By contrast, back in Australia Hugh knew that all too many children struggled with depression, social anxieties and mental illness. His own little sister had been ravaged by anorexia nervosa.How was it that young people he knew at home, who had food, shelter, friends and a loving family, struggled with their mental health, while these kids seemed so contented and resilient? He set about finding the answer and in time came to recognise the key traits and behaviours these children possessed were gratitude, empathy and mindfulness.In the ensuing years Hugh threw himself into studying and sharing this revelation with the world through The Resilience Project, with his playful and unorthodox presentations which both entertain and inform. Now, with the same blend of humour, poignancy and clear-eyed insight that The Resilience Project has become renowned for, Hugh explains how we can all get the tools we need to live a happier and more fulfilling life.

    This book is the story of Volpe's years leading up to those at the Met, from his first job as a stagehand at the Morosco Theater to the odd jobs he picked up moonlighting: setting up a searchlight or laying down a red carpet for a movie premiere, changing titles on the marquees at the Astor, Victor, and Paramount theaters. It is his Met years--from apprentice carpenter to general manager--that give us a story about New York and the business of culture. Volpe looks at the Met today, an institution full of vast egos and complicated politics, as well as its glittering past--the old Met at Thirty-ninth and Broadway, and the political and artistic intrigues that exploded around its move to Lincoln Center. With stunning candor, he writes about the general managers he worked under, including Rudolf Bing and Anthony Bliss; his own embattled rise to the top; the maneuverings of the blue-chip board; his bad-cop, good-cop collaboration with the conductor James Levine; and his masterful approach to making a family of such highly charged artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas, and Renee Fleming, and such visionary directors as Franco Zeffirelli, Robert Wilson, and Julie Taymor.

    Wearied by eight years in the bond market and disillusioned by the financial services profession, he decides to get an “honest job” for a change. Before he knows what hit him, Jimmy finds himself waiting on tables of barflies at his local Waffle House.Amidst the glorious chaos of the night shift, the 24-hour diner affords a bevy of comedic experiences as the author struggles to ingratiate himself with a motley crew of waiters and cooks.Unexpectedly, the restaurant also becomes a font of insight into financial markets and the human condition.In a uniquely hilarious and thought-provoking narrative, Waffle Street unravels the enigmas of money, banking, economics, and grits once and for all. As they laugh heartily at the author’sexpense, readers will develop a profound appreciation for the first principle of economics: there really is no such thing as a free lunch.

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    They tell me that was a year ago, but I have no memories of anything since then. What I do have is this ring on my finger that Max says he gave me, and this much-thinner body I’ve dreamed of most of my life. Aside from a case of retrograde amnesia, everything seems almost...perfect. But the deeper I immerse myself into this new world of mine—planning a wedding to a man I don't remember dating, attempting to run a business I don't remember starting—the clearer it becomes that nothing is as it seems. Do I have the life I’ve always wanted or is it a facade propped up by secrets I don't even know I have?I need answers before I marry Max, and the only person who seems to have them is the angry, tatted, sexy-as-sin rocker Nate Crane. And Nate wants me for himself.

    Anything would have been better than coming into her birthright of being a seeker for the Grim Reaper, an arrangement made by her fallen angel ancestor in exchange for his re-admittance to heaven. And she isn't just any seeker--she finds souls that have the potential for becoming angels and sentences them to death. A year and two souls into her role as a seeker with her conscience overflowing with guilt, Ava comes up with a plan to thwart the system. When it goes awry, she is forced to submit the name of a classmate, Cole Fowler, an ornery, rough around the edges guy who always seems to come to her rescue, whether she likes it or not. Her feelings for Cole prompt her to intervene, and she saves him from death, upsetting the Grim Reaper's agenda.While Ava schemes to find a way to save Cole, she learns he has some secrets of his own. She lets him believe he is protecting her, and not the other way around, until a final showdown with the Grim Reaper forces Ava to make choices Cole may never forgive.

    It's an occasionally ribald, frequently witty and unerringly erudite guided tour of the secret labyrinth that lurks beneath the English language, taking in monks and monkeys, film buffs and buffaloes, and explaining precisely what the Rolling Stones have to do with gardening.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    A retired service dog, Trixie was three when Dean and his wife, Gerda, welcomed her into their home. She was superbly trained, but her greatest gifts couldn’t be taught: her keen intelligence, her innate joy, and an uncanny knack for living in the moment. Whether chasing a tennis ball or protecting those she loved, Trixie gave all she had to everything she did, inspiring Dean and Gerda to trust their instincts and recapture a sense of wonder that will remain with them always. Trixie lived fewer than twelve years; in this wide world, she was a little thing. But in every way that mattered, she lived a big life.

    Courtney Sullivan’s Maine meets the works of Elin Hilderbrand in this delicious summer read involving three strangers, one island, and a season packed with unexpected romance, well-meaning lies, and damaging secrets. Anthony Puckett was a rising literary star. The son of an uber-famous thriller writer, Anthony’s debut novel spent two years on the bestseller list and won the adoration of critics. But something went very wrong with his second work. Now Anthony’s borrowing an old college’s friend’s crumbling beach house on Block Island in the hopes that solitude will help him get back to the person he used to be.Joy Sousa owns and runs Block Island’s beloved whoopie pie café. She came to this quiet space eleven years ago, newly divorced and with a young daughter, and built a life for them here. To her customers and friends, Joy is a model of independence, hard-working and happy. And mostly she is. But this summer she’s thrown off balance. A food truck from a famous New York City brand is roving around the island, selling goodies—and threatening her business.Lu Trusdale is spending the summer on her in-laws’ dime, living on Block Island with her two young sons while her surgeon husband commutes to the mainland hospital. When Lu’s second son was born, she and her husband made a deal: he’d work and she’d quit her corporate law job to stay home with the boys. But a few years ago, Lu quietly began working on a private project that has becoming increasingly demanding on her time. Torn between her work and home, she’s beginning to question that deal she made.Over the twelve short weeks of summer, these three strangers will meet and grow close, will share secrets and bury lies. And as the promise of June turns into the chilly nights of August, the truth will come out, forcing each of them to decide what they value most, and what they are willing to give up to keep it.

    The first time Julia Ansdell picks up The Incendio Waltz, she knows it’s a strikingly unusual composition. But while playing the piece, Julia blacks out and awakens to find her young daughter implicated in acts of surprising violence. And when she travels to Venice to find the previous owner of the music, she uncovers a dark secret that involves dangerously powerful people—a family who would stop at nothing to keep Julia from bringing the truth to light.

    The rejection stings. It leaves a mark. Yet this is exactly what the church has been saying to far too many people for far too long: "You're not welcome here. Find someplace else to sit." How can we extend unconditional welcome and acceptance in a world increasingly marked by bigotry, fear, and exclusion?Pastor John Pavlovitz invites readers to join him on the journey to find--or build--a church that is big enough for everyone. He speaks clearly into the heart of the issues the Christian community has been earnestly wrestling with: LGBT inclusion, gender equality, racial tensions, and global concerns. A Bigger Table: Building Messy, Authentic, Hopeful Spiritual Community asks if organized Christianity can find a new way of faithfully continuing the work Jesus began two thousand years ago, where everyone gets a seat.Pavlovitz shares moving personal stories and his careful observations as a pastor to set the table for a new, more loving conversation on these and other important matters of faith. He invites us to build the bigger table Jesus imagined, practicing radical hospitality, total authenticity, messy diversity, and agenda-free community.

    HOW FAR WOULD YOU GO TO SAVE YOUR FAMILY?As soon as Gail and Jon Durbin bring home their adopted baby Maya, she becomes the glue that mends their fractured marriage. But the Durbin’s social worker, Paige, can’t find the teenage birth mother to sign the consent forms. By law, Carli has seventy-two hours to change her mind. Without her signature, the adoption will unravel. Carli is desperate to pursue her dreams, so giving her baby a life with the Durbins seems like the right choice – until her own mother throws down an ultimatum. Soon Carli realizes how few choices she has. As the hours tick by, Paige knows that the Durbins’ marriage won’t survive the loss of Maya, but everyone’s life is shattered when they—and baby Maya—disappear without a trace. Filled with heartrending turns, Other People’s Children is a riveting page-turner you’ll find impossible to put down.