Now comes his final work of fiction, a subtle, concentrated culmination of his art and ideas. For more than fifty years Gaddis collected notes for a book about the mechanization of the arts, told by way of a social history of the player piano in America. In the years before his death in 1998, he distilled the whole mass into a fiction, a dramatic monologue by an elderly man with a terminal illness. Continuing Gaddis's career-long reflection on those aspects of corporate technological culture that are uniquely destructive of the arts, Agape Agape is a stunning achievement from one of the indisputable masters of postwar American fiction.

    While Blanche finds this turn of events baffling, she feels that Bertie must have left her because of her overly sensible demeanor. Yet many of their mutual friends disagree. In fact, Blanche has come to be regarded as undeniably eccentric--making elliptical remarks that no one knows how to read, and chatting at great length about characters in fiction. She resolutely fills her unwanted hours with activities, maintaining her excellent appearance, drinking increasingly more wine, and, in an attempt to turn her energy to good works, becoming severely enmeshed in the life of a disordered young family.

    On his way to see his son, Sam, for the first time in years, Henri steps into the road without looking and collides with oncoming traffic. He is rushed to a nearby hospital where he floats, comatose, between dreams, reliving the fairytales of his childhood and the secrets that made him run away in the first place.After the accident, Sam--a thirteen-year old synesthete with an IQ of 144 and an appetite for science fiction--waits by his father's bedside every day. There he meets Eddie Tomlin, a woman forced to confront her love for Henri after all these years, and twelve-year old Madelyn Zeidler, a coma patient like Henri and the sole survivor of a traffic accident that killed her family. As these four very different individuals fight--for hope, for patience, for life--they are bound together inextricably, facing the ravages of loss and first love side by side.A revelatory, urgently human story that examines what we consider serious and painful alongside light and whimsy, The Book of Dreams is a tender meditation on memory, liminality, and empathy, asking with grace and gravitas what we will truly find meaningful in our lives once we are gone.

    M. Forster once described The Longest Journey as the book "I am most glad to have written." An introspective novel of manners at once comic and tragic, it tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

    He's not the only one to suffer this fate--in fact, he's surrounded by an outrageous cast of characters, including Humphrey Bogart, William Shakespeare, and almost all of the popes and most of the U.S. presidents. The question may be not who is in Hell but who isn't. McCord is living with Anne Boleyn in the afterlife but their happiness is, of course, constantly derailed by her obsession with Henry VIII (and the removal of her head at rather inopportune moments). One day McCord meets Dante's Beatrice, who believes there is a way out of Hell, and the next morning, during an exclusive on-camera interview with Satan, McCord realizes that Satan's omniscience, which he has always credited for the perfection of Hell's torments, may be a mirage--and Butler is off on a madcap romp about good, evil, free will, and the possibility of escape. Butler's depiction of Hell is original, intelligent, and fiercely comic, a book Dante might have celebrated.

    F Collier & Son published a five volume collection of Poe's work in hardback in 1903. This is volume 1, with a frontspiece in color from a painting by Arthur E. Becher.contains:Edgar Allan Poe, An Appreciation, by W.H.R.Life of Poe, by James Russell LowellDeath of Poe, by N. P. WillisThe Unparalled Adventures of One Hans PfallThe Gold BugFour Beasts in OneThe Murders in the Rue Morgue (Audio version)The Mystery of Marie RogêtThe Balloon HoaxMS. Found in a BottleThe Oval Portrait

    In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

    Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. We follow the mismatch'd pair—one rollicking, the other depressive; one Gothic, the other pre-Romantic—from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.

    With incomparable glee, Miller shifts effortlessly from Virgil to venereal disease, from Rabelais to Roquefort. In this seductive technicolor swirl of Paris and New York, he captures like no one else the blending of people and the cities they inhabit.

    After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanising sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies of this book, and try not to kill every rude sonofabitch that gets in their way. Lullaby is a comedy/drama/tragedy. In that order. It may also be Chuck Palahniuk's best book yet.

    Her mother's farm borders on "Safari", a tacky tourist spot, and from the kitchen window Sophie sees a group of immense Asian elephants playing in the snow. When the elephant keeper beckons for her to join them, Sophie goes to them. And so begins her Elephant Winter.

    With Great Apes, Self takes readers into a sort of "Planet of the Apes" with a twist. Simon Dykes is a London painter whose life suddenly becomes Kafkaesque. After an evening of routine debauchery, traipsing from toilet to toilet and partaking in a host of narcotics, the middle-aged painter wakes to discover that his girlfriend, Sarah, has turned into a chimpanzee. Simon is also a chimp, but he does not accept this fact—he is convinced that he is still human.He is then confined to an emergency psychiatric ward and placed under the care of alpha-psychiatrist Dr. Zack Busner. Simon finds chimp behavior a bit unnatural; he can't bring himself to use gestures rather than speech to communicate. He also finds it difficult to mate publicly or accept social grooming. Dr. Zack Busner—also a medical doctor, radical psychoanalyst, maverick axiolytic drug researcher, and former television personality—is prepared to help Simon get used to "chimpunity". It is during Simon's gradual simianization that Self's true satirical genius shines, as he examines anthropology, the trendy art world, animal rights, and much more.

    His sister's deformity, a grocer's moonlight indiscretion, the passionate illusions of the women who love him - all are used as fodder for his art. It is only when Hurtle meets an egocentric adolescent whom he sees as his spiritual child does he experience a deeper, more treacherous emotion in this tour de force of sexual and psychological menace that sheds brutally honest light on the creative experience.

    Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack. Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan - Mo - an enigmatic Muslim-American who, it seems, feels no need to represent anyone's beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city - and a country - fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.