But when Natasha appears on her doorstep, Della knows it will take more than simple potions to help her.But Della has her own secrets to hide.Because Della thinks she knows the beast who’s responsible for the disappearance — her own mother, who was turned into a terrible monster by magic gone wrong.Natasha is angry. Della has little to lose.They are each other’s only hope.

    Valente’s Palimpsest.The city of Ora uses a complex living network called the Gleaming to surveil its inhabitants and maintain harmony. Anima is one of the cloistered extrasensory humans tasked with watching over Ora's citizens. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from all harm.All that changes when a mysterious visitor enters the city carrying a cabinet of curiosities from around the world, with a story attached to each item. As Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist, æ finds ærself asking a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    Hopefully there, surrounded by plants and flowers, Bri will finally learn to control her gift. But their new home is sinister in ways they could never have imagined--it comes with a specific set of instructions, an old-school apothecary, and a walled garden filled with the deadliest botanicals in the world that can only be entered by those who share Bri's unique family lineage.When strangers begin to arrive on their doorstep, asking for tinctures and elixirs, Bri learns she has a surprising talent for creating them. One of the visitors is Marie, a mysterious young woman who Bri befriends, only to find that Marie is keeping dark secrets about the history of the estate and its surrounding community. There is more to Bri's sudden inheritance than she could have imagined, and she is determined to uncover it . . . until a nefarious group comes after her in search of a rare and dangerous immortality elixir. Up against a centuries-old curse and the deadliest plant on earth, Bri must harness her gift to protect herself and her family.From the bestselling author of Cinderella Is Dead comes another inspiring and deeply compelling story about a young woman with the power to conquer the dark forces descending around her.

     The city-state Sirapirat once knew only warmth and monsoon. When the Winter Queen conquered it, she remade the land in her image, turning Sirapirat into a country of snow and unending frost. But an empire is not her only goal. In secret, she seeks the fragments of a mirror whose power will grant her deepest desire. At her right hand is General Lussadh, who bears a mirror shard in her heart, as loyal to winter as she is plagued by her past as a traitor to her country. Tasked with locating other glass-bearers, she finds one in Nuawa, an insurgent who’s forged herself into a weapon that will strike down the queen. To earn her place in the queen’s army, Nuawa must enter a deadly tournament where the losers’ souls are given in service to winter. To free Sirapirat, she is prepared to make sacrifices: those she loves, herself, and the complicated bond slowly forming between her and Lussadh. If the splinter of glass in Nuawa's heart doesn't destroy her first. "A fairy tale, beautiful like an ice crystal, and razor sharp." --
Silvia Moreno-Garcia, World Fantasy Award-winning co-editor of She Walks in Shadows
 "Winterglass is rich with diamondine prose, a scintillant retelling of the Ice Queen that challenges Occidental aesthetics, colonial mentality, and personal identity."
 --Cassandra Khaw, author of Hammers on Bone, BFA & Locus Award nominee
 "An exquisite gem of a novella. Politics, relationships, and combat presented as a matryoshka, the beauty of which is there's no easy way of telling which shells are within which. Sriduangkaew’s sensuous metaphors and elegant imagery are never less than a pleasure to read. Thoroughly recommended. " --Jonathan L. Howard, author of Johannes Cabal the Necromancer

    A chance accident brings a new companion, however – the eccentric and beautiful Carmilla. With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the village beyond, Laura wrestles to reconcile the truth – that the gentle, fragile woman she loves may be a monster cast out of heaven. Carmilla, the classic vampire novella written by J Sheridan LeFanu, receives new life in this gorgeous retelling, centered on the provocative, controversial leads of the original, Carmilla and Laura.

    From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights. For Willa, the wife of Roger Herot (heir of Herot Hall), life moves at a charmingly slow pace. She flits between mommy groups, playdates, cocktail hour, and dinner parties, always with her son, Dylan, in tow. Meanwhile, in a cave in the mountains just beyond the limits of Herot Hall lives Gren, short for Grendel, as well as his mother, Dana, a former soldier who gave birth as if by chance. Dana didn’t want Gren, didn’t plan Gren, and doesn’t know how she got Gren, but when she returned from war, there he was. When Gren, unaware of the borders erected to keep him at bay, ventures into Herot Hall and runs off with Dylan, Dana’s and Willa’s worlds collide.

    An orphan with only vague memories of his own kind, Moon tries to fit in among the tribes of his river valley, with mixed success. Just as Moon is once again cast out by his adopted tribe, he discovers a shape-shifter like himself... someone who seems to know exactly what he is, who promises that Moon will be welcomed into his community. What this stranger doesn't tell Moon is that his presence will tip the balance of power... that his extraordinary lineage is crucial to the colony's survival... and that his people face extinction at the hands of the dreaded Fell! Now Moon must overcome a lifetime of conditioning in order to save himself... and his newfound kin.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

     Alizhan can’t see faces, but she can read minds. Her mysterious ability leaves her unable to touch or be touched without excruciating pain. Rescued from abandonment and raised by the wealthy and beautiful Iriyat ha-Varensi, Alizhan has grown up in isolation, using her gift to steal secrets from Iriyat’s rivals, the ruling class of Laalvur. But Iriyat keeps secrets of her own. When Alizhan discovers that she isn’t the only one of her kind, and that a deadly plot threatens everyone like her, there’s only one person she can trust. Ev liked having a secret. None of the other girls in the village had a thief-friend. Evreyet Umarsad—“Ev” to her parents and her one friend—longs to be the kind of hero she reads about in books. But the rest of the world feels impossibly far away from her life on a farm outside Laalvur. Ev will never lay eyes on the underground city of Adappyr, the stars of the Nightward Coast, or the venomous medusas that glow in the dark depths of the sea. At least on her weekly trip to the market, Ev gets to see her thief—the strange young woman who slips by her cart and playfully steals a handful of thornfruit. When the thief needs help, Ev doesn’t hesitate. Together, they uncover a conspiracy that draws them all over Laalvur and beyond. Thornfruit is the first book in The Gardener's Hand trilogy.

    As a child, she channeled otherworldly power to free herself from slavery. Now, her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine's family.Nearly one hundred years later, Josephine's descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother Martha, a wealthy but lonely woman who pays her grandchild to be her companion. But Martha's behavior soon becomes erratic, then even threatening, and Ava must escape before her story and Josephine's converge.The Revisioners explores the depths of women's relationships—powerful women and marginalized women, healers and survivors. It is a novel about the bonds between a mother and a child, the dangers that upend those bonds. At its core, The Revisioners ponders generational legacies, the endurance of hope, and the undying promise of freedom.

    This book is one such leftover man’s quest for love and family under a State that seeks to glorify its past mistakes and impose order through authoritarian measures, reinvigorated Communist ideals, and social engineering.Wei-guo holds fast to the belief that as long as he continues to improve himself, his small business, and in turn, his country, his chance at love will come. He finally saves up the dowry required to enter matchmaking talks at the lowest rung as a third husband—the maximum allowed by law. Only a single family—one harboring an illegal spouse—shows interest, yet with May-ling and her two husbands, Wei-guo feels seen, heard, and connected to like never before. But everyone and everything—walls, streetlights, garbage cans—are listening, and men, excess or not, are dispensable to the State. Wei-guo must reach a new understanding of patriotism and test the limits of his love and his resolve in order to save himself and this family he has come to hold dear.

    Even gods make mistakes.Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo she can’t trust, but who may be Alex’s only chance at saving her family.

      The people of Fall River, Massachusetts, fear me. Perhaps rightfully so. I remain a suspect in the brutal deaths of my father and his second wife despite the verdict of innocence at my trial. With our inheritance, my sister, Emma, and I have taken up residence in Maplecroft, a mansion near the sea and far from gossip and scrutiny.   But it is not far enough from the affliction that possessed my parents. Their characters, their very souls, were consumed from within by something that left malevolent entities in their place. It originates from the ocean’s depths, plaguing the populace with tides of nightmares and madness.   This evil cannot hide from me. No matter what guise it assumes, I will be waiting for it. With an axe.

    She will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice. On the day of her foretold death, however, a powerful mage offers her a new fate.Csorwe leaves her home, her destiny, and her god to become the wizard's loyal sword-hand -- stealing, spying, and killing to help him reclaim his seat of power in the homeland from which he was exiled.But Csorwe and the wizard will soon learn – gods remember, and if you live long enough, all debts come due.