In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    With The Lamp at Noon and Other Stories, an original New Canadian Library collection, Ross reveals further dimensions of his fictional universe.A woman’s impulsive infidelity leads to tragedy. A sudden hailstorm destroys hope. A boy learns to conquer a beautiful wild horse. A little girl dreams about a circus. Against the isolated, haunting landscapes of summer droughts and winter blizzards, the men and women of Ross’ stories grapple with fate against almost impossible odds. Marked by a legacy of pride that will not suffer defeat, Ross’ unyielding characters are cut off from their loved ones by obstinacy and defiance. Their tragedy is not that they suffer, but that they suffer alone.The sensitivity, compassion, and subtlety with which Ross portrays human aspirations and failings remain to this day unequalled in Canadian fiction.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    and bags of laughs too! A love story with a twist in its very waggy tail. I think Alice Wright is really Bridget Bones! Forget Hugh Grant or Colin Firth though, her dog is a much better love interest (and he’s a proper Boxer!)If you’re contemplating settling down with a good dog, read this first and if it doesn’t put you off then you’ll be fine. Already had your heart stolen by a dog? You’ll definitely recognise the dogification of your wardrobe, the permanent damage to your flooring and especially the gritty bed linen!What a page-turner. I Loved it.”Beverley Cuddy, Editor DOGS TODAY MAGAZINE"Incredibly honest, genuine and captivating... a real life take on modern day doggie living. It is brutally honest yet heart-warmingly brilliant. A must for all animal fans."Jessica Brown, PETS MAGAZINEWhat happens when you drop a big, bouncing Boxer dog into the life of a glamorous girl about town? Alice Wright reveals all in her dog-memoir with a difference...Alice's busy life consists of 'parties, premieres and private members clubs' and she loves it! She certainly doesn't want the responsiblity of a partner or a pooch but seems to end up with more than she bargained for in this very funny but incredibly personal memoir about modern dog ownership.Set in the streets of Soho and the parks of North London HANDBAGS AND POOBAGS reveals why you should never wear a long cashmere scarf when poop scooping and how to hide a dog under a barstool and in the back of a taxi-cab. A bit different from the traditional pet-memoir this warm, touching real life tale is full of embarrassing anecdotes and surprising discoveries as Alice realises that owning a dog changes not only her lifestyle but her life.See facebook.com/handbagsandpoobags for updates and photos!

    A magical realism story inspired by Riley's time spent working as a telemarketer.

    When a young actor from the big city lives with two aging bachelor farmers to gather stories about rural life, the farmers' lives are irrevocably altered when art attempts to imitate life and the line between truth and fiction is crossed.

    His memories cluster around the houses they lived in, the schools he went to, the uncles and aunts and cousins he knew as a boy. This is an extremely funny book and the account of how Ted O'Malley repaired the plumbing is likely to become a classic of its kind. It is also a warm and touching book. As a picture of its time, it is clear, true and absolutely unforgettable

    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    And Vivienne, a young assistant, accidentally captures a creature unknown to science: a kind of fish, both sentient and distinctly female. As the project supervisor and lead researcher attempt to exploit the discovery, the creature begins to waste away, and Vivian must endanger herself to save them both.

    But as she grows older, she learns that many people in her small, rural town believe her father is Cecil Jesso, the local drug dealer--a man both feared and ridiculed. Weaving through a maze of gossip, community, and the complications of family, Some People's Children is a revealing and liberating novel about the way others look at us and the power of self-discovery.

    Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.Nineteen years old, free of prospects, and inescapably famous, the twins Nicholas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. “Back in the day, he could come home from a show with a paper bag filled with women’s underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly.”Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.

    Pavle leaves town to think things over. Weeks later, a deformed corpse is found washed up on the banks of the Danube and is identifed to be that of Pavle. The case is judged a suicide. Three years later, Pavle, now "the deceased," unexpectedly returns. He discovers that his heirs have not only plundered his estate, but also refuse to recognize him as being "legally" alive, and they unite to keep him "dead" to maintain the status quo. This is the first English translation of a masterful and darkly comic play that will enter its rightful place as a world classic. The fluid and natural translation lends itself to theatrical production. Comically absurd, filled with existential angst, it was ahead of its time in 1937. At once vaudevillian and modernist, it is distinguished by clever plotting and stinging dialogue. The play stands as a lasting and caustic satire of human greed, strangely consonant with todays society.

    Oddly) Flowers is living quietly in Oregon with Winnifred, her tortoise, when she finds out her dear father has been knocked into a coma back in Newfoundland. Despite her fear of flying, she goes to him, but not before she reluctantly dumps Winnifred with her unreliable friends. Poor Winnifred. When Audrey disarms an Air Marshal en route to St. John’s we begin to realize there’s something, well, odd about her. And we soon know that Audrey’s quest to discover who her father really was—and reunite with Winnifred—will be an adventure like no other.

    But that world is destroyed in one terrifying moment when her son is killed in a car accident just outside their home. Suddenly alone, surrounded by memories, Elise faces a future that feels unspeakably bleak—and pointless.Lost, angry, and desolate, Elise rejects everyone who tries to reach out to her. But as despair threatens to engulf her, she realizes, to her horror, that she cannot join her son: She must take care of his beloved cat. At first she attempts to carry out this task entirely by herself, shut away from a frightening new reality that seems surreal and incomprehensible. But isolation proves to be impossible, and before long others insinuate themselves into her life—friends, enemies, colleagues, neighbors, a former lover—bringing with them the fragile beginnings of survival.Powerfully moving and deeply humane, The Cat is an unforgettable novel about the extraordinary resilience of the human spirit.

    With Every Mistake is not only a collection of the very best of Dyer’s recent work, but an examination of how, time and again, the media skews fact and opinion, wielding formidable influence on how we all shape our own thoughts. And why is so much of the information wrong? Is it herd instinct, official manipulation, robber-baron owners with ideological obsessions — or just the conflict between the inherently bitty, short-term nature of news reporting and analysis and the longer perspectives needed to understand what is actually going on? How much misinformation stems from simple ignorance and laziness?