While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    The driver who gives you a lift isn’t going anywhere but off the road. Snow settles on your car in summer and the sequins found between the pages of a borrowed novel will make your fortune. Pagano’s stories weave together the mad, the mysterious and the dispossessed of a rural French community with honesty and humour. A superb, cumulative collection from a unique French voice.Why Peirene chose to publish this book:This is a spellbinding web of stories about people on the periphery. Pagano makes rural France her subject matter. She invokes the closeness of a local community and the links between the inhabitants’ lives. But then she reminds us how little we know of each other.This volume contains a selection of stories from Un renard à mains nues.

    Her life in danger, she joins the rebellion in the hills, where her comrades force her to give up the baby she conceives. Years later, having outlived countless men, she leaves to find her lost daughter, travelling across the Atlantic with meagre resources. She returns to a community riven with distrust, fear and hypocrisy in the wake the revolution.Hernandez’ narrators have the level gaze of ordinary women reckoning with extraordinary hardship. Denouncing the ruthless machismo of combat with quiet intelligence, Slash and Burn creates a suspenseful, slow-burning revelation of rural life in the aftermath of political trauma.

    It tells the story of Cécile, who leads a carefree life with her widowed father and his young mistresses until, one hot summer on the Riviera, he decides to remarry - with devastating consequences. In A Certain Smile Dominique, a young woman bored with her lover, begins an encounter with an older man that unfolds in unexpected and troubling ways. These two acerbically witty and delightfully amoral tales about the nature of love are shimmering masterpieces of cool-headed, brilliant observation.

    Hermann Karnau is a sound engineer obsessed with recording the human voice in all its variations - the rantings of leaders, the roar of crowds, the rasp of throats constricted in fear - and indifferent to everything else. Employed by the Nazis, his assignments take him to party rallies, to the eastern front, and into the household of Joseph Goebbels. There he meets Helga, the eldest daughter: bright, good-natured, and just beginning to suspect the horror that surrounds her.Based on the acclaimed novel by Marcel Beyer, Voices in the Dark is the first graphic novel by the award-winning cartoonist Ulli Lust. It is the story of an unlikely friendship and of a childhood betrayed, a grim parable of naivete and evil, and a vivid, unsettling masterpiece of comics storytelling. As Germany descends into chaos, Helga's and Hermann's lives intertwine, then finally collide. In Hitler's Berlin bunker, with the Red Army closing in, Hermann receives his greatest assignment: recording the Fuhrer's final words - and the last moments of Helga and her family.

    I was born at the end of the Reining Age, just as the Earth’s rotation was coming to a final halt.The Sun is about to unleash a helium flash, threatening to swallow all terrestrial planets in the solar system. On Earth, the Unity Government has erected Earth Engines. With them it plans to propel our planet out of the solar system, setting it on a journey into outer space in search of a new sun. The Earth begins its centuries-long, wandering travels through outer space.Just as we began our journey, my grandfather passed away, his burnt body ravaged by infection. In his final moments, he repeated over and over, “Oh, Earth, my wandering Earth...”China Galaxy Science Fiction Award of Year 2000.

    

    In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material”, Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in.In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all what it means to be a human in our world and offers answers that surprise and linger.

    From Dong-ho's best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.

    But there's a catch: not everyone who does gets the special prize. Those who do, go to a room where they can view five minutes of one of three moments in their future. Galvan manages to create a vivid world that is both a recognizable and alien depiction of adolescence. There are mean girls, and fast food, and BFFs with crappy older brothers, as well as familiar hints of 1990s design and fashion. Yet, it's also rife with futuristic flourishes like little robotic eggs that walk and talk, like anthropomorphic Alexas.At its heart, however, Afternoon at McBurger's is a timeless story about friendship and innocence and the discoveries of adolescence (both good and bad), with layers to be revealed only through multiple readings. And Galvan's visual style, anchored by a mastery of pastel and primary colors, will make you want to do so immediately.

    ...y no se lo trago la tierra won the first national award for Chicano literature in 1970 and has become the standard literary text for Hispanic literature classes throughout the country. It is now an award-winning, motion picture entitled And the Earth Did Not Swallow Him.... and the Earth did not devour him / Tomás Rivera --from Voices of the fields: children of migrant farmworkers tell their stories / S. Beth Atkin --Christmas / Langston Hughes --Children for hire / Verena Dobnik and Ted Anthony --First confession / Frank O'Connor --Aria: a memoir of a bilingual childhood / Richard Rodriguez

    A woman's deceased father appears in her dreams with clues about the afterlife; a Russian professor in a small American town constructs elaborate fantasies during her cigarette break; a man falls in love with a marble statue as his marriage falls apart; a child glimpses heaven through a stained-glass window. With the emotional insight of Chekhov, the surreal satire of Gogol, and a unique blend of humor and poetry all her own, Tolstaya transmutes the quotidian into aetherial alternatives. These tales, about politics, identity, love, and loss, cut to the core of the Russian psyche, even as they lay bare human universals. Tolstaya's characters--seekers all--are daydreaming children, lonely adults, dislocated foreigners in unfamiliar lands. Whether contemplating the strategic complexities of delivering telegrams in Leningrad or the meditative melancholy of holiday aspic, vibrant inner lives and the grim elements of existence are registered in equally sharp detail in a starkly bleak but sympathetic vision of life on earth. A unique collection from one of the first women in years to rank among Russia's most important writers.

    Fray Servando--priest, blasphemer, dueler of monsters, irresistible lover, misunderstood prophet, prisoner, and consummate escape artist--wanders among the vice-ridden populations of eighteenth-century Europe and the Americas, fleeing dungeons, a marriage-minded woman, a slave ship captain, and the Inquisition. Whether by burro, by boat, or by the back of a whale, Fray Servando's journey is at once funny and romantic, melancholy and profound--a tale rooted in history, yet outrageously hallucinatory."An impenitent amalgam of truth and invention, historical fact and outrageous make-believe . . . a philosophical black comedy."--The New York Times

    Now our hero is resident in a retirement home, where fending off boredom is far more gruelling than making tacos. Plagued by the literary salon that bumps about his building’s lobby and haunted by the self-pitying ghost of a neglected artist, Villalobos’s old man can’t help but misbehave. He antagonises his neighbours, tortures American missionaries with passages from Adorno, flirts with the revolutionary greengrocer, and in short does everything that can be done to fend off the boredom of retirement and old age . . . while still holding a beer. A delicious take-down of pretensions to cultural posterity, I’ll Sell You a Dog is a comic novel whose absurd inventions, scurrilous antics and oddball characters are vintage Villalobos.