When she is eventually spotted on an unpopulated island off Cuba, she is an adolescent and seems hardly human to her rescuers. Mila is taken to a child study center in Boston. Eager to please, she makes rapid progress in language and social skills. With her recorder, Mila finds she can even make music like the dolphin songs she yearningly remembers. But the more Mila discovers about what it means to be human--the locked doors, the rules, the betrayals--the more she longs for her watery home and gentle dolphin family. In an emotionally wracking conclusion, she returns to the world where her ears never want for song. Where, although she cannot stand on her tail or jump the waves, she is part of the music of dolphins.

    Now the war front approaches, and when Peter’s father enlists, Peter has to move in with his grandpa. Far worse than being forced to leave home is the fact that Pax can’t go. Peter listens to his stern father—as he usually does—and throws Pax’s favorite toy soldier into the woods. When the fox runs to retrieve it, Peter and his dad get back in the car and leave him there—alone. But before Peter makes it through even one night under his grandfather’s roof, regret and duty spur him to action; he packs for a trek to get his best friend back and sneaks into the night. This is the story of Peter, Pax, and their independent struggles to return to one another against all odds. Told from the alternating viewpoints of Peter and Pax.

    Gee traveled from Ireland to Russia, Japan to Australia, taking pictures of people at work, at war, in sports, and at play. Now Jason receives Gee's photographs and camera--though he has no idea what to do with them. And Gee leaves Maggie with the puzzle of the seven shells--one that might take her whole life to solve. As Maggie and Jason use these gifts, they will discover all the people their grandfather was...and all the people they might yet become. Ten bestselling, award-winning authors unite for a novel of brilliant writing, global adventure, and constant surprise.

    Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.But Ārama is braver than he looks, and he has a friend and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sorrow. As long as there’s aroha to give and stories to tell and a good supply of plasters.Here is a novel that is both raw and sublime, a compelling new voice in New Zealand fiction. Haere mai, Becky Manawatu.

    He's got a dog named Beau and a best friend, Jessie. He likes to take photos and write haiku poems in his notebook. He dreams of climbing a mountain one day.But in one important way, Mark is not like other kids at all. Mark is sick. The kind of sick that means hospitals. And treatments. The kind of sick some people never get better from.So Mark runs away. He leaves home with his camera, his notebook, his dog, and a plan to reach the top of Mount Rainier--even if it's the last thing he ever does.The Honest Truth is a rare and extraordinary novel about big questions, small moments, and the incredible journey of the human spirit.

    I'm eighteen. I've been stealing things for as long as I can remember.Dani has been trained as a thief by the best--her mother. Together, they move from town to town, targeting wealthy homes and making a living by stealing antique silver. They never stay in one place long enough to make real connections, real friends--a real life.In the beach town of Heaven, though, everything changes. For the first time, Dani starts to feel at home. She's making friends and has even met a guy. But these people can never know the real Dani--because of who she is. When it turns out that her new friend lives in the house they've targeted for their next job and the cute guy is a cop, Dani must question where her loyalties lie: with the life she's always known--or the one she's always wanted.

    Whenever Ruby “Red” Byrd is scared or angry, the wind picks up. And being placed in foster care, moving from family to family, tends to keep her skies stormy. Red knows she has to learn to control it, but can’t figure out how.This time, the wind blows Red into the home of the Grooves, a quirky couple who run a petting zoo, complete with a dancing donkey and a giant tortoise. With their own curious gifts, Celine and Jackson Groove seem to fit like a puzzle piece into Red’s heart.But just when Red starts to settle into her new life, a fresh storm rolls in, one she knows all too well: her mother. For so long, Red has longed to have her mom back in her life, and she’s quickly swept up in the vortex of her mother’s chaos. Now Red must discover the possible in the impossible if she wants to overcome her own tornadoes and find the family she needs.

    No one knows, and Mia wants to keep it that way. But when trouble at school finally forces Mia to reveal her secret, she must learn to accept herself and embrace her ability, called synesthesia, a mingling of the senses.

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    It's been there for an age. I keep on saying that I'll write a journal. So I'll start right here, right now. I open the book and write the very first words: My name is Mina and I love the night. Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or a beast does, just like life does. Why should a book tell a tale in a dull straight line?And so Mina writes and writes in her journal, and through her stories and poems there grows an opus of her life - her lessons, her loves, her beliefs, her mum, her dad, her thoughts and her dreams.In this stunningly designed book, David Almond revisits Mina before she has met Michael, before she has met Skellig, in what is a thought-provoking and extraordinary prequel to his best-selling debut novel, Skellig. From the winner of the Whitbread Children's Book Award the Carnegie Medal and the 2010 Hans Christian Andersen Award comes the extraordinary prequel to the award-winning Skellig.

    In prose that is both raw and compelling, it tells the story of Beth Heke, a Maori woman struggling to keep her family from falling apart, despite the squalor and violence of the housing projects in which they live. Conveying both the rich textures of Maori tradition and the wounds left by its absence, Once Were Warriors is a masterpiece of unblinking realism, irresistible energy, and great sorrow.

    And the further they travel, the more Shelby questions everything about her past—and her current reality. Forced to take advantage of the kindness of unsuspecting travelers, Shelby grapples with what’s real, what isn’t, and who she can trust . . . if anybody.Award-winning author Nick Lake proves his skills as a master storyteller in this heart-pounding new novel. This emotionally charged thrill ride leads to a shocking ending that will have readers flipping back to the beginning.

    She is everything he isn't - rich, reserved and snobby - and symbolises everything he dislikes about the town. But appearances can be deceiving, and both Slade and Mallory have more in common than they first realise until he discovers the terrible secret that haunts her life. A truthful and engaging insight into friendship, self harm and identity from one of New Zealand's most popular writers for young people.Right Where it Hurtswas the Winner of the 2003 Library Association of New Zealand Aotearoa Esther Glen Award and Shortlisted in the 2003 New Zealand Post Children's Book Awards.

    That is, without questioning it much - if you don't count her visits to the Ironton County Mobile Library on Wheels to read forbidden books, or her secret meetings with Joshua, the boy she hopes to choose for herself instead of having a man chosen for her. But when the Prophet decrees that Kyra must marry her sixty-year-old uncle - who already has six wives - she must make a desperate choice in the face of violence and her own fears of losing her family forever.

    . .] leaving surrealist art installations all over the house— a tiny cow in a teapot in a hat on the doorstep, of course! A stuffed crocodile in a silk camisole perched beside a woollen chick in a beanie on the bread-bin, why not!'Just as they are despairing about being able to conceive another child, Jason comes into their family. He arrives under fraught circumstances, but might just make a perfect sibling for Billy. Jason is a ‘ lovely, poor, sad, unfortunate, ordinary, annoying, delightful nuisance of a ratbag of a hoot of a kid ' and the boys grow close over the ensuing years. But after a terrible accident, Billy turns into a bird. He utterly believes it: and as his behaviour becomes increasingly worrying, Liam and Iris must find a way to stop their family flying apart.When extracts of Billy Bird won the NZSA/Philip and Dianne Beatson Fellowship, the judges said the project was ‘inventive, joyful and beautifully written'. Ripe with playfulness, yet also unforgettably poignant, this novel will unstitch — and then mend — your heart several times over.