The very wide audience which Rilke’s work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton. A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.

    Krull is a man unhampered by moral precepts that govern the conduct of ordinary mortals, and this natural lack of scruple, coupled with his formidable mental and physical endowments, enables him to develop the arts of subterfuge and deception with astonishing success and to rise swiftly from poverty to affluence. Following Krull along the shady paths his nature has destined him to take, the reader moves through a world peopled by bizarre characters from the lowest to the highest reaches of European society. Chameleon-like, Krull readily adapts himself to the situation of the moment, and so adept in the practices of chicanery does he become that his victims almost seem to count themselves privileged. And so it is too with the women who encounter the irresistible Krull, for where Krull is, the normal laws of human behavior are in suspense.Originally the character of Felix Krull appeared in a short story Mann wrote in 1911. The story wasn't published until 1936, in the book Stories of Three Decades along with 23 other stories written from 1896 to 1929, the year in which he was awarded the Nobel Prize for Literature. Much later, he expanded the original story into a novel, managing to finish and publish Part 1, "The Early Years," of the Confessions of Felix Krull to great public success. Due to Mann's death in 1955 the saga of the morally flexible and irresistible con-man remains unfinished.

    Boyle's riotous first novel, now in a new edition for its 25th anniversary Twenty five years ago, T.C. Boyle published his first novel, Water Music, a funny, bawdy, extremely entertaining novel of imaginative and stylistic fancy that announced to the world Boyle's tremendous gifts as a storyteller. Set in the late eighteenth century, Water Music follows the wild adventures of Ned Rise, thief and whoremaster, and Mungo Park, a Scottish explorer, through London's seamy gutters and Scotland's scenic highlands to their grand meeting in the heart of darkest Africa. There they join forces and wend their hilarious way to the source of the Niger.

    Pur-sued by the police and drug traffickers the luckless Blum falls prey to the frenzied paranoia of the cocaine addict and dealer. This is a fast-paced thriller written with acerbic humour, a hardboiled evocation of drug-fuelled existence and a penetrating observation of those at the edge of German society.Having broken his addiction to on heroin at the age of thirty, Jörg Fauser spent much of the rest of his life dependent on alcohol. He died aged forty-three in 1987, run over by a truck at four am on a German highway.

    Désirée is enchanted by the young officer, and he asks her to marry him. But he must leave for Paris, where he meets his eventual wife Josephine. A heartbroken Désirée is unsure she'll ever find anyone again. A love story, but so much more, Désirée is the tale of a simple merchant's daughter who ends up with a kind of royalty she never expected: an unforgettable story just waiting to be reborn.

    G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

    Four men led by the Architect of Ruins construct an Armagedon shelter, in the shape of a giant cigar, so that when the end of the world comes they can enter eternity in the right mood, whilst playing a Schubert string quartet.

    Our mother invented them for us to make up for all the things we lacked and to give us some hope for the future.During the hard and bitter years of his youth in England, Harry Bernstein's selfless mother struggles to keep her six children fed and clothed. But she never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamships tickets arrive in the mail, sent by an anonymous benefactor.Suddenly, a new life full of the promise of prosperity seems possible and the family sets sail for America, meeting relatives in Chicago. Harry is mesmerized by the city: the cars, the skyscrapers, and the gorgeous vistas of Lake Michigan. For a time, the family gets a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered.In the face of so much loss, Harry and his mother must make a fateful decision one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry's mother always dreamed was possible.With a compelling cast and evocative settings, Harry Bernstein's extraordinary account of his hardscrabble youth in Depression-era Chicago and New York will grip you from the very first page. Full of humor, drama, and romance, this tale of hope and dreams coming true enthralls and enchants.

    Fabrizio Collini is recently retired. He’s a quiet, unassuming man with no indications that he’s capable of hurting anyone. And yet he brutally murders a prominent industrialist in one of Berlin’s most exclusive hotels. Collini ends up in the charge of Caspar Leinen, a rookie defense lawyer eager to launch his career with a not-guilty verdict. Complications soon arise when Collini admits to the murder but refuses to give his motive, much less speak to anyone. As Leinen searches for clues he discovers a personal connection to the victim and unearths a terrible truth at the heart of Germany’s legal system that stretches back to World War II. But how much is he willing to sacrifice to expose the truth?

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    The novella tells the story of a day in the meticulously ordered life of bank security guard Jonathan Noel, who has been hiding from life since his wife left him for her Tunisian lover. When Jonathan opens his front door on a day he believes will be just like any other, he encounters not the desired empty hallway but an unwelcome, diabolical intruder . . .

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    From the retired village doctor and the schoolteacher, to the beachcomber and the owner of the local bar, the priest's wife and the romantic novelist, they take this lost soul into their midst. But what the villagers don't know is that Joe Haak worked as an analyst and has fled the City amid fears of a worldwide banking collapse caused by a computer program he invented. But is the end of the world really nigh? And what of the whale that lurks in the bay? Intimate, funny and deeply moving, NOT FORGETTING THE WHALE is the story of a man on a journey to find a place he can call home.

    What she is about to confess to him is profoundly shocking: All Magdalena wanted was to find true love. What she found instead was a string of lovers who each made the fatal mistake of disappointing her. From a Latin dance instructor who uses a metronome to help him keep his rhythm in bed to a Ukrainian who plays mental chess games at the gravesite of former grandmaster Alexander Alekhine, Magdalena's men all lost their lives when they no longer satisfied her; perishing by her hand through poison, drowning and incineration. A head-on collision between Church and sex, Magdalena the Sinner interweaves highly charged erotica with modern views on Catholicism, feminism and the tensions between men and women.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.