All a far cry from her vivid, eccentric childhood, growing up with her beloved grandmother Mimi.However, when disaster strikes, Dora knows she has no choice but to return to her childhood home and take over running Mimi’s vintage clothing shop. And there she makes a surprising discovery – Mimi’s been writing stories to accompany every dress she sells. Romantic, heartbreaking tales about each one’s secret life before it got to her shop...Dora starts to matchmake these lonely frocks with new owners, but will the stories help her as well? Trading her boring high street clothes for vintage glamour is one thing. What she needs to know is whether she can trade her safe old life – and love – for something better too?A captivating and enchanting novel for every girl who knows that the right dress can change your life. By the author of the popular blog www.dressaday.com.

    Young adult.

    The same qualities that draw her in--his tattoos, his charisma, his passion for art--make him her mother's worst nightmare. They begin dating in secret, but when Oliver's troubled home life unravels, he starts to ask more of Rani than she knows how to give, desperately trying to fit into her world, no matter how high the cost. When a twist of fate leads Rani from Evanston, Illinois to Pune, India for a summer, she has a reckoning with herself--and what's really brewing beneath the surface of her first love.Winner of the SCBWI Emerging Voices award, Anuradha Rajurkar takes an honest look at the ways cultures can clash in an interracial relationship. Braiding together themes of sexuality, artistic expression, and appropriation, she gives voice to a girl claiming ownership of her identity, one shattered stereotype at a time.

    There are 14 short stories and one essay about the seedy, the sinister and sometimes the spooky. You will find murder, drug-dealing, kidnapping, sexual depravity, prostitution, celebrity secrets, suicides, academic rivalry, gangsters, police brutality, cannibalism, black magic, creepy rituals, political corruption and even busking. It's all totally fictional. Well, maybe the cannibalism is.Line-Up:INTRO / Amir MuhammadTHE RUNNER / Adib ZainiRUKUN TETANGGA / Preeta SamarasanMAMAK MURDER MYSTERY / Marc de FaoiteASIAN ANGEL / Shaz JoharA GIFT OF FLOWERS / Shih-Li KowKISS FROM A ROSE / Fadzlishah JohanabasAFTER DARK, MY LOVE / Dina ZamanTHE ORACLE OF TRUTH / Eeleen LeeCHASING BUTTERFLIES IN THE NIGHT / Kris WilliamsonTHE DUALIST / Shivani SivagurunathanVANISHED / Khairulnizam BakeriCANNIBAL VS. AH LONG / Megat IshakTHE MACHETE AND ME / Dayang NoorTHE UNBELIEVER / Amir HafiziMUD / Brian GomezBIOS

    At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide—bereft of the partnership of work and love that had so utterly fulfilled her—into depression and dependency.We see Jill, staggered by the loss of her father, catapulted to what seemed another planet—the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons—Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self.Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place—or to a dream—can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.

    Qais Ahmed is everything she never wants to be: narcissistic, manipulative and arrogant.However, despite her relentless efforts, she is unable to resist his charm and wit and is drawn to him once she gets to know the real him.She soon discovers that he isn't just a part of her professional life but has a deep connection to a past she is trying to forget.Will this disturbing secret tear them apart or bind them together forever?

    There she learns more about loss and love than she could have ever imagined.Corazon Tagubio is an outcast at her Catholic school. She’s attending on scholarship, she keeps to herself, and her crush on her teacher Ms. Holden doesn’t help anything. At home, Cory’s less-than-perfect grades disappoint her mom and dad, who are already working overtime to support her distant half brother in the Philippines.When an accident leaves her dad comatose, Cory feels like Ms. Holden is the only person who really sees her. But when a crush turns into something more and the secret gets out, Cory is sent to her half brother. She’s not prepared to face a stranger in an unfamiliar place, but she begins to discover how the country that shaped her past might also change her future.This #ownvoices story takes readers on a journey across the world as Cory comes to understand her family, her relationships, and, ultimately, herself.

    His father sets up an ashram, and the family makes a living off of the pilgrims who seek the child’s blessings and miracles, believing young Kalki to be the tenth human incarnation of the Hindu god Vishnu. In Kalki’s tenth year, he is confronted with three trials that will test his power and prove his divine status and, his father tells him, spread his fame worldwide. While he seems to pass them, Kalki begins to question his divinity.Over the next decade, his family unravels, and every relationship he relied on—father, mother, aunt, uncle, cousin—starts falling apart. Traveling from India to the underground rock scene of New York City, Blue-Skinned Gods explores ethnic, gender, and sexual identities, and spans continents and faiths, in an expansive and heartfelt look at the need for belief in our globally interconnected world.

    I am my father’s son. But to be my father’s son means that they will always come for me. They will always come for me, and I will always succumb.Malcolm Little’s parents have always told him that he can achieve anything, but from what he can tell, that's nothing but a pack of lies—after all, his father's been murdered, his mother's been taken away, and his dreams of becoming a lawyer have gotten him laughed out of school. There’s no point in trying, he figures, and lured by the nightlife of Boston and New York, he escapes into a world of fancy suits, jazz, girls, and reefer.But Malcolm’s efforts to leave the past behind lead him into increasingly dangerous territory when what starts as some small-time hustling quickly spins out of control. Deep down, he knows that the freedom he’s found is only an illusion—and that he can't run forever.X follows Malcolm from his childhood to his imprisonment for theft at age twenty, when he found the faith that would lead him to forge a new path and command a voice that still resonates today.

    Only actions remain in our control while the reactions are simply to be borne. How one handles those reactions is believed to be the real test of one's existence on earth according to Hindu mythology. Desire and Destiny are the governing principles of the universe. What we desire, what we do to fulfill those desires and how we act upon our destinies—they all add up as credits and debits in our life's ledger, maintained by none other than Yama, the God of death. And he maintains this ledger for a reason: to determine what happens to us after we die. Read on as Devdutt Pattanaik unravels the various beliefs associated with death in Hindu mythology in Yama and His Book of Accounts.

    So when Jess starts hearing voices, she chalks it up to stress. But there's only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she's determined to settle a score against a gang boss who has offended the god--and she's decided Jess is going to help her do it.Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business. As Jess fights for retribution for Ah Ma, she'll also need to regain control of her body and destiny. If she fails, the Black Water Sister may finish her off for good.

    Deeply moving, and interwoven with hope and joy, Emory’s Gift is not only heartwarming and charming coming of age story, but also a page-turning insightful look at how faith, trust, and unconditional love can heal a broken family and bridge the gaps that divide us.

    Since then, she has been raised and homeschooled by her grandparents. Grandad is overworked and travels a lot; Grandma is much too strict and never lets her meet any children her own age. When Hayley does something wrong—she is not quite sure what—they pack her off to her aunts in Ireland. To Hayley’s shock, her family is much bigger than she thought; to her delight, the children all play what they call “the game,” where they visit a place called “the mythosphere.” And while she plays the game, Hayley learns more about her own place in the world than she had ever expected. This original novella by Diana Wynne Jones is sharply funny, fast-paced, and surprising until its very end—like all of this acclaimed author’s work.

    More family soon followed, and the clan has been here ever since. Funny in Farsi chronicles the American journey of Dumas's wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.

    They could change day to night, turn people into animals, and punish men with eternal torture. Their whims and desires changed the course of human destiny. No legends are more fabulous than those of the Greek gods. This classic collection tells their stories.