It is a masterpiece from one of the world's most innovative writers.

    Desperate for a fresh start herself, jaded event planner Krista navigates the world on behalf of those too traumatized to go outside, determined to help everyone move on—even if they don’t want to. Rob survived the catastrophe with his daughter, Sunny, but lost his wife. When strict government rules threaten to separate parent and child, Rob needs to prove himself worthy in the city’s eyes by connecting with people again.Krista, Moira, Rob and Sunny are brought together by circumstance, and their lives begin to twine together. But when reports of another outbreak throw the fragile society into panic, the friends are forced to finally face everything that came before—and everything they still stand to lose. Because sometimes having one person is enough to keep the world going.

    When he arrives, the predecessor he is meant to replace is missing and a deeply disturbed stranger is barricaded in a heavily fortified lighthouse. At first adversaries, the two find that their tenuous partnership may be the only way they survive the unspeakably horrific reptilian creatures that ravage the island at night, attacking the lighthouse in their organized effort to find warm-blooded food. Armed with a battery of ammunition and explosives, the weather official and his new ally must confront their increasingly murderous mentality, and, when the possibility of a kind of truce presents itself, decide what kind of island they will inhabit. Equal parts Stephen King, a phantasmagorical Robinson Crusoe, and Lord of the Flies, Cold Skin is literary horror that deals with the basest forms of human behavior imaginable, while exploring why we so vehemently fear the Other.

    Trust No One. And work just hard enough not to make enemies.Here, in the last sanctuary for the dying embers of the human race in a world run by artificial intelligence, if you stray from the path - your life is forfeit. But when a Party propagandist is killed - and is discovered as a "machine" - he's given a new mission: chaperone the widow, Lily, who has arrived to claim her husband's remains.But when South sees that she, the first "machine" ever allowed into the country, bears an uncanny resemblance to his late wife, he's thrown into a maelstrom of betrayal, murder, and conspiracy that may bring down the Republic for good.WHEN THE SPARROW FALLS illuminates authoritarianism, complicity, and identity in the digital age, in a page turning, darkly-funny, frightening and touching story that recalls Philip K. Dick, John le Carré and Kurt Vonnegut in equal measure.

    Yehat builds prototypes of space-age inventions in his spare time, while Hamza, a former English honors student who was kicked out of the university, writes lush, lyrical poems when he's not blocked--which, these days, is nearly always.When the gorgeous, mysterious Sherem shows up in E-Town decked out in desert finery, Hamza's creative spark is ignited. Who is this sophisticated woman that speaks arcane African tongues, quotes from obscure comics and Star Wars movies, yet seems somehow too ethereal for the world Hamza inhabits? And what is the lost artifact that she and a cast of coiffed collectors and criminal cultists so desperately seek? As Hamza falls blindly in love with Sherem, little does he know that he and Yehat play the biggest part of all in the recovery of the ancient relic--and in the future of all living beings. . . .

    She knew what she was and her very existence was a peril to the all-too-human population of that world.Never since C.L. Moore's Shambleau has there been another like Sabella.

    The galaxy remembers him as a hero: the man who burned every last alien Cielcin from the sky. They remember him as a monster: the devil who destroyed a sun, casually annihilating four billion human lives--even the Emperor himself--against Imperial orders.But Hadrian was not a hero. He was not a monster. He was not even a soldier.Fleeing his father and a future as a torturer, Hadrian finds himself stranded on a strange, backwater world. Forced to fight as a gladiator and into the intrigues of a foreign planetary court, he will find himself fight a war he did not start, for an Empire he does not love, against an enemy he will never understand.

    Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

    The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized.

    He lost his wife and son, lost everything, and was bound into service to a man who chews up human lives and spits them out, a predator who holds nothing dear and respects no law. Now, as the man he both loves and hates lies dying at his feet, the sounds of the explosion still ringing in his ears, Cason is finally free. The gods and goddesses are real. A polytheistic pantheon—a tangle of divine hierarchies—once kept the world at an arm’s length, warring with one another for mankind’s belief and devotion. It was a grim and bloody balance, but a balance just the same. When one god triumphed, driving all other gods out of Heaven, it was back to the bad old days: cults and sycophants, and the terrible retribution the gods visit on those who spite them. None of which is going to stop Cason from getting back what’s his...

    Younger by two years than her classmates at Peter Reed, the school on campus named for her uncle, she flourishes in her classes but struggles to make friends and find true intellectual peers. Six years later, she has gained a coveted post as an engineer on a space station—and a hard-won sense of belonging—but is haunted by the mystery of Inquiry, a revolutionary spacecraft powered by her beloved late uncle’s fuel cells. The spacecraft went missing when June was twelve years old, and while the rest of the world seems to have forgotten the crew, June alone has evidence that makes her believe they are still alive.She seeks out James, her uncle’s former protégé, also brilliant, also difficult, who has been trying to discover why Inquiry’s fuel cells failed. James and June forge an intense intellectual bond that becomes an electric attraction. But the relationship that develops between them as they work to solve the fuel cell’s fatal flaw threatens to destroy everything they’ve worked so hard to create—and any chance of bringing the Inquiry crew home alive.A propulsive narrative of one woman’s persistence and journey to self-discovery, In the Quick is an exploration of the strengths and limits of human ability in the face of hardship, and the costs of human ingenuity.

    And so is Aj--the waif, the mind reader, the prophet--when she one day finds a man who wants to stay hidden. In the next few weeks, they will all be swept together to decide the fate of the nation. River of Gods teems with the life of a country choked with peoples and cultures--one and a half billion people, twelve semi-independent nations, nine million gods. Ian McDonald has written the great Indian novel of the new millennium, in which a war is fought, a love betrayed, a message from a different world decoded, as the great river Ganges flows on.

    In New York, a man sensing patterns in the stock market racks up $300 billion. In Chicago, a woman can go invisible by being where no one is looking. They’re called "brilliants," and since 1980, one percent of people have been born this way. Nick Cooper is among them; a federal agent, Cooper has gifts rendering him exceptional at hunting terrorists. His latest target may be the most dangerous man alive, a brilliant drenched in blood and intent on provoking civil war. But to catch him, Cooper will have to violate everything he believes in - and betray his own kind.From Marcus Sakey, "a modern master of suspense" (Chicago Sun-Times) and "one of our best storytellers" (Michael Connelly), comes an adventure that’s at once breakneck thriller and shrewd social commentary; a gripping tale of a world fundamentally different and yet horrifyingly similar to our own, where being born gifted can be a terrible curse.

    Frank is very wrong.A mind-bending suspense novel about a small town with a supernatural secret.Things have changed in Rook Mountain, Tennessee, since Frank went away. His brother Jake has been missing for seven years, a fact no one bothered to share with Frank. His fun-loving buddy Will is now a somber man known for his violent enforcement of the town’s bizarre new laws. Frank’s sister-in-law Christine has a freezer chest containing a collection of illegal objects and a severed head.As Frank will soon learn, the only thing worse than being in Rook Mountain is being outside of it.Outside town is where the Unfeathered sing their terrible song and wait for night to fall.

    Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age. Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology transcends physics, and wheels cry out in the night. Memories come and go like fading echoes and a train carries its passengers through more than simple space and time. Dark and bright, beautiful and haunting, the stories herein represent speculative fiction from a sampling of the finest authors from around the world. Table of Contents S.P. Somtow(Thailand)-"The Bird Catcher" Jetse de Vries(Netherlands)-"Transcendence Express" Guy Hasson (Israel)-"The Levantine Experiments" Han Song (China)-"The Wheel of Samsara" Kaaron Warren (Australia/Fiji)-"Ghost Jail" Yang Ping (China)-"Wizard World" Dean Francis Alfar (Philippines)-"L'Aquilone du Estrellas (The Kite of Stars)" Nir Yaniv (Israel)-"Cinderers" Jamil Nasir (Palestine)-"The Allah Stairs" Tunku Halim (Malaysia)-"Biggest Baddest Bomoh" Aliette de Bodard (France)-"The Lost Xuyan Bride" Kristin Mandigma (Philippines)-"Excerpt from a Letter by a Social-realist Aswang" Aleksandar iljak (Croatia)-"An Evening In The City Coffehouse, With Lydia On My Mind" Anil Menon (India)-"Into the Night" Melanie Fazi (France, translated by Christopher Priest)-"Elegy" Zoran ivkovic (Serbia, translated by Alice Copple-To ic)-"Compartments""