In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always-likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream at the beginning of the twenty-first century. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and “difficult” as the conflicted protagonists that defined the genre. Given the chance to make art in a maligned medium, they fell upon the opportunity with unchecked ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV but also a cultural watershed. Difficult Men features extensive interviews with all the major players, including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood), and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives, actors, production assistants, makeup artists, script supervisors, and so on. Martin takes us behind the scenes of our favorite shows, delivering never-before-heard story after story and revealing how cable TV has distinguished itself dramatically from the networks, emerging from the shadow of film to become a truly significant and influential part of our culture.

    Wolfe's brilliant first book -- a collection of essays that introduced us to the Sixties, to extravagant new styles of life that had nothing to do with the "elite" culture of the past.

    With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

    The result is both a defense of freedom of speech and a critique of the likeability factor that can impede it.

    Just open any book or talk to any history professor and they’ll tell you that history is filled with nothing but glorious battles, great leaders, plagues, large fires, earthquakes, famous inventors, Egyptians and Louis Pasteur. This couldn’t be further from the truth. History, in fact, is filled with a whole lot of nothing. Andrew Adams knows that only too well. He’s an ordinary man living his life in the all too abundant and mundane spaces between those great moments. Just like all ordinary men he spends much of his life wondering what the point of it all is, struggling to form meaningful relationships or find his place in society. Andrew’s life follows a daily routine much like that of many others: he wakes up, does the minimum required to get himself through the day - careful not to learn too much or create a lasting impression on anyone - and then goes back to bed. There’s only one, ever-so-minor inconvenience that continually stands in the way of Andrew’s ignorantly blissful life Time-travel. Since before he can remember every time Andrew sleeps he’s randomly flung through time and space, never knowing where or when he’ll wake up. The only thing he can be certain of is that the location he arrives at won’t be anywhere exciting. He’s a cursed man who had no idea why this happens to him, clueless to how it all started or how it can be stopped. Rarely does he find a place to fit in and, on those rare occasions that he does, he can only stay there until he loses his fight against sleep. Andrew Adams has all but given up hope and given up on life.That is until he meets someone else like him who sets in motion a chain of events that will lead him on a journey of discovery and answers to questions that perhaps even he didn't want to know. With the help of a mysterious and tenacious woman, an old drunken priest and a seven-foot, psychopathic assassin Andrews life is about to be given a purpose. Finally he might start to view his abilities as a gift instead of a curse and perhaps learn that there’s always something to be thankful for. Whether he wants to or not

    By night, she lives them.MG Martin lives and breathes geek culture. She even works as a writer for the comic book company she idolized as a kid. But despite her love of hooded vigilantes, MG prefers her comics stay on the page.But when someone in LA starts recreating crime scenes from her favorite comic book, MG is the LAPD’s best—and only—lead. She recognizes the golden arrow left at the scene as the calling card of her favorite comic book hero. The thing is…superheroes aren’t real. Are they?When the too-handsome-for-his-own-good Detective Kildaire asks for her comic book expertise, MG is more than up for the adventure. Unfortunately, MG has a teeny little tendency to not follow rules. And her off-the-books sleuthing may land her in a world of trouble.Because for every superhero, there is a supervillain. And the villain of her story may be closer than she thinks…

    Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

    Or April, the Neo-Nazi bringing up her twin daughters Lamb and Lynx (who have just formed a white-power folk group for kids called Prussian Blue), and her youngest daughter, Dresden. For a decade now, Louis Theroux has been making programs about offbeat characters on the fringes of U.S. society. Now he revisits the people who have most intrigued him to try to discover what motivates them, and why they believe the things they believe. From his Las Vegas base (where else?), Theroux calls on these assorted dreamers, schemers, and outlaws--and in the process finds out a little about the workings of his own mind. What does it mean, after all, to be weird, or "to be yourself"? Do we choose our beliefs or do our beliefs choose us? And is there something particularly weird about Americans? America, prepare yourself for a hilarious look in the mirror that has already taken the rest of the English-speaking world by storm: "Paul Theroux's son writes with just as clear an eye for character and place as his father.... And he's funny.... Theroux's final analysis of American weirdness is true and new." -- Literary Review (England)

    In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.Among Walton's many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by "mainstream"; the underappreciated SF adventures of C. J. Cherryh; the field's many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie's Midnight's Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read. Over 130 essays in all, What Makes This Book So Great is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers.

    He digs into the war’s major events and reveals the unknown, bizarre, and often wildly amusing things the participants were doing while breaking away from Great Britain.For example, conventional wisdom says that “no taxation without representation” was an important reason for the revolution, but not in the way we’ve been told. Colonists paid the wages of common-court judges, who were reluctant to rule against the men who paid their salaries. Therefore, duties on molasses (the key ingredient in rum) were generally unenforced until the British cut the tariff in half. Strange but true, the spark that touched off the revolution was in fact a tax cut.During the French and Indian War and then again in the first year of the revolution, the British were accused of biological warfare, infecting blankets with smallpox and then concealing them in Indian camps. So feared was the disease that soldiers began to illegally inoculate themselves before widespread vaccination was finally ordered for the army. Washington himself was immune, thanks to a Caribbean trip taken as a young man when his brother Lawrence sought a cure for tuberculosis. Lawrence wasn’t cured, but George was infected with smallpox in Barbados. As a young man in a warm climate, he survived. As an older man in a northern winter, however, the story of the father of our country might have had a different ending.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    In the style of Studs Terkel (Working, Hard Times, The Good War) and Dave Isay (Listening Is an Act of Love), Londoners offers up  the stories, the gripes, the memories, and the dreams of those in the great and vibrant British metropolis who “love it, hate it, live it, left it, and long for it,” from a West End rickshaw driver to a Soldier of the Guard at Buckingham Palace to a recovering heroin addict seeing Big Ben for the very first time. Published just in time for the 2012 London Olympic Games, Londoners is a glorious literary celebration of one of the world’s truly great cities.

    But no matter how enormous the crisis -- the Great Depression, Vietnam, Watergate, Monica Lewinsky's thong -- America's always come out looking like, well, America.This time, however, something's different. Things aren't just screwed up; they're f!$d up beyond all recognition. Welcome to F.U.B.A.R., a hilarious and scathing satire of the American Right's bad behavior, by the creators of Air America's Majority Report.If you're a liberal who's somehow not panicked over the state of our Union, or if you're a Republican who's just having voter's remorse, or if you think what's happening to the country is just politics as usual, F.U.B.A.R. will open your eyes to our current national nightmare. With completely unfair and unbalanced analysis, authors Sam Seder and Stephen Sherrill take readers on a whirlwind tour of what's left of the United States, exposing the truth about the Right's blueprint for total domination -- over your money, your mind, your sex life, and even your place in the afterlife (yes, they have a plan for that, too).Along the way, they'll answer your most pressing questions, like:I'm gay. Can I still be a Republican?Do I need to own my own congressman, or is a time share okay?Is New York Times columnist Thomas L. Friedman's mustache, in fact, the sign of the Beast?I thought we ran the media. What happened?Finally, Seder and Sherrill offer a helpful and hopeful vision for a future that remarkably doesn't look like a cross between the Matrix and Mayberry. F.U.B.A.R. is the wake-up call America has been waiting to receive -- and it will probably be wiretapped.

    n+1 appeared in the fall of 2004, the brainchild of a group of writers working out of a small apartment. Intended to revive the leftist social criticism and innovative literary analysis that was the hallmark of the Partisan Review and other midcentury magazines, n+1 was a rejoinder to the consumerism and complacency of the Bush years. It hasn't slowed down since. n+1 has given us the most clear-eyed reporting on the 2008 crash and the Occupy movement, the best criticism of publishing culture, and the first sociological report on the hipster. No media, new or old, has escaped its ire as n+1's outspoken contributors have taken on reality TV, Twitter, credentialism, drone strikes, and Internet porn.Happiness, released on the occasion of n+1's tenth anniversary, collects the best of the magazine as selected by its editors. These essays are fiercely contentious, disconcertingly astute, and screamingly funny. They explore our modern pursuits of happiness and take a searching moral inventory of the strange times we live in. Founding lights Chad Harbach, Keith Gessen, Benjamin Kunkel, Marco Roth, and Mark Greif are featured alongside Elif Batuman, Rebecca Curtis, Emily Witt, and other young talents launched by n+1. This n+1 anthology is the definitive work of the definitive twenty-first century intellectual magazine.

    Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as the source of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages. But how dangerous is pink and pretty, anyway? Being a princess is just make-believe; eventually they grow out of it . . . or do they?In search of answers, Peggy Orenstein visited Disneyland, trolled American Girl Place, and met parents of beauty-pageant preschoolers tricked out like Vegas showgirls. The stakes turn out to be higher than she ever imagined. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable—yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.

    It's an occasionally ribald, frequently witty and unerringly erudite guided tour of the secret labyrinth that lurks beneath the English language, taking in monks and monkeys, film buffs and buffaloes, and explaining precisely what the Rolling Stones have to do with gardening.