As a contemporary and peer of Washington, he has a unique and intimate perspective on the man that no other historian can claim. If you want a first hand description of this history changing figure, than John Marshall's work is essential.  WHY THIS EDITION?That's a good question. And I can answer it with one word: Quality. If you've purchased any of the $.99 versions of this text on the Kindle Store, then you know that they are generally not quality editions. They have artifacts in the text, they aren't formatted properly, and the table of contents don't usually work. Here at Edwards Publishing House, we believe quality is key. It is our conviction that if the quality of the text is low, the reading experience is degraded - and works such as this one deserve a high quality edition for the Kindle. So, we took it upon ourselves to produce a high quality edition of this book for the Kindle.Therefore, this is a high quality, professional edition of "The Life of George Washington". Unlike other editions, this version was cleaned up and specially optimized for the Kindle, meaning you don't have to worry about any "noise" or left over artifacts in your text. This is a real book - a real edition.   Here are some reasons to choose this edition over the others:- A Fully Functional Table of Contents - So that you can instantly jump to any point in the book at any time (many of the other free and low-cost versions lack this simple yet crucial feature) - A Clean Type-Face and Formatting - This means that the quality of the text won't degrade your reading experience and you don't have to worry about a "dirty" ebook.- It is Individually Reformatted and Organized for the Kindle: Meaning it will read like a Kindle book is supposed to - beautifully. - The Original Text is Left Intact: This way you get the original message of the author as it was meant to be read. - It's Professionally published by publishers who believe in quality.FULL REFUND IF YOU DON'T LIKE ITAs an added bonus, you get a 7 day money back guarantee if you don't like the book. If you aren't completely satisfied with "How To Analyze People On Sight", and don't believe you got your money's worth, then just return it and get a full refund. No questions asked and no hassles. Just go to your account, contact Amazon through the "Contact Us" link, and a return will be issued. With other editions you may spend less, but you get a lower quality product. On the other hand, with this edition you could be enjoying a beautiful version of John Marshall's world changing piece of American History in just a matter of seconds. I hope you enjoy it!Sincerely,Sean EdwardsSenior EditorEdwards Publishing House"

    As well as recording public and historical events, Pepys paints a vivid picture of his personal life, from his socializing and amorous entanglements, to his theatre-going and his work at the Navy Board. Unequaled for its frankness, high spirits and sharp observations, the diary is both a literary masterpiece and a marvelous portrait of seventeenth-century life.Previously published as The Shorter Pepys, this edition is edited and abridged by Robert Latham, Fellow and Pepys Librarian at Magdalene College, Cambridge.

    In publishing his music and writing for the rising classes, Beethoven claimed freedom and expressed the emotions of the new rulers, the artists. The Eroica, Fidelio, and the piano works express the emotions of the new rulers — the intense love, the need for companionship of people, the forces that conspired to defeat the artist, and the strength and superiority of the artist in overcoming the weaknesses. The letters of Beethoven are the principal nonmusical expression of his personality in its relationship with the world of his time.In what he called the "dry letters of the alphabet," Beethoven depicted his fears, his loves, and his friendly relations: his fears of deafness and of corrupted texts by pirating printers; his loves, Bettina Brentano and Giulietta Guicciardi; and his friendly relations with Baron Zmeskall, Frau Nannette Streicher, and the music publishers Steiner and Company. He praises the poetry of Goethe and Schiller but condemns Goethe for his obeisance toward royalty. He solicits help during his perpetual trouble with his health and with his servants. He castigates publishers, sets prices for his works, and calculates letters of dedication. He expresses his love for his nephew, Carl, but documents the trouble that Carl was causing him by taking up his precious time. And although Beethoven liked to decorate the letters with musical openings and closings and an occasional song to the receiver, he increasingly signed his letters, "In haste."The 457 letters collected here are the most important of the letters of the spirit that was to shape and move a century. Explanatory notes comment upon works, on persons mentioned, and on the puns of which Beethoven was fond. The letters chronicle his business, his needs, his humor and bitterness, and his philosophy. They will give many insights into Beethoven's methods, his influences, his moods, and the conditions under which the master worked.

    By turns passionate and ironic, "Aunt Fay" makes Alice think--not only about books and literature, but also life and culture.

    A long-buried personal sadness is enfolding her—and her career is stalled—when she stumbles upon an unusual group of immigrants living in rural California. She follows them on their annual return to the remote Azorean islands in the Atlantic Ocean, where bulls run down village streets, volcanoes are active, and the people celebrate festas to ease their saudade, a longing so deep that the Portuguese word for it can’t be fully translated.Years later, California is in a terrible drought, the wildfires seem to never end, and Diana finds herself still dreaming of those islands and the chuva—a rain so soft you don’t notice when it begins or ends.With her troublesome Labrador retriever, Murphy, in tow, Diana returns to the islands of her dreams only to discover that there are still things she longs for—and one of them may be a most unexpected love.

    Gathered from museums and archives and personal collections, the letters span over sixty years of Wilder’s life, from 1894–1956 and shed new light on Wilder’s day-to-day life. Here we see her as a businesswoman and author—including her beloved Little House books, her legendary editor, Ursula Nordstrom, and her readers—as a wife, and as a friend. In her letters, Wilder shares her philosophies, political opinions, and reminiscences of life as a frontier child. Also included are letters to her daughter, writer Rose Wilder Lane, who filled a silent role as editor and collaborator while the famous Little House books were being written.Wilder biographer William Anderson collected and researched references throughout these letters and the result is an invaluable historical collection, tracing Wilder’s life through the final days of covered wagon travel, her life as a farm woman, a country journalist, Depression-era author, and years of fame as the writer of the Little House books. This collection is a sequel to her beloved books, and a snapshot into twentieth-century living.

    A 19th-century maritime classic brimming with courage, ingenuity, and daring.

    He was the most influential member of the aristocratic Tolstoy family. His first publications were three autobiographical novels, Childhood, Boyhood, and Youth (1852-1856). They tell of a rich landowner's son and his slow realization of the differences between him and his peasants. As a fiction writer Tolstoy is widely regarded as one of the greatest of all novelists, particularly noted for his masterpieces War and Peace (1869) and Anna Karenina (1877). In their scope, breadth and realistic depiction of 19th-century Russian life, the two books stand at the peak of realist fiction. As a moral philosopher Tolstoy was notable for his ideas on nonviolent resistance through works such as The Kingdom of God is Within You (1894). During his life, Tolstoy came to the conclusion that William Shakespeare is a bad dramatist and not a true artist at all. Tolstoy explained his views in a critical essay on Shakespeare written in 1903.

    In them Charlotte writes of life at Haworth Parsonage, her experiences at a Belgian school, and her intense feelings for the Belgian schoolteacher, M. Heger. She endures the agony of the death of her siblings, and enjoys the success as a writer that brings her into contact with the London literary scene. Vivid and intimate, her letters give fresh insight into the novels, and into the development of her distinct literary style. The only available edition, this selection is derived from Margaret Smith's three-volume edition of Bronte's complete letters. In addition to Smith's Editor's Preface, the edition includes a critical introduction by Janet Gezari, who looks at the relationship between Bronte's letters and her fiction and how the letters add to the debate about her literary persona and the split between her public and her private life.

    Most of the stories it includes had already appeared in the Civil and Military Gazette they were written before he reached the age of 22; and they show a remarkably precocious literary talent. His vignettes of life in Brittish India a hundred years ago give vivid insight into Anglo-India at work and play, into a barrack-room life, and into the character of Indians themselves.

    Pheobe Throssel and Valentine Brown are a young couple separated by the Neopoleonic wars for ten years, only to find themselves the unfortunate victims of time and age upon their reunion. This story of lost love, spinsters, secret disguises, and the complexities of human emotion will enchant readers today as much as it did the audiences of New York and London over a century ago.

    A magnificent blend of travel journal, cultural commentary, and historical insight, Black Lamb and Grey Falcon probes the troubled history of the Balkans, and the uneasy relationships amongst its ethnic groups. The landscape and the people of Yugoslavia are brilliantly observed as West untangles the tensions that rule the country's history as well as its daily life.

    Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    

    Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece "Slaughterhouse-Five;" wry dispatches from Vonnegut's years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Gunter Grass, and Bernard Malamud. Vonnegut's unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels--from a crackpot scheme for manufacturing "atomic" bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. ("Knopf, for example, might give John Updike's contract to Simon and Schuster, and receive Joan Didion's contract in return.") Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. - On a job he had as a young man: "Hell is running an elevator throughout eternity in a building with only six floors."- To a relative who calls him a "great literary figure" "I am an American fad--of a slightly higher order than the hula hoop."- To his daughter Nanny: "Most letters from a parent contain a parent's own lost dreams disguised as good advice."- To Norman Mailer: "I am cuter than you are." Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.