It is both an exciting war story and a gallery of intellectual portraits: a ruthless Bolshevik revolutionary, a disillusioned master of propaganda, a powerful Chinese pacifist, and a young anarchist. Each of these "conquerors" will be crushed by the revolution they try to control. In a new Foreword, Herbert R. Lottman discusses the political background of the book, and the extent to which Malraux invented the history he wrote about. "[The Conquerors] is a valuable introduction to Malraux himself, who would, like his fictional counterpart, become an analgam of talents as novelist, essayist, Leftist and Gaullist, Resistance hero and art critic. He was among the most 'universal' of French men of letters."—Choice "The novel can be enjoyed as a remarkable work of modernism. With images derived from the silent cinema and prose from the telegraph, it moves at a tremendous pace. Canton all comes to violent life, seen as though from a speeding car."—Kirkus "No other writer of the 20th century had the same capacity to translate his personal adventure into a meeting with history and a dialogue of civilization."—Carlos Fuentes, New York Times Book Review

    Narrated in turn by each family member—husband and wife, sons and daughter, young grandson—the drama builds to a crescendo at the traditional family gathering on Passover eve.

    Laying bare the heart of a witty, belligerent and vigorous writer, this manifesto of Mailer's key beliefs contains pieces on his war experiences in the Philippines (the basis for his famous first novel The Naked and the Dead), tributes to fellow novelists William Styron, Saul Bellow, Truman Capote and Gore Vidal and magnificent polemics against pornography, advertising, drugs and politics. Also included is his notorious exposition of the phenomenon of the 'White Negro', the Beat Generation's existentialist hero whose life, like Mailer's, is 'an unchartered journey into the rebellious imperatives of the self'.

    Incorporating poems published over the past fifteen years, The Alphabet in the Park is a book of passion and intelligence, wit and instinct. These are poems about human concerns, especially those of women, about living in one's body and out of it, about the physical but also the spiritual and the imaginative life. Prado also writes about ordinary matters; she insists that the human experience is both mystical and carnal. To Prado these are not contradictory: "It's the soul that's erotic," she writes.As Ellen Watson says in her introduction, "Adelia Prados poetry is a poetry of abundance. These poems overflow with the humble, grand, various stuff of daily life - necklaces, bicycles, fish; saints and prostitutes and presidents; innumerable chickens and musical instruments...And, seemingly at every turn, there is food." But also, an abundance of dark things, cancer, death, greed. These are poems of appetite, all kinds.

    A delightful collection worthy of a place atop any bookshelf, this compendium is a veritable must-have for fans of Chesterton's work, and is one not to be missed by the discerning collector. The poems contained herein include: 'To Edmund Clerihew Bentley', 'To Hilaire Belloc', 'To M.E.W., Lepanto', 'The March of the Black Mountain', 'Blessed are the Peacemakers', 'The Wife of Flanders', 'The Crusader Returns from Captivity', 'Glencoe', 'Love's Trappist', and many more. Gilbert Keith Chesterton (1874 1936) was an English writer, philosopher, theologian, poet, orator, dramatist, journalist, literary and art critic, biographer, and Christian apologist, often referred to as the "prince of paradox." We are republishing this vintage work in a modern, affordable edition complete with a specially commissioned new biography of the author."

    To make Oedipus more accessible for the modern reader, our Prestwick House Literary Touchstone Classics includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. We hope that the reader may, through this edition, more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the drama.

    The assassination of "Z," a leftist delegate to Greece's Parliament, sparks an exploration into the lives of the hired killers, bourgeois witnesses and political figures behind the killing.

    The Theogony contains a systematic genealogy of the gods from the beginning of the world and an account of their violent struggles before the present order was established. The Works and Days, a compendium of moral and practical advice for a life of honest husbandry, throws a unique and fascinating light on archaic Greek society, ethics, and superstition. Hesiod's poetry is the oldest source for the myths of Prometheus, Pandora, and the Golden Age.Unlike Homer, Hesiod tells us about himself and his family (he lived in central Greece in the late eighth century BC). This new translation by a leading expert combines accuracy with readability.

    Croatian by birth, Jergovic ? spent his childhood in Sarajevo and chose to remain there throughout most of the war. A dazzling storyteller, he brings a profoundly human, razor-sharp understanding of the fate of the city’s young Muslims, Croats, and Serbs with a subterranean humor and profoundly personal vision. Their offbeat lives and daily dramas in the foreground, the killing zone in the background.

    John Herington, one of the world's foremost Aeschylean scholars, will come as a revelation. Scully and Herington accentuate the play's true power, drama, and relevance to modern times. Aeschylus originally wrote Prometheus Bound as part of a tragic trilogy, and this translation is unique in including the extant fragments of the companion plays.

    It is probably semi-autobiographical : Brown was illegitimate and rejected by his father and the village of Barbie is loosely based on Ochiltree in Ayrshire. The brutish John Gourlay is a merchant in the village of Barbie, envied and resented by the villagers because of his success, which is symbolized in his prestigious house with green shutters. He dominates and bullies his family, in particular his sensitive, gifted but weak son. Ultimately, his refusal to acknowledge the arrival of the railway and to adapt to the increasing industrialization of Ayrhire precipitates murder, suicide, and his family's tragic downfall.

    Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer's career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as "Friday's Footprint" and "Something Out There" to her shorter, more experimental stories, Gordimer's work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires.This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer's vision.

    Eliot, contains essays from five earlier volumes: Pavannes and Divisions (1918), Instigations(1920), How to Read(1931), Make it New(1934), and Polite Essays(1937). The thirty-three essays contained in this collection are separated into three categories: The Art of Poetry, The Tradition, and Contemporaries. These essays showcase the range of Pound's interests, with topics ranging from modernist poetry to Japanese iconography, troubadour songs, and much more. Pound's influence on the modernist movement and literature as a whole makes this collection an important piece of literary history. With an introduction by T.S. Eliot.

    In Death in the Woods, we travel deep into the heart of America as Anderson saw it, to find an introspective man, in a desolate landscape, questioning the very meaning of his world."Death in the Woods is a signal junction in Anderson's career and is to my mind one of the finest stories in our language."—Jim Harrison

    But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.