African Studies. In the Introduction, Robin D. G. Kelly comments, A HISTORY OF PAN-AFRICAN REVOLT is one of those rare books that continues to strike a chord of urgency, even half a century after it was first published. Time and again, its lessons have proven to be valuable and relevant for understanding liberation movements in Africa and the diaspora. Each generation who has had the opportunity to read this small book finds new insights, new lessons, new vision for their own age....-- This new edition of James' classic, originally published in England in 1938, brings a work that previously enjoyed underground popularity to a much wider audience.

    This is the story of the men, women, and children who toiled in the hot sun picking cotton for their masters; it's about the America ripped in two by Jim Crow laws; it's about the brothers and sisters of all colors who rallied against those who would dare bar a child from an education. It's a story of discrimination and broken promises, determination, and triumphs.Told through the unique point of view and intimate voice of a one-hundred-year-old African-American female narrator, this inspiring book demonstrates that in gaining their freedom and equal rights, African Americans helped our country achieve its promise of liberty and justice—the true heart and soul of our nation.Supports the Common Core State Standards

    The confrontations in Grand River and Joy are complex, challenging, bitterly funny, and---painful though it is to acknowledge it---spot-on accurate."---Rosellen Brown, author of Before and After and Half a Heart"Grand River and Joy is a rare novel of insight and inspiration. It's impossible not to like a book this well-written and meaningful---not to mention as historically significant, humorous, and meditative."---Laura Kasischke, author of The Life Before Her Eyes and Be MineHalloween morning 1966, Harry Levine arrives at his wholesale shoe warehouse to find an ethnic slur soaped on the front window. As he scavenges around the sprawling warehouse basement, looking for the supplies he needs to clean the window, he makes more unsettling discoveries: a stash of Black Power literature; marijuana; a new phone line running off his own; and a makeshift living room, arranged by Alvin, the teenaged tenant who lives with his father, Curtis, above the warehouse. Accustomed to sloughing off fears about Detroit's troubled inner-city neighborhood, Harry dismisses the soaped window as a Halloween prank and gradually dismantles “Alvin's lounge” in a silent conversation with the teenaged tenant. Still, these events and discoveries draw him more deeply into the frustrations and fissures permeating his city in the months leading up to the Detroit riots.Grand River and Joy, named after a landmark intersection in Detroit, follows Harry through the intersections of his life and the history of his city. It's a work of fiction set in a world that is anything but fictional, a novel about the intersections between races, classes and religions exploding in the long, hot summers of Detroit in the 1960s. Grand River and Joy is a powerful and moving exploration of one of the most difficult chapters of Michigan history.Susan Messer's fiction and nonfiction have appeared in numerous publications, including Glimmer Train Stories, North American Review, and Colorado Review. She received an Illinois Arts Council Fellowship in prose, an Illinois Arts Council literary award for creative nonfiction, and a prize in the Jewish Cultural Writing Competition of the Dora Teitelboim Center for Yiddish Culture.Cover photograph copyright © Bill Rauhauser and Rauhauser Photographic Trust

    Fierce political debates set communities on edge, spurred secret plots against the Union, and triggered widespread violence. At the heart of all this turmoil stood the anti-war Democrats, nicknamed Copperheads.Now, Jennifer L. Weber offers the first full-length portrait of this powerful faction to appear in almost half a century. Weber reveals how the Copperheads came perilously close to defeating Lincoln and ending the war in the South's favor. Indeed, by the summer of 1864, they had grown so strong that Lincoln himself thought his defeat was exceedingly likely. Passionate defenders of civil liberties and states' rights--and often virulent racists--the Copperheads deplored Lincoln's suspension of habeas corpus, his liberal interpretation of the Constitution, and, most vehemently, his moves toward emancipation. Weber reveals how the battle over these issues grew so heated that Northerners feared their neighbors would destroy their livestock, burn their homes, even kill them. And she illuminates the role of Union soldiers, who, furious at Copperhead attacks on the war effort, moved firmly behind Lincoln. The soldiers' support for the embattled president kept him alive politically in his darkest times, and their victories on the battlefield secured his re-election.Packed with sharp observation and fresh interpretations, Copperheads is a gripping account of the fierce dissent that Lincoln called the fire in the rear.

    They run barefoot through unlit woods, sleep beneath bushes, take shelter in a kind stranger's home. Where are they heading? They are heading for Freedom by way of the Underground Railroad."A stellar introduction to the Underground Railroad, narrated by a group of slaves. Readers experience the fugitives' escape, their long nighttime journey punctuated by meetings with friends and enemies, and their final glorious arrival in a place of freedom....Though subdued in palette until the eruption of color as the figures reach the threshold of freedom, the author's collaged nocturnal paintings shimmer with an arresting luminescence." For preschool to grade 3 readers. --Jayne Damron, School Library Journal (starred review)

    Horton became the first African American to be published in the South, protesting slavery in the form of verse.

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    In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

    But it was at Gettysburg that the most searing experience of his wartime career took place. He charged with Pickett's Division behind General Lewis Armistead across that now-fabled field towards the center of the Union line. With great pride and seemingly no lasting bitterness, John Lewis recalls that fateful day and all his other days in a butternut uniform. But it's not all blood and glory. Lewis had a wry sense of humor and used it to twit both the Blue and the Gray in this wonderful small memoir of a Johnnie from Virginia. Every memoir of the American Civil War provides us with another view of the catastrophe that changed the country forever. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers, tablets, and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.

     That becomes hard to do when Lieutenant Reese Armstrong sieges it for use as a hospital for his wounded soldiers and encampment grounds during the forty-seven day standoff for control of the Mississippi River before the surrender of Vicksburg. Widow Alexis Bella Seaborne led a sheltered life in the arms of massive oaks at Azalea Plantation with her husband Luke Wyatt until the Civil War forced her to forget about the elegant dress of a lady and embrace survival when a Yankee officer took control of her home. Reese never thought he’d fall for a Southern belle, but he can’t deny the attraction he feels each time Alexis’s haunted blue eyes show passion for the home she loves and her beloved South. He can’t help but envy the love and regard she held for her husband and longs for love like it. Alexis never thought she could love again when her husband died in the war. How could she fall for a Yankee when Union soldiers killed him? Left with nothing but a war-ravaged rundown plantation after the invasion of an ocean of blue, can she find trust and faith to move on? As movement flutters in her stomach, can she let go of the past to find a future for her and her unborn child? Her first love was sweet, young, and innocent, and she loved him with all of her heart, yet this handsome Yankee devil invaded her home and made her blood sizzle. His touch seared her skin as well as her heart. Worse yet, his kisses entrapped her lips and devoured her, consuming her with a passion that told her she was still alive and had not been buried with her husband. Despite her efforts to die on the inside, he awoke the spirit, heart, and passion she thought she’d buried for good. Book one of a two book serial, but may be read as a stand-alone. The second book will pick up with Reese still battling the raging Civil War and focus on the ending of the war. This one focused on the Battle of Vicksburg.

     Imprisoned for a crime he never committed, deserted by the woman he loved and betrayed by his own family. His bad luck seems to be running out when he is released early from prison and finds a job on the railroads. But it doesn’t last long. First he gets into a fight with a man who turns up dead. Then, while still on the run, his train is held up by his own brother’s gang. Then he somehow manages to offend the railroad boss’ daughter, the beautiful Elizabeth. With the fates out to get him, Glen has to use all his wits and strength to take control of his own destiny. Will that be enough to see him through, or will his past catch up with him before he gets a chance? Quick on the Draw is a hard fighting story of the Old West, where lives were cheap and danger was great. Praise for Gordon Landsborough 'A punchy tale coupled with plenty of action - an engaging read!' - Philip McCormac, bestselling western author Gordon Landsborough (1913-1984) was a publisher, author and bookseller. Writing tales about the exploits of gun-toting cowboys fighting out on the arid sands of the Wild West, Landsborough was himself a pioneering in the English paperback publishing world of the 1950s. He was widely known amongst his peers as the ‘maverick publishing genius’. Pioneering Press is an imprint of Endeavour Press, the UK’s leading independent digital publisher. We publish new and classic westerns by authors from the US and the UK. Follow us on Twitter: @PioneeringPress Goodreads: www.goodreads.com/PioneeringPress

    There were Canes in Canada before the United States erupted into civil war. Their roots are deep, their legacy is rich, but Langston Cane V knows little of his heritage. He is thirty-eight, divorced, and childless and has just been fired for sabotaging a government official's speech. The eldest son of a white mother and prominent black father, Langston feels more acutely than ever the burden of his illustrious family name and his racially mixed heritage. To be black in a white society is hard enough; to be half-black, half-white is to have no identity at all. Or so Langston believes. After a run-in with his father, Langston takes off for his feisty aunt's house in Baltimore, where he embarks on a remarkable quest for his family's past.It's said that those who forget history are condemned to repeat it, but to Langston, history offers not condemnation but reprieve. For when he stumbles across a treasure trove of family documents, he sets off on a journey through time that will lead him back to the famous antislavery raid on Harpers Ferry, Virginia, and the great-great-grandfather who fought beside John Brown. He rediscovers the long line of relatives who have battled for racial justice, decade after decade. He finds passion, dignity, and courage--and, at last, by unearthing and giving voice to those who came before him, he finds himself.Rich in historical detail and gracefully flowing from the slave trade of nineteenth-century Virginia to the present, Any Known Blood gives life to a story never before told, a story of five generations of a black Canadian family whose tragedies and victories merge with the American experience.

    . .Elle Burns is a former slave with a passion for justice and an eidetic memory. Trading in her life of freedom in Massachusetts, she returns to the indignity of slavery in the South—to spy for the Union Army.Malcolm McCall is a detective for Pinkerton's Secret Service. Subterfuge is his calling, but he’s facing his deadliest mission yet—risking his life to infiltrate a Rebel enclave in Virginia.Two undercover agents who share a common cause—and an undeniable attraction—Malcolm and Elle join forces when they discover a plot that could turn the tide of the war in the Confederacy's favor. Caught in a tightening web of wartime intrigue, and fighting a fiery and forbidden love, Malcolm and Elle must make their boldest move to preserve the Union at any cost—even if it means losing each other . . .

    As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid-19th century through the early 20th century.Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions, from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how “innocence” gradually became the exclusive province of white children—until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself.Writing in Children’s Literature, Philip Nel notes that Racial Innocence is “one of those rare books that shifts the paradigm—a book that, in years to come, will be recognized as a landmark in children’s literature and childhood studies.” In the journal Cultural Studies, reviewer Aaron C. Thomas says that Bernstein’s “theory of the scriptive thing asks us to see children as active participants in culture, and, in fact, as expert agents of the culture of childhood into which they have been interpellated. In this way, Bernstein is able not only to describe the effects of 19th-century radicalization on 21st century US culture, but also to illuminate the radicalized residues of our own childhoods in our everyday adult lives.” Racial Innocence was awarded the 2012 Outstanding Book Award from the Association for Theatre in Higher Education, and the award committee noted that the book “is a historiographic tour de force that traces a genealogy of the invention of the innocent (white) child and its racialized roots in 19th and 20th century U.S. popular culture.”

    That same year, Cecelia, a young slave in Virginia, runs away for the first time.Soon infamous for her escape attempts, Cecelia drifts through the reality of slavery – until she encounters frontiersman Sam Fisk, who rescues her from a slave auction in New Orleans.In spite of her mistrust, Cecelia senses an opportunity for freedom, and travels with Sam to Texas, where he has a homestead. In this new territory, where the law is an instrument for the cruel and the wealthy, they begin an unlikely life together, unaware that their fates are intertwined with those of Sam’s former army mates – some of whom harbor dangerous dreams of their own.A novel about the remarkable people living on the edge of freedom and slavery, All God’s Children brings to life the paradoxes of the American frontier – a place of liberty and bondage, wild equality, and cruel injustice.This novel will take its place among the great stories that recount the country’s fight for freedom – one that makes us want to keep on with the struggle.