What does she know about camping? Nada. Zilch. Heck, she doesn’t even like picnics. And the thought of sleeping amid bugs and wild animals knots her stomach.No way can she risk looking like an idiot in front of her colleagues. Taking proactive measures, she acquires the services of a guide to give her a crash-course in camping. Seven days living off the land. How hard could it be? Nona swallows those words when she meets the sexy titan tasked with leading her into the wild. Getting mauled by a bear quickly becomes the least of her worries.Mason Tinsdale’s first love has always been oil rigging. But a horrible accident has him doubting the job—more importantly, himself. Seven days in the Indigo Falls wilderness is just what he needs to sort out his thoughts. Then he meets Nona Rogers. He’s convinced the gorgeous woman is going to be far more trouble than she’s worth. And he’s right. However, there’s something about the feisty vixen that makes her irresistible.Two guarded hearts. Seven days alone. An attraction that can’t be denied.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Board of Education decision when one Virginia school system refused to integrate.In the wake of the Supreme Court’s unanimous Brown v. Board of Education decision, Virginia’s Prince Edward County refused to obey the law. Rather than desegregate, the county closed its public schools, locking and chaining the doors. The community’s white leaders quickly established a private academy, commandeering supplies from the shuttered public schools to use in their all-white classrooms. Meanwhile, black parents had few options: keep their kids at home, move across county lines, or send them to live with relatives in other states. For five years, the schools remained closed.Kristen Green, a longtime newspaper reporter, grew up in Farmville and attended Prince Edward Academy, which did not admit black students until 1986. In her journey to uncover what happened in her hometown before she was born, Green tells the stories of families divided by the school closures and of 1,700 black children denied an education. As she peels back the layers of this haunting period in our nation’s past, her own family’s role—no less complex and painful—comes to light.At once gripping, enlightening, and deeply moving, Something Must Be Done About Prince Edward County is a dramatic chronicle that explores our troubled racial past and its reverberations today, and a timeless story about compassion, forgiveness, and the meaning of home.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    In Only Once, a woman reminisces about her charming daredevil of a lover and his ultimate—and final—act of foolishness. Collins’s work seamlessly integrates the African-American experience in her characters’ lives, creating rich, devastatingly familiar, full-bodied men, women, and children who transcend the symbolic, penetrating both the reader’s head and heart.Both contemporary and timeless, Whatever Happened to Interracial Love? is a major addition to the literary canon, and is sure to earn Kathleen Collins the widespread recognition she is long overdue.

    Extraordinary family lore has been passed down to Abigail Howland, but not all of it. When shocking facts come to light about her late grandfather William’s relationship with Margaret Carmichael, a black housekeeper, the community is outraged, and quickly gathers to vent its fury on Abigail. Alone in the house the Howlands built, she is at once shaken by those who have betrayed her, and determined to punish the town that has persecuted her and her kin. Morally intricate, graceful and suspenseful, The Keepers of the House has become a modern classic.

    In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master. As the book builds to its finish with Special Topics in Loneliness Studies, a fully-realized novella, two unhinged professors grapple with hugely different ambitions, and the reader comes to appreciate the intricacy of the world Scott has created—one where fantasy and reality are eternally at war.

    Pilar thought that life in Florida would be great, since it is nicknamed, The Sunshine State, but little did she know, dark clouds would surround her, after getting involved with Brandon ‘Blizzy’ Lewis, who had his own set of problems; women and gambling. Barak ‘Duke’ Ramses, a native of Egypt, and next in line to be crowned King. At the age of 16, his father, dropped him and his younger brothers off in the United States, as an effort to make them men, and find their own way. Duke made a way for himself, and his brothers, after opening up a chain of pool halls. After Blizzy, one of his faithful customers, and best friends, started stealing money from the company and the customers, putting the Florida location in jeopardy of being shut down. Duke sends one of his brothers to take care of Blizzy, not knowing that Pilar was only inches away and witnesses the murder. After being caught and begging for her life, Duke spares her, but not before putting a strict detail on Pilar, making sure she doesn’t go to the police. Pilar gets fed up with being followed, and ends up moving into Duke’s house, against the wishes of one of his brothers, who also thought that he was not fit to be King. After getting to know Pilar personally, Duke starts to develop feelings for her, but he can’t act on them, due to the secrets that he has. Will Duke risk it all and act on his feelings for Pilar or will he walk away and leave behind an affair that could lead to something special?

    Pearla is a born hustler, and Cash was born to steal. Pearla sets her sights on Cash and motivates him to take his petty crimes to the next level.Together, the two get money throughout the tri-state, while friends and family want to be upgraded without putting in work. At first, the couple makes it rain in the hood, taking care of those they love, but a hustler always knows when to draw the line.Suddenly, Pearla proclaims the ATM closed, and a quiet storm begins to brew. When the beggars can't beg anymore and the borrowers can't borrow anymore, friends become enemies. Words and bullets are exchanged, leaving The House that Hustle Built under attack and at risk of collapse.

    At the tender age of eleven she is given to Bank Roll, who has his hand in every type of hustle, to settle a drug debt for her parents. Bank Roll is much older and once he sees how unique Lexi is, he breeds her to be his special girl, falling in love with her in the process. She loves him as well, but has him ripped away from her life too soon.While many use the ‘molested at a young age’ story as an excuse, Lexi takes the cards she is dealt and learns all she can because she’s a grown woman in a girl’s body. Not one to settle or let life take over her, she uses the gems she has learned over the years and dabbles in everything she can, just like her mentor. A few chance meetings put her in position to use what she has to get what she needs, and while still in her teen years not only is she on top of the world, but she is also running it. Lexi knows that street smarts can get you so far, but can her Savage instincts take her where she wants to be?

    The helplessness left him, in its place was a hardened resolve that he would still have the final say. A third option. The middle-finger to the middlemen who had driven him to this. A few moments later, Major General Iqbal Qureshi fired the shot that shook the nations conscience.The death of a decorated war veteran, one of India's foremost military officials, triggers a chain of events that threatens to spiral out of control. The democratically-elected government is overthrown and a new one is formed in its place.A fierce and pure regime that promises it's people the kind of governance they have been deprived of. Just. Fair. Unyielding. Operation Kalyug has begun. Caught in the middle is Bala Murali Selvam, a writer who is still tormented by the memories of his persecution at the hands of the erstwhile-establishment. As the new government battles factions fighting for control, international intervention, personal agendas and incompatible motives, Selvam is swept along, a bewildered-pawn in a high-stakes game. Forced to question everything he has believed so far, even his innate sense of justice, Selvam struggles to choose sides. Will his instincts fail him when he needs them the most?

    has discovered what he and others believe may be the first novel written by an African-American woman -- a discovery made even more monumental by the fact that it was found in its original manuscript form, completely unedited. Extensive scientific testing has been completed to authenticate the manuscript and ascertain its origins, and experts agree that it was written between 1853 and 1859, by an African-American woman who had previously been enslaved. Gates has painstakingly sought to identify the author, Hannah Crafts, through historical research, and although he has been unsuccessful in determining her true identity, he has found that many of the places, dates, and characters in the novel can be linked reliably to real events and people.A riveting story about a young slave woman on a Southern plantation, The Bondwoman's Narrative follows the title character as she escapes and makes her way to freedom. As a novel, it possesses all the charms and devices of popular mid-19th-century fiction, and the influences of gothic and romantic writers popular in the day are apparent throughout the text. But Crafts accomplishes more than mere mimicry in her book, adding her own voice to established traditions to create a unique style.Throughout the 19th century, many slave narratives -- most notably The Narrative of the Life of Frederick Douglass -- detailed the daily horrors of slavery. In choosing to write a novel rather than an autobiographical narrative, however, Crafts expresses the complete psychological and emotional breadth of the experience, transcending personal, private tortures to illuminate the inhumanity of "the peculiar institution." Her characters reflect upon and feel the experience of enslavement -- and because they are wholly rounded and fully developed, they also express the intellect and insight present in the best writings of Dickens, Poe, or Thoreau.Discovered dallying in her master's portrait gallery by a white housekeeper, who comments that she is "[l]ooking at the pictures...as if such an ignorant thing as you would know any thing about them," the title character poignantly counters to herself, "Ignorance, forsooth. Can ignorance quench the immortal mind or prevent its feeling at times the indications of its heavenly origins? Can it destroy that deep abiding appreciation of the beautiful that seems inherent to the human soul? Can it seal up the fountains of truth and all intuitive perception of life, death, and eternity? I think not. Those to whom man teaches little, nature like a wise and prudent mother teaches much."Regardless of its historical importance -- and the unavoidable questions and controversies about its authenticity -- the literary merits of The Bondwoman's Narrative are clear. A deeply engaging novel told with the clarity of a woman who has endured slavery's sorrows and the creativity of one who, at her core, was a gifted artist, it is a powerful story that leaves the reader simultaneously bereft and exhilarated, one that bears witness to the transcendent power of art. (Ann Kashickey)

    As late as the 1940s and 1950s, he argues, poor Southern rednecks were regarded by Northern employers and law enforcement officials as lazy, lawless, and sexually immoral. This pattern was repeated by blacks with whom they shared a subculture in the South. Over the last half century poor whites and most blacks have moved up in class and affluence, but the ghetto remains filled with black rednecks. Their attempt to escape, Sowell shows, is hampered by their white liberal friends who turn dysfunctional black redneck culture into a sacrosanct symbol of racial identity. In addition to Black Rednecks and White Liberals, the book takes on subjects ranging from Are Jews Generic? to The Real History of Slavery.