Detective Jake Brogan is investigating a possible serial killer that may be hunting down Boston's young women under the city's bridges. As the body count rises and election looms closer, it becomes clear to Jane and Jake that their cases are connected...and that they may be facing a ruthless killer who will stop at nothing to silence a scandal. Dirty politics, dirty tricks, and a barrage of final twists, The Other Woman is the first in an explosive new series from Hank Phillipi Ryan. Seduction, betrayal, and murder—it'll take a lot more than votes to win this election.

    In the remote backcountry of West Texas, however, she discovers murder and violence. Fellow park ranger Sheila Drury is mysteriously killed, presumably by a mountain lion. But the deep claw marks Anna finds across Drury’s throat and the paw prints surrounding the body are too perfect to be real.

    But the slain lawyer's notoriety—and his taste for illicit midday trysts—makes the case front-page news in every local paper except the Star, which crashed and burned before Abramowitz did.A former Star reporter who knows every inch of this town—from historic Fort McHenry to the crumbling projects of Cherry Hill—now-unemployed journalist Tess Monaghan also knows the primary suspect: cuckolded fiancé Darryl "Rock" Paxton. The time is ripe for a career move, so when rowing buddy Rock wants to hire her to do some unorthodox snooping to help clear his name, Tess agrees. But there are lethal secrets hiding in the Charm City shadows. And Tess's own name could end up on the ever-expanding list of Baltimore dead.

    Alban's new priest, fits like a square peg in the conservative Episcopal parish at Millers Kill, New York. She is not just a "lady," she's a tough ex-Army chopper pilot and nobody's fool. Then a newborn infant left at the church door brings her together with the town's Police Chief, Russ Van Alstyne, who's also ex-Army and a cynical good shepherd for the stray sheep of his hometown. Their search for the baby's mother quickly leads them into the secrets that shadow Millers Kill like the ever-present Adirondacks. What they discover is a world of trouble, an attraction to each other--and murder...

    Someone has shattered the sanctuary of a remote yeshiva community in the California hills with an unimaginable crime. One of the women was brutally raped as she returned from the mikvah, the bathhouse where the cleansing ritual is performed.The crime was called in by Rina Lazarus, and Decker is relieved to discover that she is a calm and intelligent witness. She is also the only one in the sheltered community willing to speak of this unspeakable violation. As Rina tries to steer Decker through the maze of religious laws, the two grow closer. But before they get to the bottom of the horrendous crime, revelations come to light that are so shocking that they threaten to come between the hard-nosed cop and the deeply religious woman with whom he has become irrevocably linked.

    Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.The Witch Elm asks what we become, and what we're capable of, when we no longer know who we are.

    This twenty-eight-year-old may have a checkered past littered with romantic mistakes, excessive drinking, and creative vandalism; she may be addicted to Get Smart reruns and prefer entering homes through windows rather than doors -- but the upshot is she's good at her job as a licensed private investigator with her family's firm, Spellman Investigations. Invading people's privacy comes naturally to Izzy. In fact, it comes naturally to all the Spellmans. If only they could leave their work at the office. To be a Spellman is to snoop on a Spellman; tail a Spellman; dig up dirt on, blackmail, and wiretap a Spellman. Part Nancy Drew, part Dirty Harry, Izzy walks an indistinguishable line between Spellman family member and Spellman employee. Duties include: completing assignments from the bosses, aka Mom and Dad (preferably without scrutiny); appeasing her chronically perfect lawyer brother (often under duress); setting an example for her fourteen-year-old sister, Rae (who's become addicted to "recreational surveillance"); and tracking down her uncle (who randomly disappears on benders dubbed "Lost Weekends"). But when Izzy's parents hire Rae to follow her (for the purpose of ascertaining the identity of Izzy's new boyfriend), Izzy snaps and decides that the only way she will ever be normal is if she gets out of the family business. But there's a hitch: she must take one last job before they'll let her go -- a fifteen-year-old, ice-cold missing person case. She accepts, only to experience a disappearance far closer to home, which becomes the most important case of her life.

    Literally. With Serial Killer Detective out in limited release, the real-life murders of a jogger and a young woman have already mimicked the first two scenarios in the game. But Grace McBride and her eccentric Monkeewrench partners are caught in a vise. If they tell the Minneapolis police of the link between their game and the murders, they'll shine a spotlight on the past they thought they had erased-and the horror they thought they'd left behind. If they don't, eighteen more people will die...

    A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. She's a twice-divorced loner with few personal possessions and fewer personal attachments but with a soft spot for underdogs and lost causes.A IS FOR ACCUSED. That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.A IS FOR ALIBI. If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer--and sharper--than she imagined.Librarian's note: there are 25 titles in this extraordinary series: "A" Is for Alibi (1982); "B" Is for Burglar (1985); "C" Is for Corpse (1986); "D" Is for Deadbeat (1987); "E" Is for Evidence (1988); "F" Is for Fugitive (1989); "G" Is for Gumshoe (1990); "H" Is for Homicide (1991); "I" Is for Innocent (1992); "J" Is for Judgment (1993); "K" Is for Killer (1994); "L" is for Lawless (1995); "M" Is for Malice (1996); "N" Is for Noose (1998); "O" Is for Outlaw (1999); "P" Is for Peril (2001); "Q" Is for Quarry (2002); "R" Is for Ricochet (2004); "S" Is for Silence (2005); "T" Is for Trespass (2007); "U" Is for Undertow (2009); "V" Is for Vengeance (2011); "W" Is for Wasted (2013); "X" (2015), and lastly, “Y” Is for Yesterday (2017). Work on "Z" had not begun at the time of the author's death in late 2017.

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money.Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the centre of it.

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    She is the spitting image of his college girlfriend, Marissa Minor, who died in a campus house fire twenty years earlier. But when Nick tries to speak to her, she acts skittish and rushes off.The next morning the police arrive at Nick’s house and show him a photo of the woman from the store. She’s been found dead, murdered in a local motel, with Nick’s name and address on a piece of paper in her pocket.Convinced there's a connection between the two women, Nick enlists the help of his college friend Laurel Davidson to investigate the events leading up to the night of Marissa’s death. But the young woman’s murder is only the beginning...and the truths Nick uncovers may make him wish he never doubted the lies.

    Now, at nineteen, Paul must bear witness against his friend to avoid prison. Louisa's own dark secrets led her to flee a desperate infatuation gone wrong many years before. Now she spends her days steeped in history, renovating the grounds of a crumbling Elizabethan garden. But her fragile peace is shattered when she meets Paul; he's the spitting image of the one person she never thought she'd see again.These two, scarred and solitary, begin a secret affair. Louisa starts to believe she can again find the happiness she had given up on. But neither of them can outrun his violent past.A story of secrets and guilt set among the ruins of a sixteenth- century English garden, The Dark Rose explores the extremes of obsessive love and loyalty, devotion and desperation. Like Kelly's critically acclaimed debut novel, The Poison Tree, this fantastically creepy, atmospheric novel thrills until the final shocking moments.

    An abandoned asylum. Will a mysterious former patient help untangle the dark truth?The body of an elderly woman has been found in the bowels of a derelict asylum on the banks of the Thames. As Detective Lew Kirby and his partner begin their investigation, another body is discovered in the river nearby. How are the two murders connected?Before long, the secrets of Blackwater Asylum begin to reveal themselves. There are rumours about underground bunkers and secret rooms, unspeakable psychological experimentation, and a dark force that haunts the ruins, trying to pull back in all those who attempt to escape. Urban explorer Connie Darke, whose sister died in a freak accident at the asylum, is determined to help Lew expose its grisly past. Meanwhile Lew discovers a devastating family secret that threatens to turn his life upside down.As his world crumbles around him, Lew must put the pieces of the puzzle together to keep the killer from striking again. Only an eccentric former patient really knows the truth—but will he reveal it to Lew before it’s too late?