In unusually candid interviews conducted by former 60 Minutes producer Abigail Pogrebin, celebrities ranging from Sarah Jessica Parker to Supreme Court Justice Ruth Bader Ginsburg, from Larry King to Mike Nichols, reveal how resonant, crucial or incidental being Jewish is in their lives. The connections they have to their Jewish heritage range from hours in synagogue to bagels and lox; but every person speaks to the weight and pride of their Jewish history, the burdens and pleasures of observance, the moments they’ve felt most Jewish (or not). This book of vivid, personal conversations uncovers how being Jewish fits into a public life, and also how the author’s evolving religious identity was changed by what she heard.Dustin Hoffman, Steven Spielberg, Gene Wilder, Joan Rivers, and Leonard Nimoy talk about their startling encounters with anti-Semitism. Kenneth Cole, Eliot Spitzer, and Ronald Perelman explore the challenges of intermarriage.Mike Wallace, Richard Dreyfuss, and Ruth Reichl express attitudes toward Israel that vary from unquestioning loyalty to complicated ambivalence. William Kristol scoffs at the notion that Jewish values are incompatible with Conservative politics.Alan Dershowitz, raised Orthodox, talks about why he gave up morning prayer. Shawn Green describes the pressure that comes with being baseball’s Jewish star.Natalie Portman questions the ostentatious bat mitzvahs of her hometown.Tony Kushner explains how being Jewish prepared him for being gay. Leon Wieseltier throws down the gauntlet to Jews who haven’t taken the trouble to study Judaism. These are just a few key moments from many poignant, often surprising, conversations with public figures whom most of us thought we already knew.“When my mother got her nose job, she wanted me to get one, too. She said I would be happier.”—Dustin Hoffman“It’s a heritage to be proud of. And then, too, it’s something that you can’t escape because the world won’t let you; so it’s a good thing you can be proud of it.” —Ruth Bader Ginsburg“My wife [Kate Capshaw] chose to do a full conversion before we were married in 1991, and she married me as a Jew. I think that, more than anything else, brought me back to Judaism.”—Steven Spielberg“As someone who was born in Israel, you’re put in a position of defending Israel because you know how much is at stake.”—Natalie Portman“Jewish introspection and Jewish humor is a way of surviving . . . if you’re not handsome and you’re not athletic and you’re not rich, there’s still one last hope with girls, which is being funny.”—Mike Nichols“I felt not only this enormous pride at being a Jew; I felt this enormous void at not being a better Jew.”—Ronald O. Perelman“American Jews, like Americans, have a very consumerist attitude toward their identity: they pick and choose the bits of this and that they like.”—Leon Wieseltier“I thought if I had straight hair and a perfect nose, my whole career would be different.”—Sarah Jessica Parker“I’ve always rebelled a little when people say, ‘My Jewish values lead me to really care about the poor.’ I know some Christians who care about the poor, too.”—William Kristol“There were many times when I kept silent about being Jewish as I got older, when Jewish jokes were told.”—William Shatner“‘Jew bastard’ was something I heard a lot.”—Leonard Nimoy. “I always liked shiksas.”—Larry King“It specifically says in the Torah that you can eat shrimp and bacon in a Chinese restaurant.”—Jason Alexander“Yom Kippur is something I do alone, with nobody else, because I believe that my relationship with God is mine and mine only.”—Diane von Furstenberg

    As the daughter of an influential rabbi, Leah and her ten siblings were raised to worship two things: God and the men who ruled their world. But the tradition-bound future Leah envisioned for herself was cut short when, at sixteen, she was caught exchanging letters with a male friend, a violation of religious law that forbids contact between members of the opposite sex. Leah's parents were unforgiving. Afraid, in part, that her behavior would affect the marriage prospects of their other children, they put her on a plane and cut off ties. Cast out in New York City, without a father or husband tethering her to the Orthodox community, Leah was unprepared to navigate the freedoms of secular life. She spent the next few years using her sexuality as a way of attracting the male approval she had been conditioned to seek out as a child, while becoming increasingly unfaithful to the religious dogma of her past.

    Available for the first time in paperback, his portrayal of the Judaeo-Islamic tradition is set against a vivid background of Jewish and Islamic history.

    Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence, the Lagnados, too, must make their escape. With all of their belongings packed into twenty-six suitcases, their jewels and gold coins hidden in sealed tins of marmalade, Leon and his family depart for any land that will take them. The poverty and hardships they encounter in their flight from Cairo to Paris to New York are strikingly juxta-posed against the beauty and comforts of the lives they left behind.An inversion of the American dream set against the stunning portraits of three world cities, Lucette Lagnado's memoir offers a grand and sweeping story of faith, tradition, tragedy, and triumph.Winner of the Sami Rohr Prize for Jewish Literature and hailed by the New York Times Book Review as a "brilliant, crushing book" and the New Yorker as a memoir of ruin "told without melodrama by its youngest survivor," The Man in the White Sharkskin Suit recounts the exile of the author's Jewish Egyptian family from Cairo in 1963 and her father's heroic and tragic struggle to survive his "riches to rags" trajectory.

    By sharing her own story, Lydia Kukoff creates a remarkable work about what it means to make this significant choice. Years after her own conversion she continues to question, grow, and learn, and encourages others to do the same.

    This latest edition of Finding God includes two new essays on the distinct theologies of Abraham Joshua Heschel and Alvin Reines, as well as a chapter on newer approaches, including those of Emil Fackenheim, Harold Schulweis, Marcia Falk, Lawrence Kushner, and Judith Plaskow. There is no one right way to view God for Jews, but with the help of this book readers will be better able to understand the multiple ways that Jews have continued to wrestle with the idea of God throughout history.-- Revised edition-- Three new chapters-- A multiplicity of distinctively Jewish theological perspectives-- Ideal for high school, adult education courses, and Introduction to Judaism-- Free discussion guide available at www.uahcpress.com

    Drawing on cutting-edge historical and archeological research, he traces the story of how, when, and why Jews and Christians gradually granted authority to texts that had long lay dormant in a dusty temple archive. The Bible, Satlow maintains, was not the consecrated book it is now until quite late in its history. He describes how elite scribes in the eighth and seventh centuries B.C.E. began the process that led to the creation of several of our biblical texts. It was not until these were translated into Greek in Egypt in the second century B.C.E., however, that some Jews began to see them as culturally authoritative, comparable to Homer’s works in contemporary Greek society. Then, in the first century B.C.E. in Israel, political machinations resulted in the Sadducees assigning legal power to the writings. We see how the world Jesus was born into was largely biblically illiterate and how he knew very little about the texts upon which his apostles would base his spiritual leadership. Synthesizing an enormous body of scholarly work, Satlow’s groundbreaking study offers provocative new assertions about commonly accepted interpretations of biblical history as well as a unique window into how two of the world’s great faiths came into being.

    The Himsels followed an evangelical branch of Christianity—the Worldwide Church of God—which espoused a doomsday philosophy. Only faith in Jesus, the Bible, significant tithing, and the church's leader could save them from the evils of American culture—divorce, television, makeup, and even medicine.From the time she was a young girl, Himsel believed that the Bible was the guidebook to being saved, and only strict adherence to the church's tenets could allow her to escape a certain, gruesome death, receive the Holy Spirit, and live forever in the Kingdom of God. With self-preservation in mind, she decided, at nineteen, to study at The Hebrew University in Jerusalem. But instead of strengthening her faith, Himsel was introduced to a whole new world—one with different people and perspectives. Her eyes were slowly opened to the church's shortcomings, even dangers, and fueled her natural tendency to question everything she had been taught, including the guiding principles of the church and the words of the Bible itself.Ultimately, the connection to God she so relentlessly pursued was found in the most unexpected place: a mikvah on Manhattan's Upper West Side. This devout Christian Midwesterner found her own form of salvation—as a practicing Jewish woman.Himsel's seemingly impossible road from childhood cult to a committed Jewish life is traced in and around the major events of the 1970s and 80s with warmth, humor, and a multitude of religious and philosophical insights. A River Could Be a Tree: A Memoir is a fascinating story of struggle, doubt, and finally, personal fulfillment.

    One is the now legendary tale of a defiant Jew's refusal to abandon God, even in the face of the greatest suffering the world has known, a testament of faith that has taken on an unpredictable and fascinating life of its own and has often been thought to be a direct testament from the Holocaust.The parallel story is that of Zvi Kolitz, the true author, whose connection to Yosl Rakover has been obscured over the fifty years since its original appearance. German journalist Paul Badde tells how a young man came to write this classic response to evil, and then was nearly written out of its history. With brief commentaries by French philosopher Emmanuel Levinas and Leon Wieseltier, author of Kaddish, this edition presents a religious classic and the very human story behind it.

    Fallenberg’s Tel Aviv-set tale that will resonate with readers of Wladyslaw Szpilman’s The Pianist, Dalia Sofer’s The Septembers of Shiraz, and Thrity Umrigar’s The Space Between Us, as well as any who have been touched by war or diaspora, as two characters’ intimate journey poignantly explores the pain of fractured pasts, the hope for second chances, the potency of artistic catharsis, and the certainty that love can conquer all.

    More than a "how-to" guide, this resource deals with basic issues for the modern worshiper, the historial compilation of the Siddur, and much more.

    Asher Lev is an artist who is compulsively driven to render the world he sees and feels even when it leads him to blasphemy. In this stirring and often visionary novel, Chaim Potok traces Asher’s passage between these two identities, the one consecrated to God, the other subject only to the imagination.Asher Lev grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. But in time his gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous portrait of the artist, by turns heartbreaking and exultant, a modern classic.

    Bella's warm, humorous stories of her pious Jewish family are illustrated by 36 of her husband's pen-and-ink line drawings.

    tr Rosmarie Waldrop, second of 2-vol set

    Instead, it’s usually scattered throughout textbooks, self-made crib sheets, and sticky-notes on their computer monitor. Now there’s a better way! The Zondervan Get an A! Study Guides to Biblical Greek and Biblical Hebrew are handy, at-a-glance study aids ideal for last minute review, a quick overview of grammar, or as an aid in translation or sermon preparation. Each set contains four information-packed sheets that are laminated and three-hole-punched, making them both durable and portable. The study guides are tied to Zondervan’s Basics of Biblical Greek and Basics of Biblical Hebrew.