But photography has surely changed during these many decades. The rigs and gear of old have given way-first slowly, then all at once-to sleek miracle machines that process pixels and have made the darkroom obsolete. The casual photog puts eye to lens, sets everything on auto and captures a photograph that is . . . perfectly fine. One of LIFE's master shooters-in fact, the final in the long line of distinguished LIFE staff photographers-was Joe McNally, and he has always believed that with a little preparation and care, with a dash of enthusiasm and daring added to the equation, anyone can make a better photo-anyone can turn a "keeper" into a treasure. This was true in days of yore, and it's true in the digital age. Your marvelous new camera, fresh from its box, can indeed perform splendid feats. Joe explains in this book how to take best advantage of what it was designed to do, and also when it is wise to outthink your camera or push your camera-to go for the gold, to create that indelible family memory that you will have blown up as large as the technology will allow, and that will hang on the wall forevermore. As the storied LIFE photographer and photo editor John Loengard points out in his eloquent foreword to this volume, there are cameras and there are cameras, and they've always been able to do tricks. And then there is photography. Other guides may give you the one, two, three of producing a reasonably well exposed shot, but Joe McNally and the editors of LIFE can give you that, and then can show you how to make a picture. In a detailed, friendly, conversational, anecdotal, sometimes rollicking way, that's what they do in these pages. Prepare to click.

    Cringe at the forced poses, bad hair, and matching outfits--all prompting us to look at our own families and celebrate the fact that we're not alone. Nothing says awkward better than an uncomfortable family photograph!

    Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.

    His volumes are refreshingly original creations, driven by innocent (and often hilarious) animal images combined with just a few well-chosen words of text on each page. His "simple" tomes touch readers in a giant way. BTG's Tomorrow, extends his remarkable reputation for creating profound books from life's most basic and enduring questions. Tomorrow reflects on staying sane in a world of change, conflict, confusion, and seeming madness. More than dealing with change, though, Tomorrow advises readers on how to maintain their footing and optimism even when the very ground seems to shift beneath their soles.New and old fans alike will instantly identify with BTG's inviting format and probing insights. It is impossible to read this little book without smiling and laughing out loud.Tomorrow's topic undoubtedly resonates with seriousness and concern. But BTG's magic includes his proven ability to mix universal themes with fresh perspectives and howlingly funny photos of animals both in and out of the wild. From a truly bizarre-looking baboon to a tiger that abhors lemon drops, the animal personalities in this book act as irresistible partners in delivering the author's message to the very heart of the reader.Tomorrow will be here before you know it. Tomorrow is the perfect gift book for our time.

    More than half the world's population now lives in cities, and for travelers they hold an endless fascination.

    Carefully rendered reproductions of Giger's best paintings are accompanied by his own commentary. 70 color illus. 75 b&w illus. 25 b&w photos.