Through his dramatic storytelling, Allan Stratton captures the enduring strength of loyalty, the profound impact of loss, and a fearlessness that is powered by the heart. Above all, this is a story about living with truth.

    Though Japanese, eleven-year-old Yoko has lived with her family in northern Korea near the border with China all her life. But when the Second World War comes to an end, Japanese on the Korean peninsula are suddenly in terrible danger; the Korean people want control of their homeland and they want to punish the Japanese, who have occupied their nation for many years. Yoko, her mother and sister are forced to flee from their beautiful house with its peaceful bamboo grove. Their journey is terrifying -- and remarkable. It's a true story of courage and survival.

    A new reading-group guide written by the author is included in the back of this paperback edition.

    Sly, funny, intelligent, and artfully structured, The Fortunes recasts American history through the lives of Chinese Americans and reimagines the multigenerational novel through the fractures of immigrant family experience.Inhabiting four lives—a railroad baron’s valet who unwittingly ignites an explosion in Chinese labor, Hollywood's first Chinese movie star, a hate-crime victim whose death mobilizes Asian Americans, and a biracial writer visiting China for an adoption—this novel captures and capsizes over a century of our history, showing that even as family bonds are denied and broken, a community can survive—as much through love as blood.Building fact into fiction, spinning fiction around fact, Davies uses each of these stories—three inspired by real historical characters—to examine the process of becoming not only Chinese American, but American.

    But once she arrives at the bustling Port Authority, she is confronted with the terrifying truth: she is alone and out of options. Then she meets Devon, a good-looking, well-dressed guy who emerges from the crowd armed with a kind smile, a place for her to stay, and eyes that seem to understand exactly how she feels. But Devon is not what he seems to be, and soon Michelle finds herself engulfed in the world of child prostitution where he becomes her “Daddy” and she his “Little Peach.” It is a world of impossible choices, where the line between love and abuse, captor and savior, is blurred beyond recognition. This hauntingly vivid story illustrates the human spirit’s indomitable search for home, and one girl’s struggle to survive.

    Inspired by the #SayHerName campaign launched by the African American Policy Forum, these poems pay tribute to victims of police brutality as well as the activists insisting that Black Lives Matter. Elliott engages poets from the past two centuries to create a chorus of voices celebrating the creativity, resilience, and courage of Black women and girls. This collection features 49 powerful poems, four of which are tribute poems inspired by the works of Lucille Clifton, Audre Lorde, Nikki Giovanni, and Phillis Wheatley. This collection aims to move every listener to reflect, respond—and act.

    When her fiancé and family don’t believe her, she flees her home in India to Canada, where she plans to raise the child as a single mother. For Kiran, living undocumented means constant anxiety over finances, work, safety, and whether she’ll be deported back to the dangers that await her in Punjab.Eighteen years later, Kiran’s daughter, Sahaara, is desperate to help her mother, who has been arrested and is facing deportation. In the aftermath, Kiran reveals the truth about Sahaara’s conception. Horrified, Sahaara encourages Kiran to speak out against the man who raped her—who’s now a popular political figure in Punjab. Sahaara must find the best way to support her mother while also dealing with the revelation about her parents.

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

    Ruth has a secret that she can’t hide forever. Dora wonders if she can ever truly escape where she comes from, even when good luck strikes. Alyce is trying to reconcile her desire to dance, with the life she’s always known on her family’s fishing boat. Hank and his brothers decide it’s safer to run away than to stay home—until one of them ends up in terrible danger. Four very different lives are about to become entangled.

    That's how Katie Takeshima's sister, Lynn, makes everything seem. The sky is kira-kira because its color is deep but see-through at the same time. The sea is kira-kira for the same reason and so are people's eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it's Lynn who explains to her why people stop on the street to stare, and it's Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow, but when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering -- kira-kira -- in the future.

     Sixteen-year-old Zarin Wadia is many things: a bright and vivacious student, an orphan, a risk taker. She’s also the kind of girl that parents warn their kids to stay away from: a troublemaker whose many romances are the subject of endless gossip at school.  You don't want to get involved with a girl like that, they say. So how is it that eighteen-year-old Porus Dumasia has only ever had eyes for her? And how did Zarin and Porus end up dead in a car together, crashed on the side of a highway in Jeddah, Saudi Arabia? When the religious police arrive on the scene, everything everyone thought they knew about Zarin is questioned. And as her story is pieced together, told through multiple perspectives, it becomes clear that she was far more than just a girl like that.

    But M.T. hides two facts to the contrary: her full name of Monserrat Thalia and her status as an undocumented immigrant. But it’s harder to hide now that M.T.’s a senior. Her school’s National Honor Society wants her to plan their trip abroad, her best friend won’t stop bugging her to get her driver’s license, and all everyone talks about is where they want to go to college. M.T. is pretty sure she can’t go to college, and with high school ending and her family life unraveling, she’s staring down a future that just seems empty. In the end, M.T. will need to trust herself and others to stake a claim in the life that she wants.Author Maria E. Andreu draws from her personal experience as a (formerly) undocumented immigrant to explore an issue that affects over one million children in the U.S. But while the subject matter is timely, it is M.T.’s sharp, darkly funny voice and longing for a future that makes this story universally poignant.

    In China in 1911, all the women of good families follow this ancient tradition. But Ailin loves to run away from her governess and play games with her male cousins. Knowing she will never run again once her feet are bound, Ailin rebels and refuses to follow this torturous tradition. As a result, however, the family of her intended husband breaks their marriage agreement. And as she enters adolescence, Ailin finds that her family is no longer willing to support her. Chinese society leaves few options for a single woman of good family, but with a bold conviction and an indomitable spirit, Ailin is determined to forge her own destiny. Her story is a tribute to all those women whose courage created new options for the generations who came after them.

    Told from the perspective of Annie Marck (“Cleves”), a 17-year-old aspiring journalist from Cleveland who meets Henry at summer camp, The Dead Queens Club is a fun, snarky read that provides great historical detail in an accessible way for teens while giving the infamous tale of Henry VIII its own unique spin.What do a future ambassador, an overly ambitious Francophile, a hospital-volunteering Girl Scout, the new girl from Cleveland, the junior cheer captain, and the vice president of the debate club have in common? It sounds like the ridiculously long lead-up to an astoundingly absurd punchline, right? Except it’s not. Well, unless my life is the joke, which is kind of starting to look like a possibility given how beyond soap opera it’s been since I moved to Lancaster. But anyway, here’s your answer: we’ve all had the questionable privilege of going out with Lancaster High School’s de facto king. Otherwise known as my best friend. Otherwise known as the reason I’ve already helped steal a car, a jet ski, and one hundred spray-painted water bottles when it’s not even Christmas break yet. Otherwise known as Henry. Jersey number 8.Meet Cleves. Girlfriend number four and the narrator of The Dead Queens Club, a young adult retelling of Henry VIII and his six wives. Cleves is the only girlfriend to come out of her relationship with Henry unscathed—but most breakups are messy, right? And sometimes tragic accidents happen…twice…

    He recruits an unlikely group of worshippers: his snail-farming best friend, Shin, cute-as-a-button (whatever that means) Magda Price, and the violent and unpredictable Henry Stagg. As their religion grows, it takes on a life of its own. While Jason struggles to keep the faith pure, Shin obsesses over writing their bible, and the explosive Henry schemes to make the new faith even more exciting -- and dangerous. When the Chutengodians hold their first ceremony high atop the dome of the water tower, things quickly go from merely dangerous to terrifying and deadly. Jason soon realizes that inventing a religion is a lot easier than controlling it, but control it he must, before his creation destroys both his friends and himself.