Here, he visits her, erratically, and not always happily. All is soon inexorably overturned when a rich interloper comes between the couple with an indecent proposal-a thousand dollars for a night.

    "Filled with warmth and humor, sadness and tenderness, songs and poems, Lake Wobegon Days is an unforgettable portrait of small-town American life, of why 'we are what we are' and why 'smart doesn't count for much."

    Sera, a prostitute, and Ben, an alcoholic, stumble together and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls—an overlooked American classic.

    Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk – known as the ‘Toad’. Grieving over his wife’s recent death, Krug is at first dismissive of Paduk’s activities and sees no threat in them. But the sinister machine which Paduk has set in motion may prove stronger than the individual, stronger even than the grotesque ‘Toad’ himself. The first novel Nabokov wrote while living in America and the most overtly political novel he ever wrote, Bend Sinister is a modern classic.  While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state.  Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man.  In a folly of bureaucratic bungling and ineptitude, the government attempts to co-opt Krug's support in order to validate the new regime.

    . . is naive? That our sexual selves are merely idylers in a vast wood?" Thus the central theme of John Hawkes's widely acclaimed novel The Blood Oranges is boldly asserted by its narrator, Cyril, the archetypal multisexualist. Likening himself to a white bull on Love's tapestry, he pursues his romantic vision in a primitive Mediterranean landscape. There two couples—Cyril and Fiona, Hugh and Catherine—mingle their loves in an "lllyria" that brings to mind the equally timeless countryside of Shakespeare's Twelfth Night.

    The story of a middle aged professor who, upon completion of his massive historical study, Guilt and Innocence in Hitler's Germany, finds himself writing a novel about his own life instead of the introduction to his magnum opus. The Tunnel meditates on history, hatred, unhappiness, and, above all, language.

    Fight Club’s estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basement of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering-among other things-mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth.

    With compassion, wit, and what appears to be candor she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.

    Andre Dubus treats his characters--a bereaved father stalking his son's killer; a woman crying alone by her television late at night; a devout teenager writing in the coils of faith and sexuality; a father's story of limitless love for his daughter--with respect and compassion. He turns fiction into an act of witness.

    Male, female, deft, fraudulent, constantly shifting: which of the masquerade of passengers on the Mississippi steamboat Fidele is the confidence man? The central motif of Melville's last and most modern novel can be seen as a symbol of American cultural history.

    The Floating Opera and The End Of The Road are John Barth's first two novels.  Their relationship to each other is evident not only in their ribald subject matter but in the eccentric characters and bitterly humorous tone of the narratives.  Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on the emotions.  Separately they give two very different views of a universal human drama.

    When long-hidden secrets about the atrocities he committed in Vietnam come to light, a candidate for the U.S. Senate retreats with his wife to a lakeside cabin in northern Minnesota. Within days of their arrival, his wife mysteriously vanishes into the watery wilderness.

    The vagaries of the Fairchilds are keenly observed, and sometimes harshly judged, by nine-year-old Laura McRaven, a Fairchild cousin who takes The Yellow Dog train to the Delta for Dabney Fairchild's wedding. An only child whose mother has just died, Laura is resentful of her boisterous, careless cousins, and desperate for their acceptance. As the hour moves closer and closer to wedding day, Laura arrives at a more subtle understanding of both the Fairchilds and herself. Born in 1909 in Jackson, Mississippi, Eudora Welty is one of the South's finest novelists. She won a Pulitzer in 1972 for The Optimist's Daughter. Delta Wedding is her best known work.