Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts.   Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.

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    More than 300 slaves worked the plantation's fields at the height of its prosperity; but nearly 125 years later, the only remembrance of their lives at Somerset, now a state historic site, was a lonely wooden sign marked "Site of Slave Quarters."Somerset Homecoming, first published in 1989, is the story of one woman's unflagging efforts to recover the history of her ancestors, slaves who had lived and worked at Somerset Place. Traveling down winding southern roads, through county courthouses and state archives, and onto the front porches of people willing to share tales handed down through generations, Dorothy Spruill Redford spent ten years tracing the lives of Somerset's slaves and their descendants. Her endeavors culminated in the joyous, nationally publicized homecoming she organized that brought together more than 2,000 descendants of the plantation's slaves and owners and marked the beginning of a campaign to turn Somerset Place into a remarkable resource for learning about the history of both African Americans and whites in the region.

    Based on recent interviews with 40 grantmakers, the Guide illuminates the latest trends in grantmaking and proposal reviews. It includes the most current techniques for researching funders and an all-new chapter on crafting the project evaluation component of a grant proposal.

    Some are Harvard bound; others are illiterate. They are the Class of 2000, and through the lives of three of them Class Dismissed brings us inside the nation's most diverse high school-where we glimpse the future of the nation.Autumn was ten when her father abandoned her family; since then she's been helping her mother raise her two little brothers and keep food on the table-while keeping her grades up so she can go to college. Her faith in God gives Autumn strength, but who will give her the money she needs when she's offered the opportunity of a lifetime? From the outside, Jordan's life looks perfect. He hangs out with the "rich white kids"; rows on the crew team, has a cool mom, applied early to an East Coast college. But Jordan's drug-addicted father died last year, leaving Jordan reeling with grief and anger that makes his life feel anything but perfect-and his future suddenly seem uncertain.A third-generation Berkeley High student, Keith is bright and popular, a talented football player who hopes to play college ball and one day, go pro. But Keith has a reading problem that threatens his NFL dream. And the Berkeley police have a problem with Keith that threatens his very freedom.Looking into the lives of these young people, in this American town, at this time in history, we see more than what's true---and what's possible--for Berkeley High. We see what's true and what's possible for America.

    Linguistics. Originally appearing in 1977 and now in its 11th printing, THE NEW SENTENCE by Ron Silliman is a classic collection of essays by one of the sharpest minds in American contemporary poetic thought. It is a collection with rich insight into Silliman's own monumental poetical work and the writing of his peers, a book which both illuminates the concerns of the era in which it was written and radiates outward with a tremendous scope that continues to bear fruit for the contemporary reader. Ron Silliman is a terrific prose critic...positively bristles with intellectual and political energy of a very high order -Bruce Boone.

    The memoir brings to life Harry's past experiences and feelings, from his torrid time at school to the peaceful and meaningful moments when he is alone with a book, writing or creating YouTube videos.Eloquent and insightful, The PDA Paradox will bring readers to shock, laughter and tears through its overwhelming honesty. It is a turbulent memoir, but it ends with hope and a positive outlook to the future.

    On the eve of its centennial celebrations in 1969, the Boston MFA announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon, an Italian art sleuth began investigating the painting's export from Italy, challenging the museum's ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. The museums charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his career. The Boston Raphael was a media sensation in its time, but the full story of the forces that converged on the museum and how they intersected with the challenges of the Sixties is now revealed in full detail by the director's daughter.

    Topics of interest include understanding a child s giftedness, working with the school system, dealing with perfectionism, and being role models for kids.

    In Lincoln's Sanctuary, historian Matthew Pinsker offers a fascinating portrait of Lincoln's stay in this cottage and tells the story of the president's remarkable growth as a national leader and a private man. Lincoln lived at the Soldiers' Home for a quarter of his presidency, and for nearly half of the critical year of 1862, but most Americans (including many scholars) have not heard of the place. Indeed, this is the first volume to specifically connect this early summer White House to key wartime developments, including the Emancipation Proclamation, the firing of McClellan, the evolution of Lincoln's Father Abraham image, the election of 1864, and the assassination conspiracy. Through a series of striking vignettes, the reader discovers a more accessible Lincoln, demonstrating what one visitor to the Soldiers' Home described as his remarkable elasticity of spirits. At his secluded cottage, the president complained to his closest aides, recited poetry to his friends, reconnected with his wife and family, conducted secret meetings with his political enemies, and narrowly avoided assassination attempts. Perhaps most important, he forged key friendships that helped renew his flagging spirits. The cottage became a refuge from the pressures of the White House, a place of tranquility where Lincoln could refresh his mind. Based on research in rarely tapped sources, especially the letters and memoirs of people who lived or worked at the Soldiers' Home, Lincoln's Sanctuary offers the unexpected--a completely fresh view of Abraham Lincoln--through the window of a place that helped shape his presidency.

    The market for contemporary art was robust and he was hoping to turn a profit. His instinct seemed to be on target: his picture sold for $375,000. But if only Polsky had waited . . . Over the next two years, prices soared to unimaginable heights with multimillion-dollar deals that became the norm and not the exception. Buyers and sellers were baffled, art dealers were bypassed for auction houses, and benchmark prices proved that trees really do grow to the sky. Had the market lost all reason?In I Sold Andy Warhol (Too Soon), Polsky leads the way through this explosive, short-lived period when the "art world" became the "art market." He delves into the behind-the-scenes politics of auctions, the shift in power away from galleries, and the search for affordable art in a rich man's playing field. Unlike most in the art world, Polsky is not afraid to tell it like it is as he negotiates deals for clients in New York, London, and San Francisco and seeks out a replacement for his lost Fright Wig in a market that has galloped beyond his means. A compelling backdoor tell-all about the strange and fickle world of art collecting, I Sold Andy Warhol (Too Soon) takes an unvarnished look at how the industry shifted from art appreciation to monetary appreciation.

    From Robert Capa's stark photograph of a Loyalist soldier being shot in the head during the Spanish Civil War to Eve Arnold's astonishingly intimate portraits of well-known faces - from Joan Crawford to Malcolm X - Magnum has changed how we perceive our political leaders, social crises, and the communities next door.Magnum's photographers are some of the most talented, brave, and resourceful in the world: the founders, Robert Capa, David Seymour, George Rodger, and Henri Cartier-Bresson; and recruits, including Eve Arnold, Bruce Davidson, Mary Ellen Mark, Susan Meiselas, Inge Morath, James Nachtwey, Eugene Richards, and Sebastiao Salgado. Magnum follows them on assignment, facing bodyguards and visa troubles and taking to the risk-filled trenches of several wars for the perfect shot. Full of wonderful stories and heroic feats, Magnum is an essential volume for anyone interested in photography or photojournalism.

    Carroll Pickett, working with two time Edgar Award-winner and New York Times best selling author Carlton Stowers, provides this eloquent, unflinching look at capital punishment.Within These Walls is the powerful memoir of Rev. Pickett, who spent fifteen years as the death house chaplain at "The Walls," the Huntsville unit of the Texas prison system. In that capacity Rev. Pickett ministered to 95 men before they were put to death by lethal injection. They came with sinister nicknames like "The Candy Man" and "The Good Samaritan Killer," some contrite, some angry-a few who might even have been innocent. All of them found in Rev. Pickett their last chance for an unbiased confessor who would look at them only as fellow humans, not simply as the convicted criminals the rest of society had already dismissed them as. This first-hand experience gave Rev. Pickett the unique insight needed to write an impassioned statement on the realities of capital punishment in America. The result is a thought-provoking and compelling book that takes the reader inside the criminal mind, inside the execution chamber, and inside the heart of a remarkable man who shares his thoughts and observations not only about capital punishment, but about the dark world of prison society.

    The male wolf made just for her. The one destined to love her and only her. The day she meets him is the happiest of her life, but in a cruel twist of fate, he rejects her and their bond? Heart broken, she leaves the only pack she's ever known in an effort to be as far from him as possible, and prepares to live out the rest of her life alone in Hawaii with her uncle.Trevor Haynes is the Alpha of his pack. He has it all, money, good looks, an amazing body, and best of all, whatever female he wants in his bed. He shares his body, but never his heart. Been there, done that, and never doing it again. Like Harmony, his experience with his own mate was a painful one and has turned him into the closed off playboy that he's become. So what happens when two wolves who have given up on love are suddenly thrown together.Fate intervenes once again, and gives them a second chance.

    From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs.George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in.Whether you’re searching for yourself, for answers, for change – join the search party.