D. Smith's personal memoir of his years in naval aviation is more than a ‘I was there’ tale. He captures the myriad of challenges that was Naval Aviation before the Vietnam War. When I arrived in the fleet, D. D. Smith and his compadres were the squadron execs or COs who led us nuggets into the inferno of Vietnam… A huge tip of the hat to D.D. Smith. This book will appeal to every naval aviator or NFO of whatever era. Highly recommended.” But the book is much more. It is a cleverly written and refreshingly honest story of the author’s life and times as he fights his way from rural Minnesota to the blazing skies over North Vietnam. Commander Smith flew 138 combat missions and made more than 800 carrier arrested landings. As the Navy’s first Chief Test Pilot, his tests in the F-14 led to the first EVER flat spin in a Tomcat – and it nearly killed him. No swaggering bravado here; this is a fresh, insightful look at life, luck and guts – in Vietnam and beyond.

    She’s a radical, self-styled hippie, and he is New York’s famous district attorney, a legal luminary of the establishment; she’s a prizewinning New York Times journalist who has chained herself to fences, bloodied draft files, and otherwise broken the law for her beliefs, and he is a secret iconoclast who could have put her in jail.     Timeless: Love, Morgenthau, and Me is the memoir of their triumph against the odds, their ongoing thirty-five-year marriage, a union between two people so deeply in love but so different—and with so many decades separating them—that their family and friends fought to keep them apart.     Franks offers a confidential tour of their marriage, as well as the never-revealed, behind-the-scenes details of Morgenthau’s famous cases. We see a red-faced Ronald Lauder storm into Morgenthau’s office after the DA seizes a priceless Egon Schiele painting from the walls of the Museum of Modern Art; we witness the CIA dismissing Morgenthau’s discovery of the growing terrorist cell in New York that would become al-Qaeda headquarters. This is an unusually close look at the privates lives of two well-known people who have always refused to reveal themselves to the public.

    Connected to such notorious crime figures as Al Capone and Carlos Marcello, as well as to presidents and other politicians, charismatic Clyde Smaldone was the crime family's leader from the Prohibition era to the rise of gambling to the family's waning days. Uncovering the good and the bad, best-selling author Dick Kreck captures the complexity of Clyde, brother Checkers, and their crew, who perpetuated a shadowy underworld but exhibited great generosity and commitment to their community, offering food, money, and college funds to struggling families. Through candid interviews and firsthand accounts, Kreck reveals the true sense of what it meant to be a Smaldone, and the mix of love and dysfunction that is part of every American family.Dick Kreck retired from The Denver Post after thirty-eight years as a columnist. He previously worked at The San Francisco Examiner and the Los Angeles Times. He is the author of four other books, the twenty-two-week bestseller Murder at the Brown Palace, Anton Woode: The Boy Murderer, Colorado's Scenic Railroads, and Denver in Flames. He lives in Denver, Colorado.

    As First Lady of the United States of America—the first African American to serve in that role—she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments. Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare. In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her—from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world’s most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it—in her own words and on her own terms. Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations—and whose story inspires us to do the same.

    Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. His audacious, still chillingly relevant eyewitness history is a work about race and humanity-that in this new millennium still has something important to say to every American.

    With full-color photo essays, the author guides readers past good taste, sense and even logic into the magical, mayhem-ridden world known as his life.

    The bagpipe-playing legend gets down and dirty about the world of professional wrestling-and his own career. He takes readers back to his life as a teenage runaway and his first match, when he stepped into the ring for $25. He recalls his triumph as the youngest World Light Heavyweight Champion, and how he helped make the World Wrestling Federation the phenomenon it is today with little more than a microphone stand and a bow tie. From a man who joined the game long before it emerged as big-time entertainment comes a story that tells it like it is-and that's filled with as much excitement as the jam-packed arenas where he fought his fiercest foes.

    A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.

    . . if I kill Mommy, if something happens and she dies, I’ll have to kill you all . . .  I can’t leave any witnesses.”“Yes, Daddy.  I know, Daddy,” she said.As strange and horrible a thing as this was to tell a child, Richard was trying to let Merrick know in advance—out of consideration—what might happen.  He wanted her to understand that he was doing such a thing out of . . . love.  Only out of love.He loved Barbara too much. He loved the children too much.That was the problem.  The only way he could deal with their loss, if he inadvertently killed Barbara, was to kill them.  That was how Richard had dealt with all his problems since he was a child. “But you, Merrick . . . You’ll be the hardest to kill.  You understand that?”“Yes. Daddy,” she said, and she did understand this.  She knew she was his favorite, and she coveted that. ---from The Ice Man

    Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

    Shapland recognizes herself in the letters’ language―but does not see Carson as history has portrayed her.And so, Shapland is compelled to undertake a recovery of the full narrative and language of Carson's life: She wades through the therapy transcripts; she stays at Carson’s childhood home, where she lounges in her bathtub and eats delivery pizza; she relives Carson’s days at her beloved Yaddo. As Shapland reckons with the expanding and collapsing distance between her and Carson, she see the way Carson’s story has become a way to articulate something about herself. The results articulate something entirely new not only about this one remarkable, walleyed life, but about the way we tell queer love stories.In genre-defying vignettes, Jenn Shapland interweaves her own story with Carson McCullers’s to create a vital new portrait of one of America’s most beloved writers, and shows us how the writers we love and the stories we tell about ourselves make us who we are. In genre-defying vignettes, Jenn Shapland interweaves her own story with Carson McCullers’s to create a vital new portrait of one of America’s most beloved writers, and shows us how the writers we love and the stories we tell about ourselves make us who we are.

    Furthermore, we were convinced that every other set of parents we knew was perfect. They were more thorough in going over their kids' homework, they set better boundaries than we do, didn't let their kids watch as many hours of TV as we do, raised kids who are unfailingly polite in public and have a far greater sense of community and public service than our underachieving offspring over there on the couch watching SpongeBob. We were certain everybody else's kids willingly and joyfully eat nothing but healthy foods, shunning all candy and candy-based products, they all sensibly and automatically put on weather-appropriate clothing, and voluntarily call their grandparents with clockwork regularity, giving fully detailed accounts of their numerous accomplishments, ending with testimonials to their wonderful and perfect parents.Turns out: not so much. At all.In the number one New York Times bestseller Couplehood, Paul Reiser wrote about the highs and lows of falling in love and getting married-and the heartbreak and hilarity that comes with it. In Babyhood, he turned his sharply observant eye to the experiences of having a brand-new family. And now in Familyhood, Reiser shares his observations on parenting, marriage, and mid-life with the wit, warmth, and humor that he's so well-known for.From the first experience of sending his two boys off to summer camp-the early feelings of gleeful freedom in an empty house, to realizing how empty the house actually was-to maneuvering the minefield of bad words learned at school, this hilarious new book captures the spirit of familyhood, the logical next frontier for Reiser's trademark perspective on the universal truths of life, love, and relationships.

    When I was fourteen years old, I was discovered by Bucky Lasek and Tony Hawk and was on my way to turning pro. I toured the country, signed autographs, and had my photo in skate magazines. Then I got hooked on heroin and threw it all away. Soon I was living in an abandoned garage and begging for spare change. Ripping off my family and friends meant nothing to me. I was a dreamseller, pushing the fantasy that I was a recovering addict. Anything to get my precious next fix. This is my story of struggling to survive on the streets and battling with addiction in rehab. It's a story of trust I betrayed and trust I had to earn back. It's also the story of my friendship with MTV and Jackass star Bam Margera. I would have died a junkie's death if not for him. Bam convinced me to write about how my addiction destroyed my career-and nearly my life.

    Readers embraced his precise, sad, often funny and poignant tales of ordinary people and their troubles: poverty, drunkenness, embittered marriages, difficulties brought on by neglect rather than intent. Since Carver died in 1988 at age fifty, his legacy has been mythologized by admirers and tainted by controversy over a zealous editor’s shaping of his first two story collections. Carol Sklenicka penetrates the myths and controversies. Her decade-long search of archives across the United States and her extensive interviews with Carver’s relatives, friends, and colleagues have enabled her to write the definitive story of the iconic literary figure. Laced with the voices of people who knew Carver intimately, her biography offers a fresh appreciation of his work and an unbiased, vivid portrait of the writer.

    A man of outstanding physical bravery and skill, yet heart-warming modesty. A man whose triumphant achievements will ave a permanent place in the records of human endeavour.