A wave of sinkholes appears on the anniversary of a rural tragedy, and local residents begin to hear the voices of the dead. A woman encounters a predator from her youth—and a chance to turn the tables. A child’s inner beast takes on a sinister life of its own. An undetectable serial killer raises tensions on a college campus. Experimental physics reveals another world, and it might mean the end of ours. Shrouded in darkness, lurking in the shadows, NIGHT TERRORS III awaits you. The third installment of the chilling Night Terrors anthology series includes stories from Jack Ketchum, Steve Rasnic Tem, Dennis Etchison, Taylor Grant, Eric J. Guignard, Aric Sundquist, Jennifer Brozek, John McNee, Simon McCaffery, Patty Templeton, and many more!

    / Now barefoot I tread / on shards.Such is the elegant simplicity—a whole poem in ten words, vibrating with image and emotion—of the best-selling Russian poet Vera Pavlova. The one hundred poems in this book, her first full-length volume in English, all have the same salty immediacy, as if spoken by a woman who feels that, as the title poem concludes, “If there was nothing to regret, / there was nothing to desire.”Pavlova’s economy and directness make her delightfully accessible to us in all of the widely ranging topics she covers here: love, both sexual and the love that reaches beyond sex; motherhood; the memories of childhood that continue to feed us; our lives as passionate souls abroad in the world and the fullness of experience that entails. Expertly translated by her husband, Steven Seymour, Pavlova’s poems are highly disciplined miniatures, exhorting us without hesitation: “Enough painkilling, heal. / Enough cajoling, command.” It is a great pleasure to discover a new Russian poet—one who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.

    Indeed, Washingtons army suffered defeat after defeat in the first few years of the war, fighting bravely but mainly trading space for time. However, the Americans did have a trump, in a reservoir of tough, self-reliant frontier fighters, who were brave beyond compare, and entirely willing to contest the Kings men with unconventional tactics.In this book, renowned author, and former U.S. Army Colonel, Robert Tonsetic describes and analyzes numerous examples of special operations conducted during the Revolutionary War. While the British might seize the coastlines, the interior still belonged to the Americans should the Empire venture inward. Most of the operations were conducted by American irregulars and volunteers, carefully selected, with specialized skills, and led by leaders with native intelligence. While General Washington endeavored to confront the Empire on conventional terms—for pure pride’s sake at the founding of the Republic--he meantime relied on his small units to keep the enemy off balance. The fledgling Continental Navy and Marines soon adopted a similar strategy. Realizing that the small American fleet was no match for the powerful British navy in major sea battles, the new Navy and its Marines focused on disrupting British commercial shipping in the Atlantic and Caribbean, and launching raids against British on-shore installations first in the Bahamas and then on the British coastline itself.As the war continued, Washington increasingly relied on special operations forces in the northeast as well as in the Carolinas, and ad hoc frontiersmen to defy British sovereignty inland. When the British and their Indian allies began to wage war on American settlements west of the Appalachians, Washington had to again rely on partisan and militias to conduct long-range strikes and raids targeting enemy forts and outposts. Throughout the war, what we today call SpecOps were an integral part of American strategy, and many of the lessons learned and tactics used at the time are still studied by modern day Special Operations forces. As this book establishes, the improvisation inherent in the American spirit proved itself well during the Revolution, continuing to stand as an example for our future martial endeavors.

    Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the vivid portrait that the tsar intends to acquire and the opium-infused manuscripts Anna wrote just before her death, which open a trapdoor to a wild feminist fairy tale. Across the city, Clementine, an anarchist seamstress, and Father Gapon, the charismatic leader of the proletariat, plan protests that embroil the downstairs members of the Karenin household in their plots and tip the country ever closer to revolution. Boullosa tells a polyphonic and subversive tale of the Russian revolution through the lens of Tolstoy's most beloved work.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Two best friends. Both fighting for their country. Against each other.Sebastian Brigandshaw arrives at the Cape of Good Hope and upon arrival is welcomed by a Boer hunter, Tinus Oosthuizen. The pair forms an unlikely friendship, spending many days in the vast wilderness, carving out a future from a savage land.For Sebastian - resourceful and well-adjusted - he falls in love with Africa and decides to live a simple life. But his days of peace are numbered. War is looming. What was so peaceful now becomes volatile and unsettled. Read this unforgettable, accurate account of the Boer War and how their families were dragged through some of Africa’s most aggressive and remarkable days. Ready for a journey back into the past? Then buckle up…Thousands of copies sold WORLDWIDE. Discover what all the fuss is about.“Very balanced view on the Boer War. I could feel real emotions.”“As my grandkids would say, it got betterer and betterer. Worth all five stars.”“One of the most amazing reads I have had for a long time, it takes one back to the day, you can smell the African bush.”“What a wonderful book! Full of history and philosophy. A book that I will read again after a while.”“Superb! All Rimmer’s books are such great reading!”“Excellent African history. Wilbur Smith fans will be pleased.”

    But back home in Spain, Diego finds the Inquisition at its terrifying peak, and he must protect his spirited sister, Rachel, from betrayal and death. Disguising herself as a boy, Rachel sneaks onto Columbus’s second expedition, bound for the new lands they call the Indies. As the Spaniards build their first settlements and search for gold, Diego and Rachel fall in love with the place, people, and customs. Still forced to hide their religious faith and Rachel’s true identity, the brother and sister witness the Spaniards’ devastation of the island in their haste to harvest riches.This unflinching look at Columbus’s exploration and its terrible cost to the native Taino people introduces two valiant young people who struggle against the inevitable destruction of paradise. Revised edition: This edition of Voyage of Strangers includes editorial revisions.

    Among her most famous and controversial works, these three novellas—The Time Is Night, Chocolates with Liqueur (inspired by Edgar Allan Poe’s “The Cask of Amontillado”), and Among Friends—are modern classics that breathe new life into Tolstoy’s famous dictum, “All happy families are alike; every unhappy family is unhappy in its own way.” Together they confirm the genius of an author with a gift for turning adversity into art.

    This is a story narrated from the point of view of a nine-year old girl, Tamara, who takes in the intricacies of the survival strategies of the world she inherits, marked by poverty, unspeakable trauma, trapped scenarios. Theatre of War takes us on a desolate journey into the reconstruction of memory – a universal question that here turns into a reflection on how giant historical events can affect the seemingly insignificant lives of nameless individuals. Tamara, protagonist and narrator, faces the ghosts of a very tangible past that includes her father’s war (an immigrant from former Yugoslavia), a very conflictive family life, suicides, lost landscapes, inherited trauma, absent siblings and a mother who, due to an undefined illness, has suffered from partial memory loss and cannot recognise her own daughter. Andrea Jeftanovic's debut novel, is an exploration of the empty theatre of operations her memory provides for the domestic war she was part of as a child. The Chilean novelist approaches the ruins of memory to source from them the love needed to build her identity as an adult. An impressive, sensitive, harrowing, widely praised first novel from one of the most important female novelists of Latin America.

    It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

     While up in the mountains, he discovered a wilderness plagued by nature and haunted by superstition, but one that he thought he could tame with his experience and strong back. He didn't know he was going to have to kill to keep the home he planned for his family, but he didn't let that stop him. Sam had been looking for a home for his family for years. That search had been interrupted by the Civil War. Now Sam is putting down roots, and not even the Devil himself can stand in the way.

    But as the Black Death reaches its hand into his uncle’s workshop, young Tonino is faced with making a choice to survive. From the author of THE GONDOLA MAKER and MADE IN VENICE comes a short tale of pestilence, Venetian artisanship, and the will to live.

    Featuring new fiction by Hao Jingfang (translated by Ken Liu), Sam J. Miller, Amal El-Mohtar, Richard Bowes, and Sunny Moraine, classic fiction by Ann Leckie, essays by Jim C. Hines, Erika McGillivray, Michi Trota, and Keidra Chaney, poetry by Isabel Yap, Mari Ness, and Rose Lemberg, interviews with Hao Jingfang (translated by Ken Liu) and Ann Leckie, by Deborah Stanish, a cover by Julie Dillon, and an editoral by Lynne M. Thomas and Michael Damian Thomas. Contents:FictionThe Heat of Us: Notes Toward an Oral History by Sam J. MillerFolding Beijing by Hao Jingfang, translated by Ken LiuLove Letters to Things Lost and Gained by Sunny MoraineAnyone With a Care for Their Image by Richard BowesPockets by Amal El–MohtarThe Nalendar by Ann LeckiePoetryAfter the Moon Princess Leaves by Isabel YapAfter the Dance by Mari Nessarchival testimony fragments / minersong by Rose LembergEditorialsThe Uncanny Valley by Lynne M. Thomas & Michael Damian ThomasEssaysThank You, Again, Kickstarter Backers!The Politics of Comfort by Jim C. HinesAge of the Geek, Baby by Michi TrotaThe Evolution of Nerd Rock by Keidra ChaneyThe Future’s Been Here Since 1939: Female Fans, Cosplay, and Conventions by Erica McGillivrayInterviewsInterview: Hao Jingfang by Deborah Stanish, translated by Ken LiuInterview: Ann Leckie by Deborah Stanish

    Schmid, Neue Zürcher Zeitung (Germany)This remarkable debut novel by a unique young Russian voice portrays the influence of political intolerance and religious violence in the lives of people forced to choose between evils.The Mountain and the Wall focuses on Shamil, a young local reporter in Makhachkala, and his reactions, or lack thereof, to rumors that the Russian government is building a wall to cut off the Muslim provinces of the Caucasus from the rest of Russia. As unrest spreads and the tension builds, Shamil's life is turned upside down, and he can no longer afford to ignore the violence surrounding him.With a fine sense for mounting catastrophe, Alisa Ganieva tells the story of the decline of a society torn apart by its inherent extremes.Alisa Ganieva, born in 1985, grew up in Makhachkala, Dagestan. Her literary debut, the novella Salaam, Dalgat!, won the prestigious Debut Prize in 2009. Shortlisted for all of Russia's major literary awards, The Mountain and the Wall is her first novel, and has already been translated into several languages. Ganieva lives in Moscow, where she works as a journalist and literary critic.Carol Apollonio, PhD, is a professor of Slavic and Eurasian studies at Duke University. Her most recent translations include German Sadulaev's The Maya Pill (Dalkey Archive, 2014) and new versions of Anton Chekhov stories.

    Known for sharp imagery, startling metaphors and deceptively simple diction, his luminous poems offer mysterious glimpses into the deepest facets of humanity, often through the lens of the natural world. These new translations by Patty Crane, presented side by side with the original Swedish, are tautly rendered and elegantly cadenced. They are also deeply informed by Crane’s personal relationship with the poet and his wife during the years she lived in Sweden, where she was afforded greater insight into the nuances of his poetics and the man himself.