Though he married twice, became a high-flying lawyer and a father, he didn't let anyone really know him. And he was especially silent about what had happened to him in Lebanon, the country he fled during civil war to come to Canada as a refugee. When, in the midst of a corporate scandal, he went missing after his boat exploded, his teenaged son Cyril didn't know how to mourn him. But five years later, a single bone and a distinctive gold chain are recovered, and Pierre is at last declared dead. Which changes everything.At the reading of the will, it turns out that instead of a funeral, Pierre wanted a "roast" at a bar no one knew he frequented—The Only Café in Toronto's east end. He'd even left a guest list that included one mysterious name: Ari. Cyril, now working as an intern for a major national newsroom and assisting on reporting a story on homegrown terrorism, tracks down Ari at the bar, and finds out that he is an Israeli who knew his father in Lebanon in the '80s. Who is Ari? What can he reveal about what happened to Pierre in Lebanon? Is Pierre really dead? Can Ari even be trusted? Soon Cyril's personal investigation is entangled in the larger news story, all of it twining into a fabric of lies and deception that stretches from contemporary Toronto back to the massacre at the Sabra and Shatila camps in Lebanon in September 1982.The Only Café is both a moving mystery and an illuminating exploration of how the traumatic past, if left unexamined, shadows every moment of the present.

    With more than 500 recipes for meze, soups, fish, meat and vegetables, desserts, cakes, cookies, preserves and drinks, it covers the entire range of Lebanese food, which is widely regarded as the most refined of all the Middle Eastern cuisines.

    With sweeping knowledge and vision, Helou delves into the enormous variety of dishes associated with Arab, Persian, Mughal (or South Asian), and North African cooking, collecting favorites like biryani or Turkish kebabs along with lesser known specialties such as Zanzibari grilled fish in coconut sauce or Tunisian chickpea soup. Suffused with history, brought to life with stunning photographs, and inflected by Helou’s humor, charm, and sophistication, Feast is an indispensable addition to the culinary canon featuring some of the world’s most inventive cultures and peoples.

    As the bombs fell, she lived an adolescence of excess and transgression, defying death in nightclubs. The more oppressive the country became, the more drugs and anonymous sex she had, fueling the resentment by day of the same men who would spend the night with her. As the war dies down, she begins to incur the consequences of her lifestyle. On his deathbed, her father's last wish is for his favorite song, "Sinnerman" by Nina Simone, to be played at his funeral instead of the traditional suras of the Koran. When she does just that, the results are catastrophic.In this dramatic true story, Darina Al-Joundi is defiantly passionate about living her life as a liberated woman, even if it means leaving everyone and everything behind.

    This account of his early life reveals how it influenced his books Orientalism and Culture and Imperialism. Edward Said was born in Jerusalem and brought up in Cairo, spending every summer in the Lebanese mountain village of Dhour el Shweir, until he was 'banished' to America in 1951. This work is a mixture of emotional archaeology and memory, exploring an essentially irrecoverable past. As ill health sets him thinking about endings, Edward Said returns to his beginnings in this personal memoir of his ferociously demanding 'Victorian' father and his adored, inspiring, yet ambivalent mother.

     Classrooms were never sufficient for Jared Cohen; he wanted to learn about global affairs by witnessing them firsthand. During his undergraduate years Cohen travelled extensively to Africa—often to wartorn countries, putting himself at risk to see the world firsthand. While studying on a Rhodes Scholarship at Oxford, he took a crash course in Arabic, read voraciously on the history and culture of the Middle East, and in 2004 he embarked on the first of a series of incredible journeys to the Middle East. In an effort to try to understand the spread of radical Islamist violence, he focused his research on Muslim youth. The result is Children of Jihad, a portrait of paradox that probes much deeper than any journalist or pundit ever could. Written with candor and featuring dozens of eye-opening photographs, Cohen’s account begins in Lebanon, where he interviews Hezbollah members at, of all places, a McDonald’s. In Iran, he defies government threats and sneaks into underground parties, where bootleg liquor, Western music, and the Internet are all easy to access. His risky itinerary also takes him to a Palestinian refugee camp in southern Lebanon, borderlands in Syria, the insurgency hotbed of Mosul, and other frontline locales. At each turn, he observes a culture at an uncanny crossroads: Bedouin shepherds with satellite dishes to provide Western TV shows, young women wearing garish makeup despite religious mandates, teenagers sending secret text messages and arranging illicit trysts. Gripping and daring, Children of Jihad shows us the future through the eyes of those who are shaping it.

    He lives with his father, Rasheed, who is enamored of his concept of American culture—baseball and barbeques—and tries to shed his Lebanese heritage completely. “When we are in America,” Reed (for he goes by Reed in America, not Rasheed) tells Max, “we are Americans.”Rasheed has a singular purpose in life: to provide Max with a joyful childhood. He showers his son with gifts out of a belief that he deserves all and is capable of anything. Max wants nothing more than to convince his father that he is a successful single parent. The only thing that can disrupt their peaceful universe is the truth—which it does, with force.When Max turns seventeen, he learns from Rasheed’s ex-girlfriend that his father has been lying to him. Max’s understanding of the world is so rocked that he is subsequently launched on an uncertain mission to Beirut and then Paris.Lifted by the Great Nothing is a startlingly graceful, and often hilarious, coming-of-age story about the lengths we go to preserve the untruths we live by. With its poignant relationships, unsettling misadventures, and surprising love stories, it is a touching and devastating portrait of a young man coming to terms with his country’s—and his own—violent past.

    هي قصة فاتن، فتاة قروية ذكيةوطموحة تجبَ على ترك المدرسة والانتقال إلى بيروت للعملكخادمة. بإرادتها القويّة ترسم مخططًا لتخرج من المأزق الذيتجد نفسها فيه. وجود بعض الأصدقاء من حولها، ومثابرتهاعلى قرارها للتحرر والنهوض بنفسها إلى مستقبل أفضل،يوصلان فاتن إلى تحقيق طموحاتها.The story is set during the civil war in Lebanon and Faten, a 15 year old, is being transported from her village in South Lebanon to Beirut to work as a maid. She is forced to leave her school and start a new life in Beirut. She works in a home where a middle-aged couple lives with their two daughters. Her father shows up at the end of each month to collect her salary and she despises him. She falls in love with the neighbour, Marwan, who helps her get information on how to do home schooling in such a way that she accomplishes the remaining two years of her schoolwork to complete her Baccalaureate which will grant her access to university to become a nurse. Faten succeeds and ends up sharing a small apartment with her close friend, going to university, and working evening shifts at the hospital reception. Faten presents the struggle of post war and the overcoming of difficult circumstances by being persistent and pursuing one’s dream and achieving future goals.

    Lamia and her family are caught up in the fighting, with tragic consequences. Lamia struggles with the hatred that threatens to destroy her, until she grasps that forgiveness and love are the most important things. Nothing else matters.

    The story opens in a taxi in which we meet the five central characters, each seeking something to give life meaning: security, fame, wealth, dignity, recognition, freedom from fear and tradition-sanctioned, dehumanizing practices. Once they reach the capital city of Beirut, on which they've pinned their hopes, they all discover, man and woman alike, that they are victims of forces either partially or completely beyond their control, such as political corruption, class discrimination, economic and sexual exploitation, destruction of the natural environment, and blind allegiance to tradition. Beirut '75 addresses struggles of Arab society, particularly the Lebanese, but the message is one of the universal human condition.

    In 1975 she was ten years old and living in Southern Lebanon when militant Muslims from throughout the Middle East poured into her country and declared jihad against the Lebanese Christians. Lebanon was the only Christian influenced country in the Middle East, and the Lebanese Civil War was the first front in what has become the worldwide jihad of fundamentalist Islam against non-Muslim peoples. For seven years, Brigitte and her parents lived in an underground bomb shelter. They had no running water or electricity and very little food; at times they were reduced to boiling grass to survive. "Because They Hate" is a political wake-up call told through a very personal memoir frame. Brigitte warns that the US is threatened by fundamentalist Islamic theology in the same way Lebanon was-- radical Islam will stop at nothing short of domination of all non-Muslim countries. Gabriel saw this mission start in Lebanon, and she refuses to stand silently by while it happens here. Gabriel sees in the West a lack of understanding and a blatant ignorance of the ways and thinking of the Middle East. She also points out mistakes the West has made in consistently underestimating the single-mindedness with which fundamentalist Islam has pursued its goals over the past thirty years. Fiercely articulate and passionately committed, Gabriel tells her own story as well as outlines the history, social movements, and religious divisions that have led to this critical historical conflict.

    Be careful, our professor advised, in the first moment of outright humor in class, that you don’t ask a waiter, ‘Excuse me, where is the pigeon?’ — or, conversely, order a roasted toilet.”   If you’ve ever studied a foreign language, you know what happens when you first truly and clearly communicate with another person. As Zora O’Neill recalls, you feel like a magician. If that foreign language is Arabic, you just might feel like a wizard. They say that Arabic takes seven years to learn and a lifetime to master. O’Neill had put in her time. Steeped in grammar tomes and outdated textbooks, she faced an increasing certainty that she was not only failing to master Arabic, but also driving herself crazy. She took a decade-long hiatus, but couldn’t shake her fascination with the language or the cultures it had opened up to her. So she decided to jump back in—this time with a new approach. Join O’Neill for a grand tour through the Middle East. You will laugh with her in Egypt, delight in the stories she passes on from the United Arab Emirates, and find yourself transformed by her experiences in Lebanon and Morocco. She’s packed her dictionaries, her unsinkable sense of humor, and her talent for making fast friends of strangers. From quiet, bougainvillea-lined streets to the lively buzz of crowded medinas, from families’ homes to local hotspots, she brings a part of the world that is thousands of miles away right to your door.    A natural storyteller with an eye for the deeply absurd and the deeply human, O’Neill explores the indelible links between culture and communication. A powerful testament to the dynamism of language, All Strangers Are Kin reminds us that learning another tongue leaves you rich with so much more than words.

    It describes three former centers of great wealth, pleasure, and freedom—Smyrna, Alexandria, and Beirut—cities of the Levant region along the eastern coast of the Mediterranean. In these key ports at the crossroads of East and West, against all expectations, cosmopolitanism and nationalism flourished simultaneously. People freely switched identities and languages, released from the prisons of religion and nationality. Muslims, Christians, and Jews lived and worshipped as neighbors.Distinguished historian Philip Mansel is the first to recount the colorful, contradictory histories of Smyrna, Alexandria, and Beirut in the modern age. He begins in the early days of the French alliance with the Ottoman Empire in the sixteenth century and continues through the cities' mid-twentieth-century fates: Smyrna burned; Alexandria Egyptianized; Beirut lacerated by civil war.Mansel looks back to discern what these remarkable Levantine cities were like, how they differed from other cities, why they shone forth as cultural beacons. He also embarks on a quest: to discover whether, as often claimed, these cities were truly cosmopolitan, possessing the elixir of coexistence between Muslims, Christians, and Jews for which the world yearns. Or, below the glittering surface, were they volcanoes waiting to erupt, as the catastrophes of the twentieth century suggest? In the pages of the past, Mansel finds important messages for the fractured world of today.

    The introduction to the book is a 30-page analysis of the general themes presented in the stories.

    A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a twenty-five-year-old national correspondent for the "Los Angeles Times," was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, including Israel, Egypt, Libya, and Yemen, witnessing the changes that swept the Muslim world and laboring to tell its stories. "Every Man in This Village Is a Liar" is Megan K. Stack's riveting account of what she saw in the combat zones and beyond. She relates her initial wild excitement and her slow disillusionment as the cost of violence outweighs the elusive promise of freedom and democracy. She reports from under bombardment in Lebanon; records the raw pain of suicide bombings in Israel and Iraq; and, one by one, marks the deaths and disappearances of those she interviews. Beautiful, savage, and unsettling, "Every Man in This Village Is a Liar" is a memoir about the wars of the twenty-first century that readers will long remember.