He was about 36 then. And the poetic journal he kept of and at that time comes to us under the auspices of his Resistance code-name, Hypnos, the Greek divinity of Sleep. As for the present work, the "leaves" remind the translator of Rimbaud's from a Season in Hell, but this is no longer a private hell expatiated into a vision of the human condition, but a public hell drawn from, exceeded by, a sense of responsibility.

     The main hero is the jester Triboulet, a historical figure during the reign of Louis XII and François Ier. Through the mouth of Triboulet, Hugo denounces the society of the time.

    By means of words, signs, drawings. Mescaline, the subject explored." In Miserable Miracle, the great French poet and artist Henri Michaux, a confirmed teetotaler, tells of his life-transforming first encounters with a powerful hallucinogenic drug. At once lacerating and weirdly funny, challenging and Chaplinesque, his book is a breathtaking vision of interior space and a piece of stunning writing wrested from the grip of the unspeakable.Includes forty pages of black-and-white drawings.

    More than just a clever piece of black humour, in Joko's Anniversary Topo urges the reader to a very serious consideration of the potential degredation of any individual by society.

    Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.

    Introduction by Geof Hewitt. Alfred Starr Hamilton (1914-2005) was an American poet from Montclair, New Jersey. Though Hamilton wrote thousands of poems during his lifetime, only a small percentage of them ever found their way into print. His poems appeared in small poetry journals during the '60s, '70s and '80s; two chapbooks, The Big Parade and Sphinx; and one full-length collection, The Poems of Alfred Starr Hamilton, published by The Jargon Society in 1970. In this new volume, Ben Estes and Alan Felsenthal present a collection of Hamilton's poems from these publications, along with many of Hamilton's poems that were previously considered lost and poems from posthumously found notebooks."Hamilton is the author of spare, wry, slightly surreal poems that have, so far as I can see, no real equivalent in American English."—Ron Silliman"Alfred Starr Hamilton 'wrote to the governor of poetry / And simply signed [his] own name.' Consider this collection—assembled by two very dedicated allographers—an essential expansion on said letter. People who've encountered Hamilton's work previously will be glad for the chance to see familiar poems alongside many marvelous new ones. And how I envy first-time readers of this most generous and genuine American writer."—Graham Foust"It is a hidden world, a hushabye place that Alfred Starr Hamilton occupies, a secluded place where he is free to summon daffodils and stars, chimes and angels, thread and old-fashioned spoons. There is Hungarian damage, blue revolutionary stars, a sedge hammer (which is not a typo). He is obsessively drawn to fine metals—bronze, silver and gold. He would be golden, but can never grasp the elusive sad: 'One cloud, one day / Came as a shadow in my life / And then left, and came back again; and stayed' like "Anything Remembered" which is the title of that poem. He is too removed to see things any other way but his own. It is a silver peepshow in the wonderbush, and there is always a moon to scrape from the bottom of his view."—C. D. Wright"We are living in the Badlands. Dorothy's ruby-slippers would get you across the Deadly Desert. So will these poems."—Jonathan Williams

    His novel Where Tigers Are at Home won the Fnac, Giono, and Médicis Prizes. Island of Point Nemo is his ninth novel.Hannah Chute has an MA in translation from the University of Rochester. In 2015, she received the Banff Centre Scholarship to work on Island of Point Nemo, her first full-length translation.

    Drawing on themes that are similar to the ones in his novels, these poems are a journey into the depths of individual experience and universal passions.Divided into five parts, Unreconciled forms a narrative of love, hopelessness, catastrophe, dedication, and--ultimately--redemption. In a world of supermarkets and public transportation, indifferent landscapes and lonely nights, Houellebecq manages to find traces of divine grace even as he exposes our inexorable decline into chaos.Told through forms and rhythms that are both ancient and new, with language steeped in the everyday, Unreconciled stands in the tradition of Baudelaire while making a bold new claim on contemporary verse. It reveals that in addition to his work as an incisive novelist, Houellebecq is one of our most perceptive poets with a vision of our era that brims with tensions that cannot--and will not--be reconciled.

    The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With René Daumal he was the founder of the literary movement and magazine "Le Grand Jeu", the essence of which he defined as "the impersonal instant of eternity in emptiness". "The glimpse of eternity in the void", writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a metaphysics of absence". Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.

    However, this anecdote is told ninety-nine more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

    Daumal's symbolic mountain represents a way to truth that "cannot not exist," and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality.

    In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence.   A meditation on nostalgia, the pitfalls of privilege, and the vicissitudes of fate, this book fully demonstrates the powerful mix of sadness, mystery, wonder, and ominous danger that characterizes Modiano’s most rewarding fiction.  Special feature: J. M. G. Le Clézio’s foreword, here in English for the first time, provides a rare and insightful appreciation of one Nobel laureate by another.

    Maurois's talent is made of proportion, sanity and balance, and his style of a sure skill in the movement and order of ideas. What a picture he gives us of an age, not yet so remote but that our own grandparents or great-grandparents may have figured in it' The Times Literary Supplement

    Beginning in the relatively straightforward, if disturbing, narrative of a young woman in a tower (with a bat in her hair and ravens for company) engaged in a psychic war with the parasitic son in her belly, "The Trumpets of Jericho" dissolves into a beautiful nightmare of hypnotic obsession and mythical language, stitched together with anagrams and private ruminations. Arguably Zürn's most extreme experiment in prose, and never before translated into English, this novella dramatizes the frontiers of the body-its defensive walls as well as its cavities and thresholds-animating a harrowing and painfully, twistedly honest depiction of motherhood as a breakdown in the distinction between self and other, transposed into the language of darkest fairy tales.Unica Zürn (1916-70) was born in Grünewald, Germany. Toward the end of World War II, she discovered the realities of the Nazi concentration camps-a revelation which was to haunt and unsettle her for the rest of her life. After meeting Hans Bellmer in 1953, she followed him to Paris, where she became acquainted with the Surrealists and developed the body of drawings and writings for which she is best remembered: a series of anagram poems, hallucinatory accounts and literary enactments of the mental breakdowns from which she would suffer until her suicide in 1970.

    Its author, Marguerite Vallette-Eymery (1860-1953), who used the pseudonym Rachilde, was a prolific novelist (over sixty works of fiction), playwright, literary critic and reviewer, and a forceful presence in French literary society of her time. The protagonist of the novel, Eliante Donalger, is in some sense an exaggerated double for her creator--bizarre in appearance, clothing, and interests. Instinctively grasping a medical and psychological truth that the turn-of-the-century scientific world was only beginning to understand, Eliante maintains that there is nothing "natural" about human sexual expression. She claims to be in love with an inanimate (though anthropomorphic and sexually ambiguous) object, a Greek amphora, and the novel traces the rivalry between this faithful partner and an ardent human suitor, a young medical student. It is only through juggling, both literally and metaphorically, that Eliante is able to use her seductive power to maintain desire. The surprise ending challenges the limits of such power in a controversial and surprising twist. Although Rachilde's work has been neglected in the past, the women's movement and feminist criticism have stimulated renewed interest in her fiction. The Juggler is a major rediscovery.