Ceram visualized archeology as a wonderful combination of high adventure, romance, history and scholarship, and this book, a chronicle of man's search for his past, reads like a dramatic narrative. We travel with Heinrich Schliemann as, defying the ridicule of the learned world, he actually unearths the remains of the ancient city of Troy. We share the excitement of Lord Carnarvon and Howard Carter as they first glimpse the riches of Tutankhamen's tomb, of George Smith when he found the ancient clay tablets that contained the records of the Biblical Flood. We rediscover the ruined splendors of the Hanging Gardens of Babylon, one of the wonders of the ancient wold; of Chichen Itza, the abandoned pyramids of the Maya: and the legendary Labyrinth of tile Minotaur in Crete. Here is much of the history of civilization and the stories of the men who rediscovered it.From the Paperback edition.

    And while this may be good history, it can make for confusing theology, with the classic theological loci scattered throughout various time periods, movements, and controversies. In Historical Theology, Gregg Allison offers students the opportunity to study the historical development of theology according to a topical-chronological arrangement, setting out the history of Christian doctrine one theological element at a time. Such an approach allows readers to concentrate on one tenet of Christianity and its formulation in the early church, through the Middle Ages, Reformation, and post-Reformation era, and into the modern period. The text includes a generous mix of primary source material as well, citing the words of Cyprian, Augustine, Aquinas, Luther, Calvin, Barth, and others. Allison references the most accessible editions of these notable theologians work so that readers can continue their study of historical theology through Christian history s most important contributors. Historical Theology is a superb resource for those familiar with Wayne Grudem s Systematic Theology or interested in understanding the development of Christian theology."

    Desperate to restore the peace and recover the unity of Faith, Catholic theologians clarified and reaffirmed Catholic doctrines, but turned as well to another form of evangelization: the Arts.Convinced that to win over the unlettered, the best place to fight heresy was not in the streets but in stone and on canvas, they enlisted the century's best artists to create a glorious wave of beautiful works of sacred art Catholic works of sacred art to draw people together instead of driving them apart.How Catholic Art Saved the Faith tells the story of the creation and successes of this vibrant, visual-arts SWAT team whose war cry could have been art for Faith's sake! Over the years, it included Michelangelo, of course, and, among other great artists, the edgy Caravaggio, the graceful Guido Reni, the technically perfect Annibale Carracci, the colorful Barocci, the theatrical Bernini, and the passionate Artemisia Gentileschi. Each of these creative souls, despite their own interior struggles, was a key player in this magnificent, generations-long project: the affirmation through beauty of the teachings of the Holy Catholic Church.Here you will meet the fascinating artists who formed this cadre's core. You will revel in scores of their full-color paintings. And you will profit from the lucid explanations of their lovely creations: works that over the centuries have touched the hearts and deepened the faith of millions of pilgrims who have made their way to the Eternal City to gaze upon them.Join those pilgrims now in an encounter with the magnificent artworks of the Catholic Restoration artworks which from their conception were intended to delight, teach, and inspire. As they have done for the faith of so many, so will they do for you.

    They are alive with images and symbols--all of which are packed with meaning. But today few people, from regular visitors to tourists, truly understand the wealth of meaning in what they find there. How to Read a Church is must reading for anybody who wants to know more about what they see in a church or cathedral. It explores the principal features of churches and what each represents. It also explains: "the significance of church layout "the importance of such details as the use of colors or letters "the identity and significance of people and scenes "the symbolism of animals, plants, colors, numbers, and letters "the meaning of it all In addition to exploring these brick-and-mortar motifs, the author also reveals fascinating and unexpected details such as how to 'read' the priest and the congregation, and he shows the varied ways that church architecture and appointments reflect the Christian year. From major themes to small but vital details, How to Read a Church will serve as a fascinating guide to the history, meanings, and messages of these beautiful buildings and the treasures they contain.

    Canon Revisited distinguishes itself by placing a substantial focus on the theology of canon as the context within which the historical evidence is evaluated and assessed. In effect, this work successfully unites both the theology and the historical development of the canon, ultimately serving as a practical defense for the authority of the New Testament books.

    This Paul Dry Books rediscovered classic includes many photos courtesy of Leon Sciaky's son Peter, who has also written a short biographical sketch of his father's life in America."Farewell to Salonica is a fresh and charming book that throws a kindly light on a sector of human life unknown to most Americans."—New York Times"A gallery of beautiful and quaint sketches, revealing fascinating aspects of civilization in a strange city where East met West and the ancient past met the future…It creates an atmosphere of expectation and wonder and enjoyment. Most of all, an atmosphere of living."—Christian Science Monitor"An altogether charming book, so simply and truthfully written…The Salonica one reads about is not only a fascinating and complex city in which many national and cultural strains run side by side, but it is a critical city of Aegean politics…The breakdown of the Turkish Empire and its consequences for Balkan affairs are better understood when one has read this book. But it is not the political value of the book that should be emphasized so much as its quiet charm, its unpretentious and easy portrayal of a cultural pattern through an account of an engaging family…A warm and softly luminous book."—The Nation"This is a story of one man's intensely happy boyhood, set against the politically seething years at the turn of the century in the ever-coveted prize city of the Balkans, Salonica…written in a charming and effortless manner."—Philadelphia Inquirer"For the gift of a happy youth, Mr. Sciaky has repaid his city handsomely…it recalls Rebecca West's Black Lamb and Grey Falcon…It is an intensely personal story, yet so completely was [the young Sciaky] of his time and place that it is also the story of Salonica in the final phase of its existence; for the city that Sciaky knew, largely dominated by its 70,000 Spanish Jews, has gone…The author has made Salonica a living town, peopled by men and women of flesh and blood, people with all the human faults and weaknesses, but also with the lovable qualities that may be found in humanity everywhere by the man with skill to pick them out"—New York Herald Tribune"A charming portrait of an era."—Honolulu Advertiser"This picture of a Jewish childhood among rich merchants in Salonica has a glow, the radiant sunshine of a protected childhood."—Chicago SunLeon Sciaky was born in 1894, when the Turkish flag still waved over Salonica. His family left their beloved but turbulent homeland in 1915, settling in New York City. Sciaky lived in America—mainly upstate New York—with his wife, Frances, and son until his death in 1958. He taught at a number of progressive schools and camps and, in his last years, owned and operated a school and camp with Frances.

    But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this period, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

    But this is much more than a discussion of the order in which the gospels were written. Using both internal data from the gospels themselves and an exhaustive and careful examination of the statements of the early church fathers, Dr. Black places each gospel in the context of the early development of Christianity. Though Markan priority is the dominant position still in Biblical scholarship, Dr. Black argues that this position is not based on the best evidence available, that the internal evidence is often given more weight than it deserves and alternative explanations are dismissed or ignored. If you would like an outline of the basis for accepting both early authorship of the gospels and the priority of Matthew, this book is for you.

    This is a fresh translation of the Divine Liturgy of St John Chrysostem and is published as a parallel Greek and Emglsih text. The Greek text is that published in Athens by the Apostoliki Diakonia in 1950 with reference to some other texts. The English translation is a new one undertaken by a committee of the Greek Orthodox Archdiocese of Thyateira and Great Britain. The translation has for the first time adopted contemporary usage rather than the archaic forms used in earlier editions. This book is principally designed for use by members of the congregation but will also be employed by the priests and deacons celebrating the Liturgy.

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    Berkhof traces the great movements of thought within the church from the apostolic fathers to the last century, on such doctrines as the Trinity the Person of Christ, Sin and Grace, the Atonement, the Church, the Sacraments, and the Last Things.

    Until now, however, there has been no sourcebook of primary texts that reveals the many varieties of Christian beliefs, practices, ethics, experiences, confrontations, and self-understandings. To help readers recognize and experience the rich diversity of the early Christian movement, After the New Testament provides a wide range of texts from the second and third centuries, both orthodox and heterodox, including such works as the Apostolic Fathers, the writings of Nag Hammadi, early pseudepigrapha, martyrologies, anti-Jewish tractates, heresiologies, canon lists, church orders, liturgical texts, and theological treatises. Rather than providing only fragments of texts, this collection prints large excerpts--entire documents wherever possible--organized under social and historical rubrics. This unique reader's concise and informative introductions and clear and up-to-date English translations make it ideal for courses on the New Testament, Christian Origins, Early Church History, or Late Antiquity. It will also be of interest to anyone--student, scholar, and general reader alike--interested in the entire range of early Christian literature from the period after the New Testament up to the writings of the so-called father of church history, Eusebius.

    Every building contains clues embedded in its design that identify not only its architectural style but also who designed it, what kind of congregation it was built for, and why. This practical yet charming handbook is the key to decoding the style, history, evolution, and social significance of religious buildings. Not strictly limited to churches, it also covers abbeys, chapels, and monasteries, among other structures. Organized according to architectural element (windows, domes, arches, etc.), each element is presented in chronological order. Additional chapters explore the architectural influence of geography, history, and various creeds, along with an illustrated timeline showing how, where, and in many cases why certain church features evolved through the centuries. There is also a useful introduction to naming each component of a church, from vaults to buttresses and transepts to apses. All entries are illustrated with period engravings and line drawings. This book will be invaluable for architecture buffs and anyone who has ever wondered why classic New England churches are white with little ornament, why Quaker meetinghouses have no altars, or why Episcopalians traditionally favored the Gothic style.

    Half-man, half-god, musician, magician, theologian, poet and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men.In this extraordinary work Ann Wroe goes in search of Orpheus, from the forests where he walked and the mountains where he worshipped to the artefacts, texts and philosophies built up round him. She traces the man, and the power he represents, through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and journey to Hades, and his terrible death. We see him tantalising Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalising the Fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death.

    This classic work successfully portrays the streets, the marketplaces, the religious conflicts, the people, and the places of Jesus' earthly ministry.Edersheim divides his work into five sections, or books: Book 1 "The Preparation for the Gospel"Introductory historical, religious, political, and cultural material based on the author's extensive knowledge of Jewish lore and customs. Book 2 "From Bethlehem to Jordan"The background of Herod and his reign, St. John the Baptist and his message, and the birth and baptism of Jesus. Book 3 "From Jordan to the Mount of Transfiguration"Thirty-seven chapters explore the miracles and teachings of Jesus' early ministry. Book 4 "The Descent into the Valley of Humiliation"A history of the latter part of Jesus' ministry from the Transfiguration to the journey to Jerusalem. Book 5 "The Cross and the Crown"A chronicle of each day of Passion Week, from Palm Sunday to the Resurrection. AppendicesValuable background material on Jewish history, tradition, and law"