt a responsibility to save her, but what lengths will Keys go to save himself?

    Currently he’s living on the beach with the strung-out trying to find to the source of the drugs they live for. FletchHe’s taking more than a little flack from his editor. She doesn’t appreciate his style. Or the expense account items he’s racking up. Or his definition of the word deadline. Or the divorce lawyers who keep showing up at the office.FletchSo when multimillionaire Alan Stanwyk offers Fletch the job of a lifetime, which could be worth a fortune, he’s intrigued and decides to do a little investigation. What he discovers is that the proposition is anything but what it seems.

    When three small-time country gangsters break jail, they return, like moths to a flame, to the only life they know - smalltown bank-robbing. And when Bowie, the youngest of them, falls in love with Keechie, one of the older gangster's cousins, it becomes a classic tale of love with nowhere to hide and no hope of reprieve.First published in 1937, 'Thieves Like Us' was powerfully adapted for the screen by Nicholas Ray in 1948 as 'They Live by Night' and once again under its original title by Robert Altman in 1973.

    This collection, the first of a two-volume omnibus, presents four classics of the 1940s overdue for fresh attention. Anticipating the “domestic suspense” novels of recent years, these four gripping tales explore the terrors of the mind and of family life, of split personality and conflicted sexual identity.Vera Caspary’s Laura (1943) begins with the investigation into a young woman’s murder and blossoms into a complex study, told from multiple viewpoints, of the pressures confronted by a career woman seeking to lead an independent life. Source of the celebrated film by Otto Preminger, Caspary’s novel has depths and surprises of its own. As much a novel of manners as of mystery, it remains a superb evocation of a vanished Manhattan.Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school (modeled on Eustis’s alma mater, Smith College) is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hothouse atmosphere of an English department rife with talk of Freud and Kafka.With In a Lonely Place (1947), Dorothy B. Hughes created one of the first full-scale literary portraits of a serial murderer. The streets of Los Angeles become a setting for random killings, and Hughes ventures, with unblinking exactness, into the mind of the killer. In the process she conjures up a potent mood of postwar dread and lingering trauma.Raymond Chandler called Elisabeth Sanxay Holding “the top suspense writer of them all.” In The Blank Wall (1947) she constructs a ferociously taut drama around the plight of a wartime housewife forced beyond the limits of her sheltered domestic world in order to protect her family. The barely perceptible constraints of an ordinary suburban life become a course of obstacles that she must dodge with the determination of a spy or criminal.Psychologically subtle, socially observant, and breathlessly suspenseful, these four spellbinding novels recapture a crucial strain of American crime writing.

    Luke loves her with all his heart, but the only thing standing in the way of their happiness is the fact that he could be April’s baby daddy. Scarlett feels hurt and finds herself drawn in an unlikely relationship with Troy as he sets out to win her heart. However, unbeknownst to him, she’s not exactly keeping things completely honest. Nina wants nothing more than to get back with her kid’s father, Stephen. However, Stephen has moved on with an old friend of Nina’s and this union threatens any type of chance that she and Stephen have at being together. Rick continues to lurk in the shadows, definitely making it hard for Nina to ever find happiness with anyone other than himself. Sheila struggles with loving Jay as Jay struggles with losing Scarlett. To add to the confusion, Jay refuses to come to terms with the possibility of being April’s other baby daddy to her unborn child. Sheila is still on a road to redemption, but finds herself questioning Scarlett’s loyalty to her as veiled secrets are slowly being revealed. Will she find out the truth about Scarlett and her father messing around or will the tables turn and reveal some nasty details about herself? There are always two sides to every story. However, in this series, there are numerous sides to a story that only one can imagine… SCARLETT3

    Nakhai loves Quinn as if she was his little sister, and wants nothing but the best for her. When Quinn makes the decision that she wants to help Nakhai run the “business” while DJ is locked up, he is reluctant, butagainst his better judgment, he brings her in and teaches her everything. Khai has just stepped up from the world of marijuana and into the world of cocaine and has linked up with the only other team that can make as much money if not more than he can. When Khai links up with Stylez and Mar, the streets of Buffalo don’t know what hit them. After running into Quinn in the mall, Stylez wants nothing more to make her his, but can he handle the fact that she’s the other half of the duo that’s serving him his product? Will Quinn ever tell Stylez that she is his supplier, or will she remain a silent partner until her brother comes home and bow out gracefully without ever saying anything to him?

     At Seventeen years of age and fresh out of high school, Royal has had to work at a local strip club to make sure that she and her sister have whatever they need in order to maintain. Royal is all about making money and looking for a way out. There isn’t anyone that she has her eyes set on until she ends up meeting Pharaoh while returning home one night. At first, she downplays their blossoming relationship letting it be known that they’re just friends. Pharaoh plays along and figures that she’s just not your average chick, but he quickly switches things up on her and starts dating a girl name Bia. Just like Pharaoh knew she would, Royal shuts that relationship down and claims Pharaoh as her own. With a Love so unique and seemingly everlasting, one would think that things would be smooth sailing for the two of them. However, with a scorned ex-lover and a jealous best friend, the outcome will not turn out pretty. Join Royal as she carries the weight of the world on her shoulders and does what only a Brooklyn Bitch can do to make it out alive.

    Eva's husband George is behind tabloid editor Frank Locke’s blackmail of Congressman Harrison Burke. The politician and Eva had been together at a restaurant when there was an attempted robbery. It's not long before George takes a bullet to the heart as he's getting out of his bath. There's a forged will too. It benefits his nephew Carl, who is engaged to the daughter of Mrs. Veitch, the Belters’ secretive housekeeper. Is this complicated or what!At least Eva Belter had brains; she was smart enough to consult Perry Mason.