. . Piper Jane Mackenzie, mayor of Honey Creek, won’t let a major scandal rip her quirky hometown apart, or jeopardize her dream of one day running for higher office. So she’s willing to welcome undercover detective Colby McBride, hired to help solve the mystery behind her wannabe fiancé’s disappearance. Colby’s cover? That he is an old boyfriend now begging Piper for a second chance—always when there are plenty of townsfolk around to witness his shenanigans. Piper hardly knows whether to laugh or cry, especially when she finds herself drawn to the handsome rascal. He's not the only newcomer she has to deal with. There’s a new interim preacher in town, Sam Cassidy. Drifting from one assignment to another since his one love died, Sam isn’t sure he’s the right fit for Honey Creek. But as Piper knows, this is a place chock-full of surprises. And if she can keep her town—and her heart—from going completely off the rails, there may be a sweet, unexpected future in store . . .

    Jessie, accompanied by her huge orange tomcat, Jack, returns to Sage Bluff to house sit for her dad and judge an art competition. She is painting the morning light on a golden haystack, and absentmindedly brushes a note of turquoise onto the canvas, echoing a spot of color she sees . Curious about the lovely spot of blue, the artist walks over to discover a shoe. The mate is still on the foot of a dying Native American girl crammed between the hay bales. She whispers to Jessie that her attacker was a cop. The story becomes personal when old flame, Sheriff Russell Bonham, reveals that the girl had been attacked while on her way to speak to Jessie's family about two missing Thomas Moran masterpieces worth millions. The paintings disappeared nearly a hundred years ago from St. Benedict's Mission School. Right after the unsolved murder of Jessie's great aunt Kate. Having no idea who to trust, Jessie teams up with Arvid Abrahmsen, a huge Norwegian cop, and FBI art theft agent, Grant Kennedy, to search for the lost artwork and solve the murders, both the past and the present. Death on Canvas is not a cliche "who-done-it" light mystery. It has unexpected twists and turns, art tips, humor and glorious description of both the past and present.

    Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady."The Last Resort," her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat.Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett. His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, "The Last Resort" conveys at once the idyllic charm and the impossible compromises of a lost way of life.

    He wins approval from his tough gang of friends by spotting an opportunity for a robbery at a local supermarket. He just never thought they'd go through with it. Even though they escape with more money than they'd anticipated, it is a botched job and cataclysmic events unfold. To make matters worse, Kelly Jenkins, the girl Trick has been in love with since he was seven years old, is planning her escape from their small town. If he doesn't tell her how he feels now, he risks losing her forever.A gritty fast-paced story full of suspense and intrigue, Trick is about friendship, love and a good kid’s determination to make something of his life, against all the odds.

    They’re wrong. They think she’s merely cataloging art in a Louvre museum and unaware they’re stealing national treasures for their private collections. They have no idea she’s carefully decoding their notes and smuggling information to the Resistance. But Éliane is playing a dangerous game. Does she dare trust the man she once loved with her secrets, or will he only betray her once again? She has no way to know for certain . . . until a trip to a stunning home on the French Riviera brings a whole new level of peril. Present Day: Wanting to forget the tragedy that has left her life in shambles, Remy Lang heads to a home she’s mysteriously inherited on the Riviera. While working on her vintage fashion business, she discovers a catalog of the artworks stolen during World War II and is shocked to see a painting that hung on her childhood bedroom wall. Who is her family, really? And does the Riviera house hold more secrets than Remy is ready to face?Natasha Lester brilliantly explores the impossible choices ordinary people faced every day during extraordinary circumstances, weaving fact with fiction and celebrating women who push the boundaries of their time.

    Wayward nights out that don’t go as planned; the righteous anger at those men with no talent or skill or smarts who occupy the most powerful positions in the world; the strange banality of madness and, of course, the hurt and indecision of unrequited love.For every woman surviving and thriving in today’s world, for every girl who feels too much; this is a call for communion, and you are not alone.

      This addictive-to-read anthology celebrates yarn—specifically, the knitter’s reputation for acquiring it in large quantities and storing it away in what’s lovingly referred to as a “stash.” Consider contributions from knitting and teaching luminaries, including:    BUST co-founder Debbie Stoller    Meg Swansen, daughter of master knitter Elizabeth Zimmermann    Knitting blogger and author Susan B. Anderson alongside offerings from knitting greats Amy Herzog, Stephanie Pearl-McPhee, and Franklin Habit—plus, stories from a romance novelist, an illustrator, a PhD-wielding feminist publisher, a globetrotting textile artist, a licensed clinical social worker, and the people behind the world’s largest collective online stash, Ravelry.com. The pieces range from comical to earnest, lighthearted to deeply philosophical as each seeks to answer the question of how the stash a knitter has accumulated over the years reflects his or her place in universe.   The stories in A Stash of One’s Own represent and provide validation for knitters’ wildly varying perspectives on yarn, from holding zero stash, to stash-busting, to stockpiling masses of it—and even including it in estate plans. These tales are for all fiber artists, spinners, dyers, crafters, crocheters, sheep farmers, shop owners, beginning knitters to yarn experts, and everyone who has ever loved a skein too hard to let it go.

    Inspired by a real-life case of an IVF laboratory mix-up.Grace and Dan Arden are in their forties and have been on the IVF treadmill since the day they got married. Six attempts have yielded no results, and with each failure a little piece of their hope dies. Priya Laghari and her husband Nick Archer are being treated at the same fertility clinic, and while they don’t face the same time pressure as the Ardens, the younger couple have their own problems. On the same day that Priya is booked for her next IVF cycle, Grace goes in for her final, last-chance embryo transfer. Two weeks later, both women get their results. A year on, angry and heartbroken, one of the women learns her embryo was implanted in the other’s uterus and must make a devastating choice: live a childless life knowing her son is being raised by strangers or seek custody of a baby who has been nurtured and loved by another couple.

    We withhold the truth, pretend we're okay, and perform at great personal cost. In fact, many of us are so good at lying to others about how we're "just fine, thank you" that we don't even realize anymore that we're lying to ourselves. We're missing the opportunity to offer our true selves to the world around us, to say what needs to be said and do what needs to be done, and to live with grace and gumption.If you're tired of smiling on the outside while you are broken and battered on the inside, Ashley Abercrombie has a message for you--it's okay to tell the truth about yourself and what you've been through. In being brutally honest about her own struggle to overcome addiction, rape, abortion, perfectionism, and dysfunctional relationships, she helps you break the silence on your own pain and shame in order to find healing, encouragement, and ultimately acceptance. You'll learn to listen to your gut, courageously own your story (no matter how messy), and release those around you to do the same.

    In Make Ink, Logan delves into the history of inkmaking and the science of distilling pigment from the natural world. Readers will learn how to forage for materials such as soot, rust, cigarette butts, peach pits, and black walnut, then how to mix, test, and transform these ingredients into rich, vibrant inks that are sensitive to both place and environment. Organized by color, and featuring lovely minimalist photography throughout, Make Ink combines science, art, and craft to instill the basics of ink making and demonstrate the beauty and necessity of engaging with one of mankind’s oldest tools of communication.

    But no one is listening to her. After her husband, Mark, died suddenly in a terrible accident a few months earlier, the only thing keeping Tess together is Jamie. As they struggle to make sense of their new life without Mark, they find joy in brief moments of normalcy like walking to school and watching television together. Life is hard without Mark, but Tess has Jamie, and that's what matters.But there in the hospital, confused and surrounded by people who won't listen, Tess’s world falls apart. To save her son, she must piece together what happened between Mark's death and Jamie's birthday, but the truth might just be too much for her to bear.

    Briefly, we learn the way a musical tradition born in Ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.

    *Everything the beginner knitter needs to know*Why knit? Why join a knit group? How to start your own knit group*What you'll need to get started on what might turn out to be a lifetime's passion*Step-by-step practical guide teaches how to knit in easy, jargon-free language*Troubleshooting section explains how to avoid the mistakes that you are definitely going to make*20 funky patterns for you to follow

    After much time, therapy, and wine, Elissa is at last in a healthy place, still orbiting around her mother but keeping far enough away to preserve the stable, independent world she has built as a writer and editor. Then Elissa is confronted with the unthinkable: Rita, whose days are spent as a fl�neur, traversing Manhattan from the Clinique counters at Bergdorf to Bloomingdale's and back again, suffers an incapacitating fall, leaving her completely dependent upon her daughter.Now Elissa is forced to finally confront their profound differences, Rita's yearning for beauty and glamour, her view of the world through her days in the spotlight, and the money that has mysteriously disappeared in the name of preserving youth. To sustain their fragile mother-daughter bond, Elissa must navigate the turbulent waters of their shared lives, the practical challenges of caregiving for someone who refuses to accept it, the tentacles of narcissism, and the mutual, frenetic obsession that has defined their relationship.Motherland is a story that touches every home and every life, mapping the ferocity of maternal love, moral obligation, the choices women make about motherhood, and the possibility of healing. Filled with tenderness, wry irreverence, and unforgettable characters, it is an exploration of what it means to escape from the shackles of the past only to have to face them all over again.Praise for Motherland"Rarely has a mother-daughter relationship been excavated with such honesty. Elissa Altman is a beautiful, big-hearted writer who mines her most central subject: her gorgeous, tempestuous, difficult mother, and the terrain of their shared life. The result is a testament to the power of love and family."--Dani Shapiro, author of Inheritance

    In 1940, Andrée “Dedee” de Jongh, a twenty-four-year-old Belgian nurse, is horrified by her country’s quick surrender to Nazi Germany. Every week she observes Germans inspecting the infirmary for injured Allied soldiers to ship off to work camps. Every day she witnesses new atrocities in the streets, such as Jewish countrymen being brutally beaten. Outraged at the injustice, Dedee devises a strategy with her father to aid in the resistance effort against the Germans. They hatch a plan to help downed Royal Air Force fliers escape Belgium and France and return to England, where they can rejoin the fight. It’s a dangerous endeavor and guaranteed death sentence if they’re caught, but Dedee is determined to do her part to defeat the enemy. Over time, the secret organization becomes one of the most successful wartime escape lines, saving more than eight hundred Allied fliers. Dedee manages to outwit the Nazis for a time, but with German soldiers hunting for the group and its leaders at every turn, will she be able to escape with her life?