Reflecting on the ways in which oppression was the cause for her late bloom into queerness, we are invited to discover people and things in the author's life that helped shape and inform her LGBTQ identity. And we come to an understanding of her holistic definition of queerness.

    She holds up the Indigenous trans body as a site of struggle, liberation, and beauty. A confessional poet, Benaway narrates her sexual and romantic intimacies with partners as well as her work to navigate the daily burden of transphobia and violence. She examines the intersections of Indigenous and trans experience through autobiographical poems and continues to speak to the legacy of abuse, violence, and colonial erasure that defines Canada. Her sparse lines, interwoven with English and Anishinaabemowin (Ojibwe), illustrate the wonder and power of Indigenous trans womanhood in motion. Holy Wild is not an easy book, as Benaway refuses to give any simple answers, but it is a profoundly vibrant and beautiful work filled with a transcendent grace.Praise for Holy Wild:"This is a heart wrenching, thought provoking, honest, and graceful walkthrough of trans realities both on the homeland and in urban settings." —Joshua Whitehead, author of Jonny Appleseed, longlisted for the Scotiabank Giller Prize, and Full-Metal Indigiqueer"As the poet says, "they want one thing and I am many." This book is many things, and we are grateful." —Katherena Vermette, author of the award-winning novel The Break"Benaway conjures trans life in a place that is both prior to and in excess of the violence that mires it. It is the emotional infrastructure for something like freedom. Let Benaway lead you there." —Billy-Ray Belcourt, author of This Wound is a World

    When the school’s barely-a-basketball-team unexpectedly attempts to recruit her, Charlie’s adamant that she’s left that life behind…until she’s won over by the charming team captain, Liv, and the ragtag crew she’s managed to assemble. And while Charlie may have left cut-throat competition in in the dust, sinking these hoops may be exactly what she needs to see the person she truly wants to be. From Carly Usdin (Heavy Vinyl) and artist Noah Hayes (Wet Hot American Summer, Goldie Vance) comes an ensemble comedy series that understands that it’s the person you are off the court that matters most.

    As this fundamental reproductive right continues to be stigmatized and jeopardized, over sixty artists and writers have created comics that boldly share their own experiences, and educate readers on the history of abortion, current political struggles, activism, and more. Lawyers, activists, medical professionals, historians, and abortion fund volunteers have teamed up with cartoonists and illustrators to share their knowledge in accessible comics form.Comics for Choice is edited by Hazel Newlevant, Whit Taylor, and Ø.K. Fox, and contains comics from exciting cartoonists like Sophia Foster-Dimino (Sex Fantasy), Leah Hayes (Not Funny Ha-Ha), Anna Bongiovanni (Grease Bats), Jennifer Camper (Rude Girls and Dangerous Women), Ally Shwed (Sex Bomb Strikes Again) and Kat Fajardo (Gringa!, La Raza Anthology), and reproductive justice scholars like Rickie Solinger, (Reproductive Politics: What Everyone Needs to Know) Renee Bracey Sherman (Program Director, We Testify), and Dr. Cynthia Greenlee (Senior Editor, Rewire).6.625"x10.25", 300 pages, perfect-bound, color cover with b&w interior.

    From the moment a doctor in Raleigh, North Carolina, put "male" on Jacob Tobia's birth certificate, everything went wrong. Alongside "male" came many other, far less neutral words: words that carried expectations about who Jacob was and who Jacob should be, words like "masculine" and "aggressive" and "cargo shorts" and "SPORTS!"Naturally sensitive, playful, creative, and glitter-obsessed, as a child Jacob was given the label "sissy." In the two decades that followed, "sissy" joined forces with "gay," "trans," "nonbinary," and "too-queer-to-function" to become a source of pride and, today, a rallying cry for a much-needed gender revolution. Through revisiting their childhood and calling out the stereotypes that each of us have faced, Jacob invites us to rethink what we know about gender and offers a bold blueprint for a healed world--one free from gender-based trauma and bursting with trans-inclusive feminism.From Jacob's Methodist childhood and the hallowed halls of Duke University to the portrait-laden parlors of the White House, Sissy takes you on a gender odyssey you won't soon forget. Writing with the fierce honesty, wildly irreverent humor, and wrenching vulnerability that have made them a media sensation, Jacob shatters the long-held notion that people are easily sortable into "men" and "women." Sissy guarantees that you'll never think about gender--both other people's people's and your own--the same way again.

    Huda Fahmy has found it’s a little more difficult to fade into the crowd when wearing a hijab. In Yes, I’m Hot in This, Huda navigates the sometimes-rocky waters of life from the unique perspective of a Muslim-American woman, breaking down misconceptions of her culture one comic at a time. From recounting the many questions she gets about her hijab every day (yes, she does have hair) and explaining how she runs in an abaya (just fine, thank you) to dealing with misconceptions about Muslims.

    His little foodie television program has since evolved into STARVE, an arena sport that pits chef against chef for the pleasure of their super-rich patrons. It's a stain on a once-noble profession, and Chef Gavin is ready to go to war to stop it. Two things stand in his way: his arch rival Roman Algiers, and his adult daughter Angie, who probably just wants her dad back and acting normal.

    Through strong and revealing black and white images, the book tells the story of eight students who are trying to get that ticket to the middle class – a high school diploma. Whether they succeed or not has as much to do with what happens outside the classroom as in, and the value of perseverance is matched by the power of a second chance. It is a story that shows these teens in all their beauty, intelligence, suffering, humor, and humanity (and also when they are really pains in the behind.) A view from the trenches of public education, Yo, Miss challenges preconceptions about who these kids are, and what is needed to help them graduate.

    For Glenn Head, his two years spent at the now-defunct Mendham, NJ, boarding school — run by a serial sexual and emotional abuser of young boys in the early 1970s — left emotional scars in ways that he continues to process. This graphic memoir — a book almost 50 years in the making — tells the story of that experience, and then delves with even greater detail into the reverberations of that experience in adulthood, including addiction and other self-destructive behavior. Head tells his story with unsparing honesty, depicting himself as a deeply flawed human struggling to make sense of the childhood he was given.

    THIS IS THE TRUE STORY FROM THE MAN AT THE CENTER OF IT ALL. In the summer of 1971, the New York’s Attica State Prison is a symbol of everything broken in America – abused prisoners, rampant racism and a blind eye turned towards the injustices perpetrated on the powerless. But when the guards at Attica overreact to a minor incident, the prisoners decide they’ve had enough – and revolt against their jailers, taking them hostage and making demands for humane conditions. Frank “Big Black” Smith finds himself at the center of this uprising, struggling to protect hostages, prisoners and negotiators alike. But when the only avenue for justice seems to be negotiating with ambitious Governor Nelson Rockefeller, Big Black soon discovers there may be no hope in finding a peaceful resolution for the prisoners in Attica. Written by Jared Reinmuth and Frank “Big Black” Smith himself, adapted and illustrated by Ameziane, Big Black: Stand At Attica is an unflinching look at the price of standing up to injustice in what remains one of the bloodiest civil rights confrontations in American history.

    Amy weaves her own coming-of-age as a young Jewish artist into the narrative of her mother, a psychologist, and Bubbe, her grandmother, a World War II survivor who escaped from the Warsaw Ghetto by disguising herself as a gentile. Captivated by Bubbe’s story, Amy turns to her sketchbooks, teaching herself to draw as a way to cope with what she discovers. Entwining the voices and histories of these three wise, hilarious, and very different women, Amy creates a portrait not only of what it means to be part of a family, but also of how each generation bears the imprint of the past. Flying Couch uses Bubbe’s real testimony and her playful, idiosyncratic sensibility to investigate the legacy of trauma, the power of family stories, and the meaning of home. The result is this bold illustrated memoir, both an original story of self-discovery and an important entry into the literature of the Holocaust.“Flying Couch is perfect. It’s perceptive, emotionally on point, surprising and funny in its details, told in an intuitive way that’s completely direct, and about something that matters. This is an important book.” —Liana Finck, author of The Bintel Brief“Flying Couch is a moving, intricate story of identity and family history.”—Ariel Schrag, author of Likewise and Awkward and Definition“I read Flying Couch in one sitting, without moving, literally laughed and literally cried.” —Rachel Fershleiser, co-editor of the New York Times bestseller Not Quite What I Was Planning"Amy Kurzweil's moving debut is a story of trauma and survival, and a search for identity and belonging. Fluctuating, in words and images, from the bubbly to the intense, this graphic memoir exposes the complicated and powerful ways we are shaped by the histories and relationships that anchor us."—Tahneer Oksman, author of How Come Boys Get to Keep Their Noses?

    All his life, people have told Jeff Buckley how much he looks like his father, the famous ’60s folksinger he barely knew. But Jeff believes he has gifts of his own: a rare, octave-spanning voice and a songwriting genius that has only started to show itself. After he falls in love with a mysterious girl in New York, he sets out to make a name for himself outside his father’s shadow.What follows are six turbulent years of music, heartbreak, hope, and daring—culminating in a tragedy that’s still reverberating in the music world today. Written by Tiffanie DeBartolo and with art by Pascal Dizin and Lisa Reist, this graphic novel biography uses archival material provided by Jeff’s mother, Mary Guibert, to reveal the young songwriter in the process of becoming a legend.

    Co-published by two of the premiere publishers in comics—DC and IDW, this oversize comic contains moving and heartfelt material from some of the greatest talent in comics, mourning the victims, supporting the survivors, celebrating the LGBTQ community, and examining love in today’s world. All material has been kindly donated by the writers, artists, and editors with all proceeds going to victims, survivors, and their families. Be a part of an historic comics event! It doesn’t matter who you love. All that matters is you love.

    Still smarting years after a horrible breakup, Rayanne diligently buries herself in her work. Aside from work, she has her cat. And other than her cat, she has her crushes: crushes that she prides herself on being able to resist. Unexpectedly, however, one of her crushes beings to affect her more than the others, and threatens to upset the delicate balance of her carefully controlled life. Ali is still feeling lost and numb almost a year after the death of her wife. Then one ordinary day something extraordinary happens: she is ambushed by her attraction to another woman that is both invigorating and fantastically inappropriate. Whether she's ready for it or not, it stirs up feelings Ali didn't think she was capable of having anymore. Funny, moving, and full of heart, Forward is a novel that explores the parameters of second chances and the tricky emotions of grief, fear, vulnerability, and desire.

    The Ku Klux Klan is at the height of its power in the US as membership swells into the millions and they expand beyond their original southern borders. As they grow, so do their targets. As they continue their campaigns of terror against African Americans, their list now includes Catholics and Jews, southern and eastern Europeans, all in the name of "white supremacy." But they are no longer considered a terrorist organization. By adding the messages of moral decency, family values, and temperance, the Klan has slapped on a thin veneer of respectability and has become a "civic organization," attracting ordinary citizens, law enforcement, and politicians to their particular brand of white, Anglo-Saxon, and Protestant "Americanism."Pennsylvania enthusiastically joined that wave. That was when the Grand Dragon of Pennsylvania decided to display the Klan's newfound power in a show of force. He chose a small town outside of Pittsburgh named after Andrew Carnegie; a small, unassuming borough full of "Catholics and Jews," the perfect place to teach these immigrants "a lesson." Some thirty thousand members of the Klan gathered from as far as Kentucky for "Karnegie Day." After initiating new members, they armed themselves with torches and guns to descend upon the town to show them exactly what Americanism was all about.The Day the Klan Came to Town is a fictionalized retelling of the riot, focusing on a Sicilian immigrant, Primo Salerno. He is not a leader; he's a man with a troubled past. He was pulled from the sulfur mines of Sicily as a teen to fight in the First World War. Afterward, he became the focus of a local fascist and was forced to emigrate to the United States. He doesn't want to fight but feels that he may have no choice. The entire town needs him--and indeed everybody--to make a stand.