Tracing each woman's emotions around the early onset of Alzheimer's disease that has stricken one of them, Marjorie Dorner delivers an honest portrayal, laced with humor.

    Not because she didn’t want to, but because she didn’t think girls from Connecticut married other girls. Yet here she is with Caroline, the love of her life, at their destination wedding on the Bermuda coast. In attendance—their respective families and a few choice friends. The conflict-phobic Tiny hopes for a beautiful weekend with her bride-to-be. But as the weekend unfolds, it starts to feel like there’s a skeleton in every closet of the resort.From Tiny’s family members, who find the world is changing at an uncomfortable speed, to Caroline’s parents, who are engaged in conspiratorial whispers, to their friends, who packed secrets of their own—nobody seems entirely forthcoming. Not to mention the conspicuous no-show and a tempting visit from the past. What the celebration really needs now is a monsoon to help stir up all the long-held secrets, simmering discontent, and hidden agendas.All Tiny wanted was to get married, but if she can make it through this squall of a wedding, she might just leave with more than a wife.

    The story in Someday, though told through fictional characters and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.When the family is finally reunited, however, the dreams of neither women are fulfilled.The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Somedayis an entertaining, humourous, and spirited play that packs an intense emotional wallop.Reviews: "One of the 50 Essential Canadian Plays"-- Toronto Star

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    The parents that she always obeyed and trusted, had sold her into marriage to him in exchange for power and money. When she tries to back out of the marriage, Lucifer threatens to kill and destroy everyone that she loves.​ Reeling from the betrayals in her life and her impending marriage made in hell, Saniyah spends a passion filled forbidden night, with Devil a dancer that she met at her bachelorette party. What she thinks is one night of passion, turns into a permanent bond to her future husband’s son. When Lucifer finds out, he declares war against the newly mated pair.​ Devil and Saniyah are now on the run and trying to find allies in the fight against Lucifer. Devil goes to his former best friend Pola for help. The problem is, Pola wants Saniyah in his bed. An offer is made to Saniyah, that will test her morals and push her sexual limits. Will Saniyah give herself to Pola for help? Or will the price of temptation, be too much to pay?

    It follows an interesting life of a princess, Rotshidzwa, who doesn’t believe in love but is given an ultimatum to get married to a prince in order to access her father’s estate. The princess was wild and needed a tame, hence her father left a condition on his will – a condition which she did not want fulfil. Forced by her kind of lifestyle, she agreed to fake a marriage in the hope of receiving her portion of the estate and getting divorced afterwards. The prince agreed to enter into a fake marriage, provided that he gets a share of the money. Things did not go to plan as she was expected to prove the legitimacy of her marriage. In the process of proving the legitimacy of the marriage, she ends up falling in love with the prince and complicating his relationship with his partner named Adelaide. Their relationship ended up into a complicate love triangle.

    Shan Hai Gaaru". This 2011 U.S. edition features an excerpt of the author’s WNYC Leonard Lopate Essay Contest-winning new novel "Memoirs of a Eurasian". In the post-Cultural Revolution Shanghai of 1984, university senior Sha-fei Hong longs to study in the U.S. for graduate school, ostensibly to pursue the American Dream, but partly to escape her sexually-harassing Communist cadre stepfather. She meets the visiting Chinese-American businessman Gordon Lou, who has political ambitions and ties to the Chinatown underworld in the U.S. He takes Sha-fei to the American Consulate in Shanghai to look into studying in America. There, Sha-fei meets the intern Edward Cook, a young, Caucasian American lawyer who has a strong preference for all things Asian. Within a year, these three people of entirely different cultural and socio-economic backgrounds cross paths in New York. Value systems and self-interests clash. The curtain falls on a dramatic stage of ambition, sex, intrigue, and murder.

    . . Other Girls.

    

     She's the ultimate career girl. Devoted to work, with no time for anything more than casual steamy encounters. But all that changes when the missing persons story leads her to the enigmatic Callie. Callie is a family friend of the missing girl and an invaluable lead. The attraction between the two women is immediate, all consuming. Does Callie hold the answers to the mysterious disappearance? And beyond that, is she the one woman who can hold Astrid's attention beyond a sensational story?

    Book by McLure, James

    

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    Viciously raped, then thrown out of the family home, the girl goes on the run, fleeing her cruel rapist.