And she never thought she’d be one of the first Native American women in Congress. During her campaign, she heard from a lot of doubters. They said she couldn’t win because of how she looked, who she loved, and where she came from. But here’s the thing: Everyone’s path looks different and everyone’s path has obstacles. And this is the remarkable story of Sharice Davids’ path to Congress.Beautifully illustrated by Joshua Mangeshig Pawis-Steckley, an Ojibwe Woodland artist, this powerful autobiographical picture book teaches readers to use their big voice and that everyone deserves to be seen—and heard!The back matter includes information about the Ho-Chunk written by former Ho-Chunk President Jon Greendeer, an artist note, and an inspiring letter to children from Sharice Davids.

    His skin is darker, his hair curlier. He tells his mother he wishes he could be more like everyone else. And she helps him to see how beautiful he really, truly is.For years before they both achieved acclaim in their respective professions, good friends Taye Diggs and Shane W. Evans wanted to collaborate on Chocolate Me!, a book based on experiences of feeling different and trying to fit in as kids. Now, both men are fathers and see more than ever the need for a picture book that encourages all people, especially kids, to love themselves.

    Before she walks out the door each day, she wraps one around her head. A young girl plays dress up with her mother’s headscarves, feeling her mother’s love with every one she tries on. Charming and vibrant illustrations showcase the beauty of the diverse and welcoming community in this portrait of a young Muslim American girl’s life.

    Little girls will be inspired."* This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 4 to 6. It’s a fun way to learn to read and as a supplement for activity books for children.Effa always loved baseball. As a young woman, she would go to Yankee Stadium just to see Babe Ruth’s mighty swing. But she never dreamed she would someday own a baseball team. Or be the first—and only—woman ever inducted into the Baseball Hall of Fame.From her childhood in Philadelphia to her groundbreaking role as business manager and owner of the Newark Eagles, Effa Manley always fought for what was right. And she always swung for the fences.From author Audrey Vernick and illustrator Don Tate comes the remarkable story of an all-star of a woman.*Brightly.com

    From bebop to New Orleans, from ragtime to boogie, and every style in between, Jazz takes readers on a musical journey from jazz's beginnings to the present day. Created by a celebrated father-son team, Jazz is a Coretta Scott King Honor Book and a Kirkus Best Children's Books Editor's Choice.In addition to its colorful and lyrical celebration, the book includes a brief introductory essay about the history and form of jazz, as well as a timeline and glossary of jazz terms.Coretta Scott King Award Honor for illustrationALA Notable Children's BookLee Bennett Hopkins Poetry AwardPublishers Weekly's 100 Best Books of the YearKirkus Reviews Editor's ChoiceBooklist Editor's ChoiceBooklist Top Ten in Black HistoryBook Link's Best New Books for the ClassroomGolden Kite Award: Picture Book Text

    And Bryan Collier's beautiful illustrations add even more layers to the cityscapes, letting readers get immersed in the hustle and bustle, culminating in a thrilling twist when the girl looks through her kaleidoscope and sees the skyline in a completely new way. A celebration of finding magic in scenes both new and familiar, City Shapes has the potential to become a classic.

    With enthusiastic endorsements from bestselling luminaries as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner: from the ongoing rivalry between the author and illustrator, to the mysteriously misnumbered pages that can only be deciphered by a certain code-cracking poem, to the rhyming fact-checker in the footnotes who points out when "poetic license" gets out of hand. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven!

    Olemaun is eight and knows a lot of things. But she does not know how to read. Ignoring her father’s warnings, she travels far from her Arctic home to the outsiders’ school to learn. The nuns at the school call her Margaret. They cut off her long hair and force her to do menial chores, but she remains undaunted. Her tenacity draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But the young girl is more determined than ever to learn how to read. Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, When I Was Eight makes the bestselling Fatty Legs accessible to younger readers. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can read.

    This book inspires girls with the stories of great women, from Elizabeth I to Serena Williams.

    A collection of illustrations, concrete poetry, and photographs that shows how young children's constructions, created as they play, are reflected in notable works of architecture from around the world.

    Eugene Clark Library in Lockhart, Texas, she is surprised that the children of the town think the library is for adults. She vows to raise the money for a children's section and spends a week living and working on the library roof, even surviving a dangerous storm. With the help of the entire town, RoseAleta raises over $39,000 from within the community and across the country.Today if you look through the front window of the Eugene Clark Library, you will see shelves stacked full with children's books and tables and chairs just the right size. You will see artwork on the walls, and a row of busy computers. Best of all, you will always find crowds of children who love to read and learn inside the walls of the oldest library in Texas.

    That’s what everyone wonders when they see Niagara . . . How close will their courage let them get to it? At the turn of the nineteenth century, a retired sixty-two-year-old charm school instructor named Annie Edson Taylor, seeking fame and fortune, decided to do something that no one in the world had ever done before—she would go over Niagara Falls in a wooden barrel. Come meet the Queen of the Falls and witness with your own eyes her daring ride!

    The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Blackbird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day. Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia resonates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.

    Now, her mama always told her that if she wanted something, “to jump at de sun”, because even though you might not land quite that high, at least you’d get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to Howard University, to Harlem. And everywhere she jumped, she shined sunlight on the tales most people hadn’t been bothered to listen to until Zora. The tales no one had written down until Zora. Tales on a whole culture of literature overlooked…until Zora. Until Zora jumped.

    But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.