In the last months of the Nazi occupation of Poland, two children are left by their father and stepmother to find safety in a dense forest. Because their real names will reveal their Jewishness, they are renamed "Hansel" and "Gretel." They wander in the woods until they are taken in by Magda, an eccentric and stubborn old woman called "witch" by the nearby villagers. Magda is determined to save them, even as a German officer arrives in the village with his own plans for the children. Louise Murphy's haunting novel of journey and survival, of redemption and memory, powerfully depicts how war is experienced by families and especially by children."Lyrical, haunting, unforgettable." --Kirkus Reviews"No reader who picks up this inspiring novel will put it down until the final pages, in which redemption is not a fairy tale ending but a heartening message of hope." --Publishers Weekly

    The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript.Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers.What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.

    Nightly air raids become grimly mundane. The tightening vice of rationing curtails every comfort. Men leave to fight and die. And five women forge an unlikely bond of friendship that will change their lives forever.Alice Osbourne, the stolid daughter of the late vicar, is reeling from the news that Richard Fairfax broke their engagement to marry Evangeline Fontaine, an American girl from the Deep South. Evangeline’s arrival causes a stir in the village—but not the chaos that would ensue if they knew her motives for being there. Scrappy Elsie Pigeon is among the poor of London who see the evacuations as a chance to escape a life of destitution. Another new arrival is Tanni Zayman, a young Jewish girl who fled the horrors of Europe and now waits with her newborn son, certain that the rest of her family is safe and bound to show up any day. And then there’s Frances Falconleigh, a madcap, fearless debutante whose father is determined to keep her in the countryside and out of the papers.As the war and its relentless hardships intensify around them, the same struggles that threaten to rip apart their lives also bring the five closer together. They draw strength from one another to defeat formidable enemies—hunger, falling bombs, the looming threat of a Nazi invasion, and a traitor in their midst—and find remarkable strength within themselves to help their friends. Theirs is a war-forged loyalty that will outlast the fiercest battle and endure years and distance.When four of the women return to Crowmarsh Priors for a VE Day celebration fifty years later, television cameras focus on the heartwarming story of these old women as war brides of a bygone age, but miss the more newsworthy angle. The women’s mission is not to commemorate or remember—they’ve returned to settle a score and avenge one of their own.

    Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father. As she grows older, Mattie becomes more like family to Lisbeth than her own kin and the girl’s visits to the slaves’ quarters—and their lively and loving community—bring them closer together than ever. But can two women in such disparate circumstances form a bond like theirs without consequence? This deeply moving tale of unlikely love traces the journey of these very different women as each searches for freedom and dignity. Revised edition: This edition of Yellow Crocus includes editorial revisions.

    That’s what fifteen-year-old Naomi learns after she escapes the brutal confines of life on an Alabama plantation. Striking out on her own, she must leave behind her beloved Momma and sister Hazel and takes refuge in a Georgia brothel run by a freewheeling, gun-toting Jewish madam named Cynthia. There, amidst a revolving door of gamblers, prostitutes, and drunks, Naomi falls into a star-crossed love affair with a smooth-talking white man named Jeremy who frequents the brothel’s dice tables all too often.The product of this union is Josey, whose white skin and blonde hair mark her as different from the other slave children on the plantation. Having been taken in as an infant by a free slave named Charles, Josey has never known her mother, who was murdered at her birth.Deftly weaving together the stories of Josey and Naomi—who narrates the entire novel unable to leave her daughter alone in the land of the living—Grace is a sweeping, intergenerational saga featuring a group of outcast women during one of the most compelling eras in American history.

    Crowds pack the courtroom, eagerly following every twist, while the newspapers print lurid theories about the killings and the mysterious woman being held in the Old Bailey.The testimonies against Frannie are damning. She is a seductress, a witch, a master manipulator, a whore.But Frannie claims she cannot recall what happened that fateful evening, even if remembering could save her life. She doesn’t know how she came to be covered in the victims’ blood. But she does have a tale to tell: a story of her childhood on a Jamaican plantation, her apprenticeship under a debauched scientist who stretched all bounds of ethics, and the events that brought her into the Benhams’ London home—and into a passionate and forbidden relationship.Though her testimony may seal her conviction, the truth will unmask the perpetrators of crimes far beyond murder and indict the whole of English society itself.The Confessions of Frannie Langton is a breathtaking debut: a murder mystery that travels across the Atlantic and through the darkest channels of history. A brilliant, searing depiction of race, class, and oppression that penetrates the skin and sears the soul, it is the story of a woman of her own making in a world that would see her unmade.

    Now in her nineties, the famously reclusive painter remains devoted to her work. She has never married, never had a family, never had a child. So when a letter arrives disclosing that she has a granddaughter living in New York, her world is turned upside down and the past is brought painfully to life.Disowned by her bourgeois family, the young Ivory had gone to interwar Paris to study art, and quickly found her true home among the avant-garde painters and poets who crowd the city's cafes. In fellow painter Tacita, she finds the sister she never had. In the Zoological Gardens, she finds a subject for her art capable of fascinating her endlessly. And in Lev, the brooding, haunted Russian 'migr' painter fleeing the Revolution and destined for greatness, she finds the love that will mark her life forever.But she loses all this, and more, when the Second World War sweeps away the life she has only just discovered. In her grief, she turns to the project she had begun in Paris, and which will consume the rest of her life: a dictionary of animal languages. Part science, part art, the dictionary strives to transcribe the wordless yearning of animals, the lonely and love-laden cries that expect no response.By nature solitary, Ivory withdraws fully into herself as she pursues her life's work. Until the discovery of one of Lev's paintings from 1940, inscribed to Ivory and now worth a fortune, brings to light a secret from her time in Paris that even Ivory could never guess. Now in her nineties, she is forced to acknowledge afresh all she has lost, and also to find meaning and beauty in a world defined by longing.Masterfully written, and emotionally charged, The Dictionary of Animal Languages is about love and grief and art and the realization that, like tragedy, the best things in life arrive out of the blue.