"I'd rather take a photograph than be one," she declares after she arrives in Paris in 1929, where she soon catches the eye of the famous Surrealist Man Ray. Though he wants to use her only as a model, Lee convinces him to take her on as his assistant and teach her everything he knows. But Man Ray turns out to be an egotistical, charismatic force, and as they work together in the darkroom, their personal and professional lives become intimately entwined, changing the course of Lee's life forever.Lee's journey takes us from the cabarets of bohemian Paris to the battlefields of war-torn Europe during WWII, from discovering radical new photography techniques to documenting the liberation of the concentration camps as one of the first female war correspondents. Through it all, Lee must grapple with the question of whether it's possible to reconcile romantic desire with artistic ambition-and what she will have to sacrifice to do so.Told in interweaving timelines, this sensuous, richly detailed novel brings Lee Miller-a brilliant and pioneering artist-out of the shadows of a man's legacy and into the light.

    Get mad at him and even cry with him. Here's Don Quixote, Santa Claus, and Faust rolled into one "thick shadow" of a man. A joyous sixty-year-old American street painter lives on the Left Bank in Paris, making a living by creating rentable apartments out of the most unlikely spaces. Mostly, however, he paints with utter delight in the creative act and discovers remarkable characters along his path: crafts-men, students, prostitutes, motorcyclists. He scumbles and fails. He digs twisting tunnels under Paris streets and builds nests: nature nests, rats' nests, birds' nests. He collects clocks and designs his own life from the "inside." Wanting to be true beyond honesty, visible past seeing to being, Scumbler scrambles, tumbles, rumbles, rambles through the ecstatic pleasure of creation and the pangs of ordinary existence.

    An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier––a sculptor to the last––carved a madonna and child from the butt of a captured German rifle, just two days before he died.

    But will her dream of a Parisian Happily-Ever-After come true? Or will Sarah realise that the dream isn’t quite as rosy in reality…

    Unlike their geisha counterparts, courtesans didn't lived in brothels or bend their wills to suit their suitors. They were the muses who enflamed the hearts of our most celebrated artists--Raphael, Manet, Dumas, and Proust, to name just a few--as well as becoming artists in their own right. Offering the first comprehensive tour of their worlds, Susan Griffins celebrates these first feminists and hails their virtues: Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm. From Veronica Franco, who graced the palazzos of sixteenth-century Venice, and Madame de Pompadour, the arbiter of all things fashionable at Versailles during the reign of Lous XV, to La Belle Otero of the grand boulevards of Paris in the Gay Nineties and Marion Davies, who took Hollywood by storm in the 1920's and 1930's, The Book of the Courtesans enticingly illustrates the intricacies of their lavish lifestyles and incredible life stories. Fascinating true tales and enlightening snippets from courtesans' memoirs further reveal how these cunning women seized their opportunity to become the West's first liberators, free to choose their own lovers and command remarkable respect.Delving into his scintillating world, The Book of the Courtesans is an impeccably researched, beautifully crafted portrait of some of the most intriguing figures in women's history.

    5. Yet behind the public persona is a complicated woman of intrigue, shadowed by mysterious rumors. The Queen of Paris, the new novel from award-winning author Pamela Binnings Ewen, vividly imagines the hidden life of Chanel during the four years of Nazi occupation in Paris in the midst of WWII--as discovered in recently unearthed wartime files.Coco Chanel could be cheerful, lighthearted, and generous; she also could be ruthless, manipulative, even cruel. Against the winds of war, with the Wehrmacht marching down the Champs-Élysées, Chanel finds herself residing alongside the Reich's High Command in the Hotel Ritz. Surrounded by the enemy, Chanel wages a private war of her own to wrestle full control of her perfume company from the hands of her Jewish business partner, Pierre Wertheimer. With anti-Semitism on the rise, he has escaped to the United States with the confidential formula for Chanel No. 5. Distrustful of his intentions to set up production on the outskirts of New York City, Chanel fights to seize ownership. The House of Chanel shall not fall.While Chanel struggles to keep her livelihood intact, Paris sinks under the iron fist of German rule. Chanel--a woman made of sparkling granite--will do anything to survive. She will even agree to collaborate with the Nazis in order to protect her darkest secrets. When she is covertly recruited by Germany to spy for the Reich, she becomes Agent F-7124, code name: Westminster. But why? And to what lengths will she go to keep her stormy past from haunting her future?

    One morning while passing through Grand Central Terminal on her way to work, she finds an abandoned suitcase tucked beneath a bench. Unable to resist her own curiosity, Grace opens the suitcase, where she discovers a dozen photographs—each of a different woman. In a moment of impulse, Grace takes the photographs and quickly leaves the station.Grace soon learns that the suitcase belonged to a woman named Eleanor Trigg, leader of a ring of female secret agents who were deployed out of London during the war. Twelve of these women were sent to Occupied Europe as couriers and radio operators to aid the resistance, but they never returned home, their fates a mystery. Setting out to learn the truth behind the women in the photographs, Grace finds herself drawn to a young mother turned agent named Marie, whose daring mission overseas reveals a remarkable story of friendship, valor and betrayal.Vividly rendered and inspired by true events, New York Times bestselling author Pam Jenoff shines a light on the incredible heroics of the brave women of the war, and weaves a mesmerizing tale of courage, sisterhood and the great strength of women to survive in the hardest of circumstances

    Her artist father died on 9/11, and Joan--an art historian by training--has spent more than a decade maintaining his legacy. Life in the art world is beginning to wear on her--and then one fateful afternoon her husband drops a bombshell: he's fathered twins with another woman.Furious but secretly pleased to have a reason to blow up her life, Joan impulsively decides to get out of town, booking a last-minute trip to Paris as an art courier: the person museums hire to fly valuable works of art to potential clients, discreetly stowed in their carry-on luggage. Sipping her champagne in business-class, she chats up her seatmate, Nate, a good-looking tech nerd who invites her to dinner in Paris. He doesn't know she's carrying drawings worth hundreds of thousands of dollars.But after a romantic dinner and an even more romantic night together, Joan wakes up next to her new lover to discover the drawings gone. Even more shocking is what's been left in their place: a sketch from her father's journals, which she thought had been lost when he died on 9/11, and a poem that reads like a treasure hunt.With Nate as a sidekick, Joan will follow the clues all over Paris--from its grand cathedrals to the romantic bistros to the twisty side streets of Monmarte--hoping to recover the lost art, and her own sense of adventure. What she finds is even better than she'd expected.

    Nonna's writings tell the remarkable tale of how a Russian girl, born into a family that had known wealth and privileges, was exposed to the concentration camps and learned the value of human life and the importance of forgiveness.

    The history of art has been, successively, a history of artists and their works, of styles and stylistic change, of images--and now, of context and cultures. Art history at its best makes use of all these. 530 color illustrations. 782 b&w.

    Alongside her childhood friend, French-born Rose, she quickly rises up the ranks of the freedom fighters. For Rose, the Resistance is a link to her late husband, and a way to move forward without him. What starts out as helping downed airmen becomes a bigger cause when they meet Sophia, a German escapee and fierce critic of Hitler who is wanted by the Gestapo. Together the three women form a bond that will last a lifetime.But amid the turmoil and tragedy of warfare, all three risk losing everything—and everyone—they hold dear. Will their united front be strong enough to see them through?

    From her Pomeranian idyll (encapsulated in her first novel, Elizabeth and Her German Garden) to less happy days in London following the death of her first husband; from the solitude of her Swiss mountain hideaway, to World War I and a disastrous second marriage, her dogs (or lack of) were always vital to her. Through them, Elizabeth von Arnim offers observations on life and society.

    Since then, she’s built a quiet life for herself in her small English village, repairing instruments and nurturing her long- distance affair with David, the man who has helped her rebuild her life even as she puts her dreams of a family on hold until his children are old enough for him to leave his loveless marriage.But when David saves the life of a woman in the Paris Metro, his resulting fame shines a light onto the real state of the relationship(s) in his life. Shattered, Grace hits rock bottom and abandons everything that has been important to her, including her dream of entering and winning the world’s most important violin-making competition. Her closest friends—a charming elderly violinist with a secret love affair of his own, and her store clerk, a gifted but angst-ridden teenage girl—step in to help, but will their friendship be enough to help her pick up the pieces?Filled with lovable, quirky characters, this poignant novel explores the realities of relationships and heartbreak and shows that when it comes to love, there’s more than one way to find happiness.

    In fact, recent research has shown that this vision bears little relation to reality.The field of archaeology has changed dramatically in the past two decades, as women have challenged their male colleagues' exclusive focus on hard artifacts such as spear points rather than tougher to find evidence of women's work. J. M. Adovasio and Olga Soffer are two of the world's leading experts on perishable artifacts such as basketry, cordage, and weaving. In The Invisible Sex, the authors present an exciting new look at prehistory, arguing that women invented all kinds of critical materials, including the clothing necessary for life in colder climates, the ropes used to make rafts that enabled long-distance travel by water, and nets used for communal hunting. Even more important, women played a central role in the development of language and social life—in short, in our becoming human. In this eye-opening book, a new story about women in prehistory emerges with provocative implications for our assumptions about gender today.

    She married a French aristocrat, and narrowly survived the French Revolution, escaping to America at the time of Washington and Jefferson. Here, she lived a life of milking cows and chopping wood, having previously been accustomed to the lavish life of the French court.Returning to France prematurely, Lucie had to flee again, this time to England, where she took up sewing in order to support herself and her family. Repeatedly in the right place at the right time, Lucie saw the Battle of Waterloo, the fall of Napoleon and the return of Louis XVIII, and the Restoration. She was an outstanding diarist and a remarkable woman, who witnessed one of the most dramatic and brutal periods of history, playing the part of observer, commentator and, often, participant.For the last years of her life she was ambassadress to Holland and the Kingdom of Sardinia. Her friends included Wellington, Lafayette, Alexander Hamilton, Talleyrand and Madame de Stael. She died, aged 83, in Pisa. Mixing politics and court intrigue, social observation and everyday details about food, work, illness, children, manners and clothes, Caroline Moorehead paints a vivid and memorable portrait of an era - lasting three-quarters of a century - that saw the fortunes of France, as well as those of Lucie herself, rise and fall and rise again. Both as a witness and as a survivor, Lucie is a superb subject for an exemplary biographer.